Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Marriages: allusion to the Duke of York's marriage, 1791-- Treasure boxes -- Symbols: Prussian eagle -- Quizzing glasses -- Thrones -- Baldachins., and Watermark: armorial shield with fleur-de-lis on top and initials G R below.
Publisher:
Pub. Decr. 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
"A very fat man sits (left) at a dinner-table holding a knife and fork and about to take a mouthful. He gazes apprehensively at his wife (right), who has risen from the table, overthrowing her chair and a bottle of 'Gin' whose contents stream to the ground. She leans forward, clenching her outstretched right fist, a glass in her left hand, shouting, "You Think indeed!! You Brute, I wonder at your Impudence, never was so Mild so Meek a Temprd Woman so Ill used as I am, & all because I'm the most Tender Affectionate Wife living, but I wont be treated so I wont no, I'll tear your Eyes out first, I know what you want, to set me in a Passion you do, but I wont be in a Passion to please you, you Cross Ill Temperd Quarrelsome, Passionate Wretch.' On the table are a joint of beef (opposite the man), pudding, a bottle of 'Brandy' (next the woman). On the ground at her feet are a broken glass and a knife. They face each other in profile, as do the couple in a picture behind her head (pictures amplifies subject): a virago (right) threatens a thin and trembling man with a broom."--British Museum online catalogue
Description:
Title etched below image. and Watermark: center of sheet.
Publisher:
Pubd. Septr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Couples, Dining tables, Quarreling, and Eating & drinking
A satire, protesting the apparent embezzlement of city funds, depicts the members of the Corporation of Rochester with asses' heads herded back to Rochester by indignant townsmen
Alternative Title:
Mare foal'd of her folly and Mare foaled of her folly
Description:
Title from item., Sheet trimmed., Attributed to Isaac Cruikshank. See British Museum catalogue., and Watermark.
Publisher:
Pubd. August 18 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Rochester (Kent, England)
Subject (Topic):
Donkeys, Embezzlement, and Politics and government
"Five British sailors make a furious attack on six French soldiers, grotesque and terrified creatures, whom the sailors humiliate and insult. Their officer (left), who holds a British flag, is threatened by a sailor with clenched fists, and excretes, terrified. A sailor with a scourge slashes the bared posteriors of a Frenchman who grovels on the ground, saying, "oh le pauvre Commandant"; he says, "Now foutre you'l take 2 Merchants Ships for a fleet of Men of War again". A Frenchman, nearly throttled by an angry sailor, cries "Ca-ira Ca-ira". A sailor pulls the queue of the drummer, to whom he offers a piece of tobacco, saying, "here you B--g--r heres a stale Quid for you Instead of Hartshorn". A sailor on the extreme right pulls the queue of a Frenchman and raises his club to strike; the latter says, "oh Diable we was Make de Dam Mistake Parblue". The sailor answers, "aye aye D------n Your Eyes Ill make you Blue and Black too". In the background (left) are buildings inscribed 'Nantes'."--British Museum online catalogue
Alternative Title:
Vision interpreted
Description:
Title etched below image., A satire about an incident at Nantes, 29 June 1791., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub. July 15, 1791, by S. Fores, N. 3 Piccadilly
Subject (Geographic):
Nantes (France), France, Great Britain., Great Britain, and France.
Subject (Topic):
History, Relations, Arms & armament, Defecation, Drums (Musical instruments), Fighting, Flags, British, National emblems, Rifles, Sailors, French, and Whips
Gallant Nelson bringing home two uncommon fierce French crocodiles and Gallant Nellson bringing home two uncommon fierce French crocodiles
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Victories: allusion to Nelson's victory in the battle of the Nile, 1 August 1798 -- Crocodiles -- Military uniforms: admiral's uniform -- Muzzles -- Padlocks -- Amputees -- Male dress: smock -- Hypocrisy: crocodile tears., and Watermark: Strasburg bend with initials G R below.
Publisher:
Pub by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Five women stand full-length most facing the viewer and exhibiting five styles of dress, as indicated in the words etched below each figure: A la Turk (Turkish) with a turban and oriental dress with Turkish trousers and bare breasts; A la Grec (Greek) with a high-waisted dress and feathered turban; A la Cité (Parisian) similar to the preceding woman but a different effect because the woman is short and balloon-shaped and wears a watch and seals from her bust; A la St. James, is shown with her back to the viewer, wearing a very large turban with two aigretts resembling stiffened brush of a fox; and, finally, A la St. Giles, a stout, busty woman in profile looking left, wearing a quilted petticoat and apron, arms crossed below her bare breasts
Description:
Title etched below image. and Publisher's advertisement following imprint: NB. folios of caracatures [sic] lent out for the evening.
Publisher:
Pubd. March 23, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Personifications: young woman as the Genius of France -- Asses -- Scourges -- Caps: Phrygian cap.
Publisher:
Pub. Decbr. 21, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Louis XVI, King of France, 1754-1793, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Catherine II, Empress of Russia, 1729-1796, Gustaf III, King of Sweden, 1746-1792, and Brunswick-Lüneburg, Karl Wilhelm Ferdinand, Duke of, 1735-1806
"A tailor on his raised shop-board (right) kneels in terror at the apparition of an emaciated corpse-like man and a fat pig with its throat cut standing on its hind-legs. Beneath the shop-board the head and shoulders of the Devil emerge from the flames of Hell; he holds a trident and a bulky roll of cloth inscribed 'Cabbage' (cf. BMSat 8035, &c.), implying that the tailor's pilfering has not been restricted to scraps of material. (The place where tailors kept their 'cabbage' was termed Hell; see Grose, 'Classical Dict. of the Vulgar Tongue'). The tailor wears a nightcap and apron; round his neck is a tape-measure; he says (excreting), "o Lord o Lord I am in a nasty Condition". A small demon (right) holds his nose. Beside the tailor are his goose, lying on a garment (which is burning from the heat of the iron); the heel of a loaf with a knife, onions and cucumbers lie next a paper inscribed 'sick and in prison and he [word erased, comforted] me'. reside an ink-pot are an open book: 'The Benevolent Society Benifet of \ Survivership', and a paper: 'Advice to overseers respecting the poor'. The corpse stands in back view holding out a minatory hand and turning his nead in profile to the right; he asks "who starved me to Death". The pig says "you have been the Cause of my death". A man on the extreme left looks through a door, saying, "Aye Aye this comes of your ingratitude for my saving your life". On the wall which forms a background are (left to right) two pictures, two broadside ballads, and a print: [1] The lower part of a picture of 'Howard' shows the legs of a man walking past a barred prison window, through which look two faces. (News was received on 26 Feb. of the death of John Howard, the prison reformer, 'Gent. Mag.', 1790, i. 276, but this Howard appears to be the corpse.) [2] 'A Song by Tom Stitch on the Windsor Corporation'. [3] 'A Song in Ridicule of my best Friend.' [4] A print of a gibbet from which hangs a noose inscribed 'The Desert.' [5] A large picture: 'Windsor Charity'; the tailor stands in a prison cell, pointing to an emaciated man lying on straw, turning to a woman who kneels at his feet, he says, clenching his fist, "let him Die & be d--d." The woman says, "for God sake don't Suffer my Poor father to Starve". The dying man says "I perish for want"."--British Museum online catalogue
Alternative Title:
Tailor befrited and Ghosts
Description:
Title etched below image., Printmaker from British Museum catalogue., Dated in contemporary hand in lower right corner: 'Sept. 1790.', Sheet partially trimmed within plate mark., and Watermark: armorial shield with fleur-de-lis above and monogram W below.
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent., Temporary local subject terms: Military uniforms -- Literature: William Shakespeare's Hamlet -- Miss Gubbins, fl. 1799., and Mounted to 28 x 39 cm.
Publisher:
Pub by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, and William Augustus, Prince, Duke of Cumberland, 1721-1765
Title and imprint from broadside., Printmaker from British Museum catalogue., From the Laurie & Whittle series of Drolls., Printed in letterpress on same sheet: The Ghosts; or, Mrs. Duffy and Mrs. Cruikshanks., Attribution under title of broadside: Written by T. Dibbin, Esq. Sung by Mr. Fawcett, and Covent-Garden Theatre., One line of text above image in plate: The Music to be had of Mr. Preston, No. 97, Strand., and Plate numbered '386' in the upper left corner.
Publisher:
Published 25th March, 1805 by Laurie & Whittle, Fleet Street, London
