Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 51 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 28 x 40.9 cm., and With identifications of "George IV" and "Q. Caroline" written in pencil below image, as well as the explanation "the green bags with reference to their divorce were ordered to lie on the table" written in pencil below title.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
A grotesque caricature attacking the much-debated 1820 settlement scheme which encouraged English people to settle in South Africa, where they were promised fertile land and a pleasant climate. In the print, a working-class English family are shown being attacked by a snake, lion and crocodile while highly stereotyped and racist depictions of the local population are seen cannibalizing the family and burning down their home
Alternative Title:
Blessings of emigration to the Cape of Good Hope and Blessings of emigration to the Cape of Forlorn Hope
Description:
Title etched below image. The word "Forlorn" in title is scored through and the word "Good" has been inserted above the line with a caret, forming the correct place name "Cape of Good Hope"., Sheet trimmed to plate mark., Plate numbered twice in upper margin; "No. 2" is centered, and "366" is in the upper right corner., For a companion print entitled "A strong proof of the flourishing state of the country, exemplefied in the proposed emigration to the Cape of Good Hope! ...", see no. 13267 in the Catalogue of prints and drawings in the British Museum, v. 9., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Septr. 7, 1819, by T. Tegg, 111 Cheapside, London
Subject (Geographic):
South Africa
Subject (Topic):
Emigration and immigration, Emigration & immigration, Indigenous peoples, Ethnic stereotypes, Cannibalism, Snakes, Lions, Crocodiles, and Fires
"An imitation of British Museum Satires No. 6015, Gillray's 'Ahitophel in the Dumps'. Liverpool, emaciated and despairing, and much caricatured, rides an ass along a road on a desolate heath towards a gibbet (left), to which carrion birds are flying. His arms are folded, his head sunk on his breast; from his pocket hang a noose of rope and a paper: 'Paines & Penelties' [sic]. The bag to his wig is a green bag, see British Museum Satires No. 13735, and to the ass's tail is tied a clyster-pipe, emblem of Sidmouth."--British Museum online catalogue
Alternative Title:
And when Ahithophel saw that his counsel was not followed ...
Description:
Title etched below image. and Mounted on page 35 of: George Humphrey shop album.
Publisher:
Pubd. Jany. 31st, 1821, by G. Humphrey, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Ahithophel (Biblical figure)
Subject (Topic):
Politicians, Despair, Donkeys, Vultures, Nooses, Gallows, Bags, and Medical equipment & supplies
"Fourteen small children amuse themselves uproariously in a small space. Four little girls in party-dresses, dance holding hands round a lady who tosses an infant; two of them hold up dolls. A fat and grinning cook stands in the doorway with a tray of jelly-glasses, cake, and fruit. The biggest boy rides a rocking-horse, giving a view-hallo; another boy with an overturned chair for horses, drives in a professional manner a high-slung rectangular cradle (left) in which sits a little girl holding a doll and an open umbrella. A little boy with a wooden sword tries to storm a table, defended by two others, with drum, trumpet, and Union Jack. These children are dressed up to suit their parts. In the foreground (right) two children build a card-house on the floor, with skipping-rope, toy soldiers, and horse and cart beside them. On the left are a top and whip, and an Eaton Latin Grammar. On the wall is pinned a caricature of Dr Syntax [see BM Satires 11507, &c] with birch-rod and book."--British Museum online catalogue
Alternative Title:
Masters & Misses Twoshoes Christmas party and Masters and Misses Twoshoes Christmas party
Description:
Title from caption below image. and Imprint date altered in mss. to 1825.
Publisher:
Pubd. Jany. 3d 1826 by S. Knights Sweetings Alley Royl. X'Change
"A central design, with four small vignettes: [1] '"Church & State"--' A bishop (right) and a layman take wine together at opposite ends of a dinner-table over which hangs a gas chandelier. Three bloated footmen stand stiffly; behind the host (right) is a sideboard laden with plate. A Gillrayesque picture of a papal procession extends along the wall (an allusion to Emancipation, see No. 15658). [2] 'The Shop for Bargains!--' A coal-shed, a ragged child holds out her apron for 'Half a peck of Coals, & let em be good, for Mother says, that penny coal I had yesterday was only a Slate'. The man, holding a shovel and a small measure, answers 'Slate was it?! then I'm sure she's no call to grumble you could'nt a got so much slate at the Stationers under a Shilling!' [3] 'Corporal Punishment'. A fat fellow, plodding uphill, stops to mop his head: 'They tell me I shall find a good deal of difficulty in getting my fat down!--but I 'fegs I find a good deal of difficulty in getting it Up!!' [4] 'Taken in Tow--a Scene on a Rope walk--' A beadle seizes a rope-maker who has a bundle of tow round his waist. [5] 'An Unthankful fellow--' A countryman sits in the stocks in the rain, his right wrist shackled to a post, scowling at a fat beadle who faces him under an umbrella: 'What! want to go?!!! after we have taken all this trouble with you! ungrateful man, hav'nt we warmed your back?! hav'nt we provided you with Board & Lodging?! & now! hav'nt you even washing included? what more can you want?! do you want a band of music?! or did you expect that we were to find you in Rose water & toothpicks?!!!'"--British Museum online catalogue
Alternative Title:
Church and state
Description:
Title from caption below center image., Five designs on one plate, each individually titled., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240., and Watermark: J. Whatman Turkey Mill 18[...?].
"[1] "Ignorance is bliss --" Two liveried flunkeys, 'pampered menials', lounge on the doorsteps of a town house, a bloated dog seated between them. One asks his obese companion 'What is Taxes Thomas?!!' Answer: 'I'm sure I don't Know!' Inside the hall a grossly fat porter sleeps in his hooded chair. [2] 'Gentility!--' A little chimney-sweep, decked out in ribbons, and holding brush and shovel, addresses another 'climbing boy': 'vhy I say Jim ar'nt you a gooing out with Jack & the Green?!!' The other: 'No. Master says as how its werry low -- Ve ar all a going to dine with the Masters & Missus's at Vite Condic [White Conduit] House'. For sweeps on May Day cf. No. 6740. [3] 'Brobdignag Bonnet -- Seven people beside the wearer walk under the flat brim of a huge ribbon-trimmed hat. Cf. No. 15618. [4] "Now that, I heard"-- One ragged street lad says to another, at the corner of 'Argyll Street': 'Hallo! Jack vare are you agoing to?' The (ironical) answer: 'Oh! vhy I'm a going to a Consort at the Argyll Rooms!' (Cf. No. 15604.) [5] 'A Jolly Companion'. Bust profile to the right of a man constructed of materials for punch; the shoulders are the broken top of a sugar-loaf; bowl, decanter, two glasses, lemon, lemon-squeezer, and corkscrew make up the head. Cf. No. 11824, &c. [6] 'All a blowing all a growing' (the cry of the London street-sellers of plants). A woman's figure is formed of a hand-bell whose handle, the body, supports an immense hat, the crown covered with flowers; ribbon streamers from brim to shoulders form arms. Cf. No. 15611.†. [7] 'Tooth Powder . A sufferer from tooth-ache, seated on a couch, extracts a tooth by firing a pistol, the bullet attached by a string to the tooth."--British Museum online catalogue
Description:
Title from caption below center image., Seven designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. To be continued occasionally. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 11, p. 73.
"Life" in a billiard room, or, Dick Wildfire and Squire Jenkins "au fait" (awake) to the Parisian sharpers
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Carey, D. Life in Paris. London : Printed for John Fairburn ..., 1822., and Temporary local subject terms: Games -- Hand gestures.
Publisher:
Published July 1, 1822 by John Fairburn, Broadway, Ludgate Hill
Title from caption within image., Publication date from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: IIT.
