Title from item., Publication date from British Museum catalogue., Plate numbered in upper right corner: N. 6., For a description of a later state with altered plate number, see no. 10902, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Quakers -- Sailors -- Open grave -- Spade -- Female costume: Quaker's bonnet -- Skulls.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Quaker stands by an open grave, with clasped hands, eyes sanctimoniously turned up. A grave-digger leans on his spade watching him with puzzled distaste. The Quaker: "Verily the spirit at length beginneth to move me - Alas! there is no happiness on this side of the grave." A disgruntled sailor (dressed as in British Museum Satires No. 10894, coat open to show a waistcoat) who stands opposite him asks: "Why then you Lubber, dont you come on this side?" A second Quaker stands behind the first, hands clasped, looking down; on the extreme left a woman in a Quaker's bonnet puts her handkerchief to her eyes. Behind the sailor and on the extreme right is another mourner, also puzzled and unsympathetic. The scene is a large walled graveyard; a skull lies by the open grave, grinning up at the Quaker."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue with altered plate number. For a likely earlier state numbered "N. 6" in upper right, see Lewis Walpole Library call no.: 807.00.00.15.1., Date of publication from British Museum catalogue., Plate numbered "114" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Temporary local subject terms: Quakers -- Sailors -- Open grave -- Spade -- Female costume: Quaker's bonnet -- Skulls., Watermark: 1817., and Leaf 53 in volume 2.
"The Duke and Duchess of York face each other, a small table between them; he sits (left), with his hands clasped and resting on the table; she stands (right), a small jewel-box in her left hand, holding out to him a string of jewels. A paper inscribed '17,000 . . .' lies on the table beside the Duke, whose words are etched above his head: 'Henceforth my follies and neglects shall cease And all to come be penitence and peace, Vice shall no more atract me with her Charms, Nor pleasure reach me, but in those dear arms.' She says, "My Jewels? trifles! not worth the speaking of, if weigh'd against a husband's peace; but let 'em purchase that, and the world's wealth is of less value". She wears the Duke's miniature round her neck. Behind her is a chest of drawers, the top drawer open and full of jewels. On it stands a small coffer of jewels, marked with the Prussian eagle. Beneath the design is etched: 'Ye slaves of passion, and ye dupes of chance, Wake all your powers from this destructive trance! Shake off the shackles of this tyrant vice : Hear other calls than those of card and dice Be learn'd in nobler arts than arts of Play, And other debts than those of Honor Pay. No longer live insensible to Shame Lost to your country, families, and fame.'"--British Museum online catalogue
Description:
Title etched below image., Signed with printmaker Isaac Cruikshank's initials in center right portion of image., Eight lines of verse in two columns below image, four on either side of title: [The] slaves of passion, and [the] dupes of chance ..., Temporary local subject terms: Marriages: Duke of York's marriage, 1791 -- Furniture: chest of drawers -- Tables -- Upholstered chairs -- Furnishings: box with jewels -- Symbols: Prussian eagle -- Gambling debts -- Allusion to the Duke of York's gambling., and Watermark: [T?]aylor.
Publisher:
February 8, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Moore, Edward, 1712-1757.
Title from caption below image., Publisher's advertisement following imprint: Folio's of caracatures [sic] lent out for the evening., Design consists of sixteen figures in two rows, each with lines of dialogue etched above., Sheet trimmed within plate mark on two edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Restrike. Watermark: 1818 II S&S.
Publisher:
Pub. Feby. 26, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Assassination of Marat by Charlotte Cordé of Caen in Normandy
Description:
Title from item., Two lines of text below title: Who, while he was villifying some of the more moderate men in the Convention ..., and Mounted to 28 x 38 cm.
Publisher:
Pubd. July 26, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Corday, Charlotte, 1768-1793 and Marat, Jean Paul, 1743-1793
Title from item., Printmaker from other prints in the Drolls series., Numbered '98' in upper right corner of plate., One of a series of 'Drolls.', Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Accidents: overturned boat -- Views: Battersea Bridge.
Publisher:
Published 16th Decr. 1793, by Robt. Sayer & Co., Fleet Street, London
"Twelve figures arranged in two rows, each representing Dundas (not caricatured) in one of his capacities, title and words etched above each. [1] 'A Governor of the Charter House'. He walks (left to right), looking down at a document in his left hand and saying: "How I venerate Charters". [2] 'Joint Keeper of the Signet in Scotland'. He holds out his left hand looking admiringly at a signet ring: "a vera pretty Seal ring worth £2000 a Year". [3] 'Chancellor of the University of St Andrew'. He sits directed to the left in a high-backed arm-chair wearing academic cap and long gown: "There is great weight and Dignity in a gown and Square Cap." [4] 'Patent Printer of the Bible in Scotland'. He sits in dressing-gown, cap, and slippers at a printing-press of the Caxton type, saying: "This printing and composing is vera tedious, but as it brings in about £6000 per Annum I must noe loose sight of it." [5] 'Custos Rotulorum for Middlesex'. He sits pompously in a high-backed chair wearing an old-fashioned cocked hat and laced coat, saying: "A little Consequence is very necessary in a custos Rotulorum". [6] 'A Treasurer of the Navy'. He sits at a table on which are money-bags and piles of coin, which he is counting: "Ah! this is pretty neat employment I love to count over the Siller." [7] 'A Governor of Greenwich Hospital'. He stands, wearing cocked hat and uniform, in profile to the right, right hand on his hip, left hand on the hilt of a sword: "a naval uniform is vera becoming." [8] 'A Commissioner of Chelsea Hospital'. He stands with arms folded, wearing cocked hat with military uniform: "As is also that of the Miliatory in due season." [9] 'A Commissioner for India Affairs'. He stands with his back to a group of barrels and chests, turning to the right: "What are ye aboot ye lazy loons, why are not these goods shipp'd off for India d'ye mean to do nothing at aw' for your money." [10] 'Governor of the Bank of Scotland'. He stands in profile to the left, 'chapeau-bras', one hand thrust under his waistcoat and wearing an old-fashioned wig: "This is what I call snug - vera little trouble." [11] 'A Secretary'. He writes busily in profile to the right at a davenport desk: "By my Sawl I care not how many Trades they make me sae that the Siller comes alang with them catch aw things is the rule in Scotland." [12] 'An Elder Brother of the Trinity House'. He stands in profile to the left, wearing a gown, bowing, cap in hand: "This concludes for the present my small portion of the Candle ends, and cheese parings" [cf. British Museum Satires No. 9038]."--British Museum online catalogue
Description:
Title etched below image., Signed in image with printmaker Isaac Cruikshank's initials in lower right corner., and Publisher's advertisement following imprint: Folio's caracatures lent out for the evening.
Publisher:
Published Feby. 5, 1798, by S.W. Fores, No. 50 Piccadilly corner of Sackville Street
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Government officials, College administrators, Documents, Academic costumes, Printing presses, Coins, Barrels, Writing materials, Desks, and Military uniforms
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Bills: Seditious Meetings bill -- Crowd -- Symbols: the White Horse of Hanover -- Buildings: Treasury -- John Bull as a bulldog., and Watermark: countermark L & P.
Publisher:
Pub. Decr. 26, 1795, by S.W. Fores, N. 50 Piccadilly
Title from item., Printmaker and publication year from British Museum catalogue., Sheet trimmed to plate mark., Publisher's announcement below title: In a few days will be publishd Ld T-ls observation on excessive damages dedicated to the D-e of Y-., Temporary local subject terms: Furniture: bed -- Reference to George Carpenter, 2nd Earl of Tyrconnell, 1750-1805 -- Sarah (Hussey), Countess of Tyrconnell, 1764-1800., and Window mounted to 33 x 44 cm., matted to 47 x 63 cm.
Publisher:
Pud. Decr 29 by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Strathmore, John Bowes, Earl of, 1769-1820
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: where may be seen the greatest collectn of caracatures [sic] in the Kingdom, admitce 1 sh, likways [sic] the head & hand of Count Struenzee., Temporary local subject terms: Chelsea, King's Road -- West Bourne Stream -- Factories: Chelsea, Patent Floorcloth -- Plenipotentiaries -- Literature: allusion to Alexander Pope's Eloisa to Abelard -- Turks -- Musicians -- Carriages -- Dogs., and Watermark: fleur-de-lis on crowned shield with monogram W at bottom.
Publisher:
Londn. Pub. April 25, 1791, by S. Fores, N. 3 Piccadilly
Subject (Name):
Duncan, Mary Tufton, Lady, 1723-1806 and Pacchierotti, Gasparo, 1744-1821
