"Eight three-quarter length figures of women in ovals, arranged in two rows on a dark background. Each has put on a new wig, ranging from heavy ringlets in confused profusion to a shock of lank hair. Some are old and ugly, others passable. Their words are engraved beneath the oval; some are horrified, others complacent."--British Museum online catalogue
Description:
Title from caption below images., Publisher's advertisement below title: Folio's of caracatures [sic] lent out for the evening., Design divided into eight compartments, each individually captioned., and Watermark: A. Stace 1798.
Publisher:
Pub. June 12, 1798, by S.W. Fores, No. 50, Piccadilly, corner of Sachville [sic] St
Title etched at bottom of image., Sheet trimmed within plate mark., Numbered 'Plate 16' in upper left corner., Placement instructions 'Page 37' in upper right corner., Plate from: Woodwad, G.M. Eccentric excursions, 1796., and Temporary local subject terms: Sergeants at law -- Legal wigs.
Publisher:
Pubd. Septr. 10, 1796, by Allen & West, 15 Paternoster Row
"Louis XVI sits fatly at a table, carving large pieces from a roast bird, a rolled paper in his pocket inscribed 'Route de Melz'; he turns back to an obsequiously grinning officer wearing a wig and ruffled collar and sleeves, who approaches from an open door to right, bowing and presenting an 'Ordre of la municipalite poor l'Arret de Monsieur Louis de Bourbon', the king saying 'Je me f- de tout cela Laisse moi manger tranqillement'; in the doorway are seen a short man with the fleur-de-lis on his arm and a whip who comments, 'Voila but for his dam guts we had been safe out of their reach', and five heavy-looking soldiers, all with skull-and-crossbone motifs on their bearskin hats. To left, Marie Antoinette stands looking in a mirror, adjusting her neckerchief and saying 'Come my dear Louis havn't you finish'd your two Turkeys & drank your six bottles, you know we shall dine at Mont medy', a fine hat on the chair in front of her. Behind to left, the Dauphin sits grimacing on a water-closet, clutching at himself; his nurse approaches him with a beaker and spoon, saying 'aha! mon Petit Bourbon de shi-ten luck be de good Luck'. On the wall, three frames, the first, titled 'Louis 14', shows a preening figure, nude to the waist with a fistful of thunderbolts, standing on the back of a prostrate figure with several others abject at his feet, a temple to right; the second lacks a picture, but has an upside-down notice stuck in it, reading 'Par le roy'; the third, 'Juillet 14 1789', is the storming of the Bastille."--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: ... where may be seen the largest collection of caracatures [sic] in the world, admita[nc]e 1 shilling., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 41 x 56 cm., Watermark., German translation of title in contemporary hand at bottom of sheet., and Numbered in ms. in lower left corner of sheet: 369.
Publisher:
Pub. July 24, 1791, by S.W. Fores, N. 3 Piccadilly ...
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVII, of France, 1785-1795, and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '241' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Manifestations of leap year -- Young women -- Young men -- Female dress, 1800 -- Male dress, 1800.
Publisher:
Published 18th March 1800, by Laurie & Whittle, 53 Fleet Street, London
Title from item., Sheet trimmed, resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Let Us All Be Unhappy Together, written and composed by Dibdin for his entertainment called The Wags. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Bachelors' Hall, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bachelors -- Social gatherings -- Dishes: punch bowl -- Wine glasses -- Utensils: ladles -- Furniture: tables -- Chairs -- Chamber pots -- Urination -- Musical entertainments., and Watermark: fleur-de-lis.
Publisher:
Pub. Aprill [sic] 30, by S.W. Fores, No. 3 Piccadilly
"A stage-coachman (left) holds open the door of his coach, showing that it is overcrowded with five fat passengers. He speaks to a fat woman who stands in profile to the right, holding a fan, a dog tucked under her left arm. A flagged pavement and cobbled roadway show that they are in a London street. Beneath the title is engraved: '"Just room for one Madam," - "Vell I wow I have run all the way like a Lamp-lighter, till I am all over in such a Heat you can't think."'"--British Museum online catalogue
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '198' in lower right corner., From the Laurie & Whittle series of Drolls., and One line of text below title: Just room for one Madam, -- vel [sic] I vow I have run all theway like a lamp-lighter ...
Publisher:
Published 1st September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dogs, Carriages & coaches, Coach drivers, Obesity, Streets, Travelers, and Women
Title from item., From the Laurie & Whittle series of Drolls., Eleven lines of descriptive verse inscribed in 3 columns below design: Betty with bridled chin extends her face, And then contracts her lips with simp'ring grace ..., Plate numbered '265' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Inns: exterior -- Covered carts -- Countrymen -- Quotation from literature: Dr. King, fl. 1801?, 'Little Mouths'.
Publisher:
Published 25th May, 1801, by Laurie & Whittle, 53 Fleet Street, London
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Stock-jobbers with large heads, elongated as in British Museum Satire No. 10610, &c, and grotesquely caricatured, stand in pairs on the pavement of the Royal Exchange. One says to another: "So - - Jemmy Diddle-'em is a Bankrupt"; the other answers: "Why you surprise me, then I am in a Pretty Mess!!"; both pull very long faces. A highly delighted broker looks at a paper inscribed 'Omnium 3 Per Ct', saying, "a tolerable good mornings work I have made of it". His vis-à-vis, a bearded Jew, asks: "Hash any bodish got any Omnium to disposh of?" On the extreme right. a pair in confidential conversation say: "Extraordinary news just arrived - had it from the best authority at Lloyds", and "The Devil there is." In the middle distance are two other couples. Behind, and faintly drawn (left), are the statue of Charles II and the arcade along one side of the quadrangle with the feet of statues in the niches above."--British Museum online catalogue
Alternative Title:
Return of Ld. Lauderdale and Return of Lord Lauderdale
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Watermark: 1817., and Leaf 60 in volume 1.
