Foundling Hospital: above, the achievement of arms; below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. The lower scene shows Coram carrying the Royal Charter, granted in 1739, under his arm. Hogarth made the original drawing to head the subscription roll of the hospital
Description:
Title etched below image., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 152., Sheet trimmed to plate mark on right edge., and Two images on one plate. Top image is a copy of an engraving after Hogarth from ca. 1747; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 230. Bottom image is a copy of an engraving after Hogarth from the 1740s; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 225.
"Interior of the Fleet Prison with the House of Commons committee appointed to enquire into the state of gaols (after Hogarth's painting of c.1729 in the National Portrait Gallery); to left, James Oglethorpe, Chairman of the Committee, confronts the warden of the Fleet, Thomas Bambridge; in the foreground, a prisoner (probably Jacob Mendes da Sola) kneels in shackles."--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Published June 1st, 1803 by G. & J. Robinson, Paternoster Row, London
Subject (Name):
Oglethorpe, James, 1696-1785, and Bambridge, Thomas, active 1729.
Title from time., Publication date based on the Gentleman's magazine's account of a chess match played by Philidor in the presence of the Turkish ambassador, February 23, 1794., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Turkish ambassador -- Clubs: Parsloe's Chess Club-- Furniture: chairs -- Furnishings: framed pictures -- Picture frames -- Male costume, ca. 1794.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Philidor, F. D. 1726-1795. (François Danican),
Subject (Topic):
Blindfolds, Chess, Clubs, Dogs, Fire screens, and Fireplaces
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Alternative Title:
Company of undertakers
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 144., Copy of an engraving by Hogarth that was published in 1736. Cf. No. 2299 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 144., and Temporary local Medical Library subject terms: Criticism of the medical profession -- Dod, Pierce (1683-1754) -- Bamber, Dr.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain
Subject (Name):
Mapp, Sarah, -1737,, Taylor, John, 1703-1772,, and Ward, Joshua, 1685-1761,
Subject (Topic):
Physicians, Quacks and quackery, Costume, Medical equipment & supplies, Staffs (Sticks), and Wigs
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming."--British Museum online catalogue
Description:
Title engraved below image., Quote below title: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch. 4. V. 1"., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2896., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.2.
Publisher:
Published by G.G. & J. Robinsons Pater-noster Row
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 148., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Facsimile of a sketch with hand-written descriptions, with outlines of Garrick and Quin from the back, next to a scale of feet, with profiles of a 'short proportion' to the left of Quin, and a 'tall proportion' to the right of Garrick
Alternative Title:
Facsimile of the proportions of Garrick and Quin
Description:
Title engraved above image., Also lettered with a facsimile hand-writing, including the date "Oct 21 1746", and signed "W H" [i.e., William Hogarth]., and Copy of: No. 2808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
British.
Subject (Name):
Garrick, David, 1717-1779 and Quin, James, 1693-1766
Facsimile of a sketch with hand-written descriptions, with outlines of Garrick and Quin from the back, next to a scale of feet, with profiles of a 'short proportion' to the left of Quin, and a 'tall proportion' to the right of Garrick
Alternative Title:
Facsimile of the proportions of Garrick and Quin
Description:
Title engraved above image., Also lettered with a facsimile hand-writing, including the date "Oct 21 1746", and signed "W H" [i.e., William Hogarth]., Copy of: No. 2808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., On sheet: 268 x 450 mm., and Annotated on verso: LC: 3-415.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
British.
Subject (Name):
Garrick, David, 1717-1779 and Quin, James, 1693-1766
A conversation piece: John Rich and his family relaxing in the gardens at Cowley; three men on the right stand admiring a painting; two women on the left sit by the table in conversation, behind John Rich who reclines on pillows on grass, an open book to his left and large pitcher in front of him; after Hogarth; illustration to Nichols' and Steevens' 'The Genuine Works of William Hogarth' (1810).
Description:
Title etched below image., Text following title: From an original painting in the possession of Abrm. Langford Esqr., Plate from: Nichols, J. The genuine works of William Hogarth., and Found in Filbrigg, p. 235 (iii).
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Description:
Title etched below image. and Gustavus Lord Viscount Boyne was an Irish nobleman (1710-1746); 1735 member of the English House of Commons; 1737 Commissioner of the Revenue of Ireland.
