"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
"Below each part of the procession are explanatory inscriptions beginning (left): ‘Order of Procession’. A satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker’s cart, the front of which is formed by a guillotine. This rump is on a coffin inscribed ‘Hic Jacit Rumpibus’. Two posts at the back of the cart form, with the supports of the guillotine, four uprights connected by poles, each topped by a bonnet rouge with tricolour cockade, and hung with tricolour scarves draped in black. A headsman’s axe dripping blood projects from the top of the guillotine. The cart, inscribed ‘Peter Knife Nacker Tuthill Fields’, is drawn by a miserable donkey ridden by a ragged little chimney-sweep with a bludgeon, who shouts: "Cum, hup ye xxxxx Warment or I’ll cut your xxxxx Rump off!" This is: ‘The Rump itself, borne on Mr Hobby’s Triumphal Car & drawn by an Ass.’ Two hungry dogs eye the carcass, towards which flock carrion birds. Beside the cart walk, two a side, ‘Pall bearers’, ‘Four Bum-bailiffs’, smartly dressed and vulgar-looking, whose hat-scarves are formed of writs. Behind the cart is Hobhouse riding a new velocipede or hobby-horse (see No. 13399). He weeps, holding up a handkerchief, saying: "Fare thee well, & if for ever, Then for ever Fare thee well," words appropriate to the friend of Byron, see No. 12827, &c. He wears a large tricolour mourning-scarf round his hat; a long cloak or train hangs from the collar of his coat, and is held up by Burdett and Francis Place. Captions: ‘Chief Mourner, Mr Hobbyhorse--suffering ye Tortures of the D--d!!--his Train supported by Bodkin!! & the Baronet--done over!!!’ Both wear mourning-scarves, both weep copiously, stooping forward. Place has a cabbage for a head, emblem of tailordom, cf. No. 11824, and holds a stiletto or bodkin, as if it were a dagger. Burdett says: "To think that I should have eaten salt with the Lying Chronicle!! "tis the Only act of my life,--I am ashamed of--"And, yet, it can not be for that, that all my old friends have forsaken me!!!!? "yet I could accuse me of such things, &c"-- I am very "proud, revengeful, ambitious; with more offences--at my back than I have thoughts to put them in.--" what should such a fellow as I do crawling "between earth & heaven? we are "errant Knaves beleive none of us;". At his feet is a paper: ‘Bombastes Furioso’. Place says: "What! can daunt the soul of a master Tailor?!!" yet "who would fardels bear, To groan & sweat under a weary life, When he himself might his own quietus make with a bare bodkin?" Both quote, inaccurately, ‘Hamlet’, III. i. Behind Burdett walks a dwarfish hunchback, burying his face in the former’s coat-tails; he carries a pole surmounted by ink-pot and empty purse. Long papers hang from his pocket: ‘Unpaid Bills Brooks Secty to the Rump’ and ‘Acct of money paid for Bribery &c’. He sobs: "O! Oh! Oh! O!!! The day of Reckoning is at hand!" Caption: ‘assist Mournr Master Brooke full of Cutting panes’. He is followed by four wig-blocks resting on human rumps, and having arms in which they hold poles with black and tricolour draperies inscribed ‘No Wig’. They are ‘The Rump Committee Blockheads 2 & 2--’ They are followed by a crowd of hideous ruffians, a ferocious mob led by butchers holding knives and choppers, and with candles stuck in their bonnets rouges (like sewer-men). Among them is a noseless woman; those behind have bludgeons and a broom, and hold up a (tricolour) banner inscribed: ‘No King No Lords No Coms & No Clargy No Constitution No Laws No Lamb No Nothing but Burdett & Hobby for ever & ever’. They shout: "Hob for ever!; Burdett for ever; Hobhouse; Hobhouse for ever Burdett for ever; Burdett & Hobhouse for ever no Lamb." Caption: ‘Phebotomizers 2 & 2--The rest of the followers--the Scum of Earth’. The procession (left) is headed by the hangman carrying a pole with a cross-piece inscribed ‘Equality’, from which dangle two tiny corpses; this is surmounted by a bonnet rouge. He is: ‘Mister John Ketch Esqr’. After him march four bow-legged or knock-kneed ruffians; two carry bundles of fetters, two hold banners draped with ragged black, and inscribed respectively: ‘Hold to the Laws i.e take ‘em in your own hands No Basteels’, and ‘Reform [reversed] Freedom!! and No Big Wigs’. They are: ‘Acquitted Felons two & two--’ These four wear battered hats without mourning-scarves. Behind them, and immediately in front of the ass, walks Thelwall, wearing a hat with scarf over his bonnet rouge; he holds a paper: ‘Champion’ and shambles dejectedly, saying, "If I be not ashamed of my company, I am a souc’d Gurnet:" "Ill not march through Coventry with them that’s flat". He is ‘Mr Thelwall Esqr’. Beside him is a sign-post pointing (left): ‘To the Bottom less Pit!!’ To this a rat is tied. In the foreground (right) beside the procession two ragged and disreputable women, apparently ballad-singers, sprawl on the ground. One is emaciated, under her hand is a paper: ‘The Rump for ever to the tune of Rumpt--Bum--iti’; from her mouth stream the words: "Oh! D--n my eyes I can’t stand it any longer"; in her bonnet are tricolour ribbons: ‘Hobhouse for ever’. The other, fat and angry, is supported by a hideous scavenger with a bottle inscribed ‘Bribery & Corruption’. She kicks a little ragged boy, who exclaims: "Oh! My Rump!" Caption: ‘NB The figs in ye corner represent the excessive grief of some Rumpti Tumti female Friends of the Rump’. In the background is a mound with a signpost: ‘Tothill Downs’. Down the slope a tiny figure of Hunt, wearing hunting costume, wheels (right to left) a wheelbarrow, ‘N° 38’, containing the carcass of a horse (Cartwright) inscribed ‘Universal Suffrage Annual Parliament’; he shouts "cat’s meat!" In front walks a ‘Black Dwarf’, Wooler, as in No. 12988, &c., dragging the barrow by a rope."--British Museum online catalogue
Description:
Title etched below image., Text following title: For lamentable acct. of death &c. see Rump Chronicle Extraory. March 3d, 1819., Sheet trimmed within plate mark., and Mounted on blue paper.
Publisher:
Pubd. March 22d, 1819, by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England
Subject (Name):
Great Britain. Parliament, Ketch, Jack, -1686., Broughton, John Cam Hobhouse, Baron, 1786-1869., and Melbourne, William Lamb, Viscount, 1779-1848.
Subject (Topic):
Elections, 1819, Guillotines (Punishment), Signs (Notices), Liberty cap, Political parades & rallies, Funeral processions, and Political elections