Title engraved below image., Printmaker from British Museum catalogue and also based on the original drawing in the Huntington Library., Plate numbered '164' in lower left corner., One of a series of Drolls., Temporary local subject terms: Astrologers -- Cabalistic signs -- Serpents -- Demons -- Emblems: crocodile as astrologer's emblem., and Watermark (partial): fleur-de-lis.
Publisher:
Publish'd 20th Nov. 1795 by Laurie & Whittle, 53 Fleet Street, London
Title engraved below image., Printmaker from British Museum catalogue and also based on the original drawing in the Huntington Library., Plate numbered '164' in lower left corner., One of a series of Drolls., Temporary local subject terms: Astrologers -- Cabalistic signs -- Serpents -- Demons -- Emblems: crocodile as astrologer's emblem., 1 print : etching, hand-colored ; plate mark 20.3 x 25.4 cm, on sheet 23 x 27 cm., and On laid paper with watermark (partial): Strasburg bend.
Publisher:
Publish'd 20th Nov. 1795 by Laurie & Whittle, 53 Fleet Street, London
"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from the British Museum online catalogue., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from description of earlier state in the British Museum online catalogue., Later state, with former plate number "No. 4" removed and a new number etched in its place. For earlier state, see British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from unverified data in local card catalogue record., Plate numbered "230" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on bottom edge leaving thread margin., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: Waiters -- Male Costume, 1790 -- Apron -- Price of food., and Watermark: 1816.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from description of earlier state in the British Museum online catalogue., Later state, with former plate number "No. 4" removed and a new number etched in its place. For earlier state, see British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from unverified data in local card catalogue record., Plate numbered "230" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on bottom edge leaving thread margin., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: Waiters -- Male Costume, 1790 -- Apron -- Price of food., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 7 in volume 4.
"Groups of dancers practise figures of a cotillion in a ballroom with a small musician's gallery supported on pillars, in which are an oboist, two violinists, and a harpist, playing intently and paying no attention to a man who stands below, with outstretched arms, shouting directions. The room is lit by candles in wall brackets. In the centre of the balcony is an oval medallion: a man plays a lyre and three nude nymphs dance. Several of the dancers hold papers of directions headed 'Cotilion', with a description of figures '1' to '8'. The scene is one of confusion. On the left persons stand inspecting the dancers. One man only is dressed as a blood of the period with cropped hair, high-collared waistcoat, 'hanging collar', and long breeches (see British Museum Satires No. 8040, &c). He stands (left) superciliously inspecting the dancers through an eye-glass."--British Museum online catalogue and The pictures in the image amplify the subject: Nymphs dancing to music of lyre
Alternative Title:
Rehearsing a cotillion
Description:
Title from text below image., Imperfect; sheet trimmed within plate mark and mutilated on lower edge with partial loss of imprint statement. Missing text supplied from impression in the British Museum., Mounted on modern secondary support., Watermark., and Figures identified by ms. notes in pencil at bottom of sheet.
Title engraved below image., Printmaker from British Museum online catalogue., Temporary local subject terms: Emotions: rage -- Pictures amplifying subject: portrait of Cardinal Wolsey -- Great Seal -- Maces: Chancellor's mace -- Fireplaces -- Writing materials -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792., and Watermark: Strassbourg lily on crowned armorial shield.
Publisher:
Pub. May 26, 1792, by S.W. Fores, No. 3 Piccadilly
Title from item., Sheet trimmed mostly within plate mark., Publisher's advertisement following imprint: where [may] be seen the largest collection of caricatures in the Kingdom, also the head and hand of Count Struenzee, admitance [sic] 1 sh., Temporary local subject terms: Buildings: churches -- Churchyards -- Funerals -- Fighting -- Coffins -- Tombstones -- Skulls -- Mourners -- Undertakers -- Clergy: parsons -- Bishops., Watermark: armorial shield with monogram W at the bottom., Mounted on a strip of paper at the bottom to 28 cm., and Note next to title in contemporary hand: A clerical boxing match.
