Title from caption below image., Artist attribution from earlier print of which this design is a copy., Publication date based on watermark., Description based on imperfect impression; sheet trimmed within plate mark, and statement of responsibility erased from lower left corner of sheet., Design consists of nine figures arranged in two horizontal rows, each figure having a line of text etched above; plate numbers are etched at the upper left corner of each row., A reduced copy of the first half of no. 7230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Watermark, trimmed: [...]ith 1815.
Title from caption below image., Artist attribution from earlier print of which this design is a copy., Publication date based on watermark., Sheet trimmed within plate mark, and statement of responsibility erased from lower left corner of sheet., Design consists of nine figures arranged in two horizontal rows, each figure having a line of text etched above; a plate number is etched at the upper left corner of the lower row only., A reduced copy of the second half of no. 7230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Watermark, partially trimmed: 1815.
Title from captions above or below each image., Date of publication based on that of a similar print with the same title published 25 Mar. 1791 by W. Dickinson. See British Museum online catalogue, registration no.: 1948,0214.465., Three designs on one plate, each individually titled., Description based on imperfect impression; sheet trimmed within plate mark with loss of text below image in lower right, possibly the printmaker's signature., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Siege of Namur by Captain Shandy and Corporal Trim
Description:
Title from caption below image., Four lines of prose below image, two on either side of title: What an honest triumph in ym [sic] uncle Tobys eyes as he march'd to the ramparts ..., Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: Gate of St. Nicolus -- Soldiers -- British officiers -- Country lane., and A later copy of no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Taylor turned jockey, or, Goose upon goose, Tailor turned jockey, or, Goose upon goose, and Goose upon goose
Description:
Title from caption below image., Date of publication from British Museum catalogue., Text etched in upper right corner of design: A poor taylor riding against time for a bushell of cucumbers. NB. A dung!, and Temporary local subject terms: Trades: Tailors -- Tailors' implements: Shears -- Reference to tailors' goose -- Emblems: Cabbages -- Cucumbers -- Slang: Dung -- Goose mounted by tailor -- Yard-stick used for a whip -- Spatterdashes -- Male costume: Hats, 1780 -- Macaroni, 1780 -- Game-cocks' spurs worn by tailor.
Title from caption below image., Reissue, with imprint statement burnished out, of a plate published in an earlier edition of Annals of horsemanship bearing the publication line: London, Published March 25th, 1791, by W. Dickinson, No. 24 Old Bond Street., Publication information based on that of the volume in which the plate was published., Text below title: Cavat lapidem non vi, sed saepe cadendo., Plate from: Annals of horsemanship : containing accounts of accidental experiments ... communicated to Geoffrey Gambado [pseud.] ... London, J. Stockdale, 1812., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Horses -- Horsemanship.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A wife has chased her husband out of the house and comes up behind him, holding a broom above her head, ready to strike. He has stopped to pray, hands clasped in front of his chest. Through the open door of their house a chair and some shelves can be seen; a set of antlers hangs above the doorway. The face of another person is visible in a second-story window; they peer out at the scene, amused
Description:
Titled by the artist in ink below image., Signed in upper right corner with the artist's initials., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A thin man, dressed in macaroni fashion, stands in profile to the right, holding a cane in his right hand and a bouquet in his left hand; a sword hangs from his side. A child stands behind him, hat held out as if begging for money
Alternative Title:
This club was instituted and kept at Almacks and called the Macaroni Society
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Title from caption below image., Initial letters of artist's name in signature form a monogram., Later state with plate numbering. For earlier state with numbering in upper right corner only, see Lewis Walpole Library call no. Bunbury 771.10.01.02.1+., Initial letters of publisher's name in imprint form a monogram., Publisher's advertisement following imprint: Where may be had all the works of Mr. Bunbury &c., Plate numbered "13" in upper left corner and "I" in upper right corner., Temporary local subject terms: Signboards -- French lemonade merchants -- Lemonade tanks -- Paris skyline from the Pont Neuf -- Muffs -- French poodles -- Sentries -- Parasols -- French portresses -- Whips -- French shoeblacks -- Trades: Seller of chocolate -- Basket containing cups -- Pot for 'milling' chocolate -- Bells -- Paris: Le Pont Neuf., Watermark., and Imperfect; artist's signature erased from lower left corner of sheet.
Publisher:
Pubd. accordg. to act of Parlt. by MDarly, 39 Strand
Subject (Topic):
Barbers, Coachdrivers, Dogs, Lawyers, Umbrellas, and Wigs
