Title from item., Publisher's advertisement following the imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., Temporary local subject terms: Allusion to City Remonstrance -- Escutcheons: parody of Ashburton's escutcheons -- Allusion to the Battle of Ushant -- Elections: Westminster, 1790 -- Electors -- Clergy: dissenting minister -- Ships: man-of-war -- Monsters -- Headdress: ships as headdress -- Demons -- Hell -- Emblems: gambling -- Allusion to Test Act -- Barrels -- Tankards., and Mounted to 31 x 46 cm. and mounted again to 33 x 47 cm.
Publisher:
Pub. Aprill [sic] 20th by [S.]W. Fores, No. 3 Piccadilly
Subject (Name):
House, Samuel, -1785, Keppel, Augustus Keppel, Viscount, 1725-1786, Dunning, John, Baron Ashburton, 1731-1783, Holland, Henry Fox, Baron, 1705-1774, Fox, Charles James, 1749-1806, and Hood, Samuel Hood, Viscount, 1724-1816
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Plate numbered '221' in lower left corner., and Temporary local subject terms: Greenwich Hill -- 'Cits'.
Publisher:
Publish'd 20th August 1798 by Laurie & Whittle, 53 Fleet Street, London
"Ten ladies, arranged in two rows, with numbers referring to notes etched beneath the design, their proposed offices etched above their heads. ... '(1) First Lady of the Treasury and Chancellor of the Exchequer.' The 'Duc - ss of Gor-n' (Pitt's friend), wearing a tartan drapery, sits at a writing-table. Facing her, with outstretched right arm, is '(2) President of the Council and Duc-ss of Ric-nd.' '(3) Lady High Chancellor is the Coun-ss of Buc-s-e', very short and fat, in wig and gown and holding the purse of the Great Seal. Facing her is '(4) Chamberlain', who is 'Margr-ne of Ans-h', wearing a coronet and feathers, and holding a long wand of office. '(5) Mistress of the Horse' holding a whip is 'Lady Arc-r.' '(6) First Lady of the Admiralty' is 'Mrs Jo-n', with her arms folded, in profile to the right, as if playing the part of Priscilla Hoyden in 'The Romp', see British Museum Satires No. 6875, but wearing a naval cocked hat, emblem of her liaison with the Duke of Clarence, see British Museum Satires No. 9009. Facing her is '(7) Secretary of War & Capn of the Guards, La-y Wa-ce' (sister of No. 1); she wears a military cocked hat and coat with epaulettes, her hands placed truculently on her hips. (Her friendship with Dumouriez is perhaps hinted at.) '(8) Mistress of the Buck Hounds', is 'March-ss of Sa-ry', thin and weatherbeaten, holding two hounds on a leash, '(9) Ranger of Hyde Park', is 'La-y La-e' (wife of Sir John Lade) wearing a riding-habit and holding a riding-switch. '(10) Post Mistress General and Inspector of Mis-sent Letters' is 'La-y Je-y'. She sits at a round table on which are many letters and appliances for opening and re-sealing them, including a spirit-lamp inscribed 'Hot water'. She holds a lighted candle and peers through spectacles at a sealed letter."--British Museum online catalogue
Description:
Title etched below image., Artist and printmaker from British Museum catalogue., Publisher's advertisement following imprint: ... folio's of caracatures [sic] lent out for the evening., and With illegible monogram, perhaps a collector's mark, written in brown ink in lower margin.
Publisher:
Pubd. Febry. 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St. ...
Subject (Geographic):
England and Great Britain.
Subject (Name):
Gordon, Jane Gordon, Duchess of, 1748-1812, Richmond, Mary, Duchess of, 1740-1796, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Craven, Elizabeth, 1750-1828, Archer, Sarah West, Lady, 1741-1801, Jordan, Dorothy, 1761-1816, Lady Wallace, -1803, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Lade, Letitia, Lady, -1825, and Jersey, Frances Villiers, Countess of, 1753-1821
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Ships: French man-of-war -- Reference to Brest -- Reference to Torbay, Devonshire -- Dolphins -- Flags: Union Jack -- Demons -- Allusion to Jean-Paul Marat, 1743-1793., and Watermark: Strasburg bend.
Publisher:
Pub. Decr. 10, 1793, by S.W. Fores, No.3 Piccadilly & 51 St. Pauls Church Yard
"Tipu Sultan (left) gallops (right to left) past Cornwallis who is seated in an ornate chair on the back of an ill-drawn elephant. Tipu, rising in his stirrups, excretes a blast which displaces a boy-mahout on the elephant's neck and strikes Cornwallis. He says, "Now my Lord I'll Tip you the Swamps". The horse excretes a blast directed at the elephant's eye. The elephant, raising its trunk, says, "I wish I could run as fast as he how i would thump him." Cornwallis, with his sabre raised above his head, his left fist clenched, says, "These Monsoons are more Violent than ever I knew them before Boy turn back again." The boy says, "Yes my Lord I am going backwards Pr force." Behind Cornwallis's seat is a box inscribed 'Rice for Gruel during the Monsoons'. Behind Tipu (left) is a circular fort inscribed 'Seringapatam'."--British Museum catalogue
Alternative Title:
How to gain a complete victory and say you got safe out of the enemys reach
Description:
Title etched below image., Printmaker from British Museum online catalogue., and Watermark: I Taylor.
Publisher:
Pubd. Decr. 15, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India and India.
Subject (Name):
Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Cornwallis, Charles Cornwallis, Marquis, 1738-1805, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
Subject (Topic):
History, Daggers & swords, Defecation, Elephants, Horses, Military retreats, British, and Urination
Way to overturn a coach according to act of P-l-m-t and Way to overturn a coach according to act of Parliament
Description:
Title from item., Sheet partially trimmed within plate mark., Publisher's advertisement following imprint: where may be seen the largest collection of caracatures [sic] in the Kingdom, also the head & hand of Count Struenzee. Admitt. 1 s., and Temporary local subject terms: Allusion to Richard Gammon, 1748-1818 -- Allusion to Holyhead -- Coaches: overloaded stage-coaches -- Expressions of speech: gammon -- Bills: bill regulating stage-coaches, 1790 -- Addresses: Irish address on Regency, 1789.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor with a long pigtail, holding a cudgel, clumsily mounts a horse on the off side, putting his left. foot in the stirrup. An ostler with a broom, standing by the open stable-door, laughs at him, saying, "Jack you dont mount the Horse the right way - but it is sailor like to look one way and row another." Jack scowls over his left. shoulder to answer: "I dont mount this here horse the right way!! you lubberly swab you dont know the way I'm a going." A hunch-backed little stable-boy, wearing top-boots far too large for him, holds the horse's head, grinning delightedly. There is a landscape background with a distant village (left). A signpost points 'To Leather-head'."--British Museum online catalogue
Alternative Title:
Jack Junk embarking on a cruize and Jack Junk embarking on a cruise
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "104" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Sheet trimmed within plate mark on top and bottom edges., and Leaf 45 in volume 2.
Title from item., Sheet trimmed within plate mark., Printseller's advertisement following imprint: Folios of caracatures [sic] lent out., Temporary local subject terms: Debts: Prince of Wales's debts -- Jews -- Miniatures: miniature portraits as jewelry -- Ink-pots., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Pub. August 20, 1795, by S.W. Fores, No. 50 Piccadilly
"John Bull, blindfold, stands on a massive truncated pillar holding the beam of a pair of scales. In one scale (left), near the ground, Mrs. Clarke sits composedly among a mass of papers, holding one inscribed My dear Dearest Dearest Darling [see British Museum satires no. 11228, &c.]. The others are inscribed: Sandon, Toyne [Tonyn], Dowler, Omeara, Carter, French, Knight, Clavering. In the other scale the Duke of York swings high in the air, and shouts down to three men on the ground: Save me save me Save my Honour [cf. British Museum satires no. 11269]. They haul hard at ropes attached to his scale, which they tilt sideways so that he is in danger of falling out. One, a drink-blotched bishop wearing a mitre, says: Pull away Pull away the Church is in danger; the other two say: Pull away Pull away we lose all our Places, and Pull away pull away we shall lose our Noble Commander. On the pillar Britannia is depicted seated with her shield and lion; she holds the broken staff of a flag."--British Museum online catalogue
Alternative Title:
John Bull as Justice weighing a commander
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue, with a possible collaboration with George Cruikshank also noted., and Mounted on linen and formerly sewn in an album with only the holes remaining on top edge.
Publisher:
Pubd. by J. Johnstone, 101 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), Political corruption, History, Sex, Political aspects, Justice, Blindfolds, Scales, Columns, and Bishops
Leaf 29. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A design in two equal compartments placed side by side. A fat Frenchman (left) sits at a round table in profile to the right, knife and fork in hand, grinning delightedly at a large joint of beef flanked by a vast loaf and a decanter. He wears an enormous cocked hat, Hessian boots, and a coat of quasi-military cut. He says: "Ah What Monsieur Jack Bull you going to starve me!!!" Beside him sits his greyhound, bulgingly replete. From the table hangs a scroll: 'Beef Mutton Veal [bracketed] 002, loaf 005, Plenty'. The table has a cloth, the floor is carpeted. John Bull (right), thin and almost bald, his baggy face showing traces of former tet, sits in profile to the left, with clasped hands, regarding with resigned disgust a small oblong table, on which are a plate of fish (herring and sprats), a small oar, and a meagre dish of potatoes. His ragged coat is that of a once prosperous citizen. He says: "who would have thought it!" From the table hangs a scroll headed 'Pd: Beef 1s, Mutton 10 1/2, Veal 1[s], Butter 1. 6, loaf 1. 9 Potatoes 3d' A pitcher of water stands on the boarded floor. Beside him his emaciated bulldog lies moribund. On the wall in each compartment is a large print: [left] 'A French man in 1788', a copy, reversed of the Frenchman in British Museum Satires No. 5612, Gillray's 'Politeness' (see frontispiece, vol. v); a thin fop taking snuff, and saying over his shoulder (to John Bull), "Vous etes une Bete". The lean greyhound behind his chair sniffs other nervously towards John's mastiff; frogs hang on the wall, [right] A copy of the other part of British Museum Satires No. 5612: 'John Bull in 1788', John sits scowling contemptuously over his (right) shoulder at the Frenchman, saying, "you be d------d". A huge joint hangs on the wall."--British Museum online catalogue
Alternative Title:
John Bull at the sign, the case is altered
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 29 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. by J. Aitken, Castle St., Liecester [sic] Square [i.e. Field & Tuer]
Subject (Name):
Restrike. For original issue of the plate, see no. 9714 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Subject (Topic):
John Bull (Symbolic character), Dining tables, Eating & drinking, Food, Meat, and Dogs
