Manuscript fragment on parchment of an antiphonary, containing Antiphons for the week of Septuagesima; Sexagesima, first vespers to second vespers; Quinquagesima, from vespers to the first nocturn of matins
Description:
In Latin, Script: written in late Caroline minuscule., and Decoration: 2-line initial "Q" on f. 1v in red; 1-line initials in brown capitals with uncial M and an enlarged minuscule e; rubrics written in red minuscule, with occasional use of uncial M; interlinear neumes in the St. Gall style; punctuated with punctus placed on the base line; cross-shaped "+" mark in brown ink on f. 1r.
Manuscript fragment on parchment of an antiphonary containing the Common of Martyrs
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 4-line initial "A" in red and blue ornamented with red and blue penwork; chant initials alternate as 2-line blue initials and 1-line red initials; other 1-line capitals in black; rubrics written in red minuscule; musical notation is in black on 4-line staves in red; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing St. Paul (30 June).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: initials of antiphons and responses are 1-line red capitals; 1-line initials for verses and Psalm incipits are in brown highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the text; interlinear neumes in the St. Gall style, somewhat surprising in a manuscript of this date; differentiae in roman numerals with neumes in the St. Gall style are in the outer margins for antiphons with full text.
Manuscript fragment on parchment of a breviary containing: Feria VI after Pentecost; Saturday after Pentecost; Octave of Pentecost
Description:
In Latin., Script: written in two sizes of late Caroline minuscule with a smaller script for the responses and a larger script for the lessons., and Decoration: 2-line initials are in orange-red square capitals; 1-line initials are in orange-red square capitals; other 1-line initials are in brown rustic capitals; rubrics written in orange-red, which has oxidized in places; punctuated with punctus and punctus elevatus; hyphenation in same ink as text.
Manuscript fragment on parchment of Jerome's Commentaria in Ezechielem
Description:
In Latin, Script: written in late Carolina minuscule., and Decoration: 1-line initials are in brown rustic capitals; two words in Greek majuscules with a line drawn above them; punctuated with the punctus and punctus elevatus; double quotation marks in the outer margin of the recto.
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript fragment on parchment of a gradual containing among other items: Christmas Eve (24 December); Christmas (25 December); St. Agatha (5 February); St. Valentine (14 February); Chair of Peter (22 December); an unidentified Mass; Annunciation (25 March); and St. Rupert (27 March).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials of major feasts are in red uncials; 1-line chant initials are brown highlighted with red; rubrics are in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the rubrics; interlinear neumes in the St. Gall style.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants)
Manuscript fragment on parchment of a gradual containing among other items: St. Ambrose (4 April); Sts. Tiburtius and Valerian (14 April); St. George (23 April); St. Boniface (5 June); Sts. Primus and Felician (9 June).
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: the 3- and 4-line initials at the beginning of Masses are in two styles: several initials are composed of hollow intertwining vines in red outline on a blue and green background; other initials are plain red square capitals; 1-line initials are in thick brown square capitals; 1-line initials of Psalm incipits are in brown rustic capitals; rubrics written in red rustic capitals; liturgical directions are in brown rustic capitals as are the first few words of each mass; punctuated with the punctus; interlinear neumes are in the St. Gall style; liturgical notes have been written in the morgin of fol. 3v in a fifteenth-century cursive gothic hand.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
Manuscript fragment on parchment of a gradual containing: the thirteenth Sunday after Pentecost; the fourteenth Sunday after Pentecost; the fifteenth Sunday after Pentecost
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2- and 3-line Mass initials are in red square capitals; 1-line initial "A" of Alleluias is in red; other 1-line initials are in brown square capitals; rubrics written in red rustic capitals; the first line of each Mass is written in brown rustic capitals; punctuated with the punctus; interlinear neumes in the St. Gall style; a later hand has added reference numbers in Roman numerals over the abbreviated chants.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
Manuscript fragment on parchment of a gradual containing: Letania maior; Mass for the Dead; and Holy Saturday
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2-line initials are in red and green; 1-line initials of Kyries and of antiphons on fol. 1 are in red; 1-line initials of hymn verses and of chants on fol. 1v are in brown rustic capitals highlighted with red; rubrics written in red rustic capitals; punctuated with the punctus; hyphenation is in the same ink as the text; interlinear neumes are in the St. Gall style.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
