The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image., Sheet trimmed to plate mark., In lower left corner: Size of picture 3 ft. x 2 ft. 4 in., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6 images; this one known as "The breakfast scene.", and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
Publisher:
Pubd. Jun 4, 1796 by J. & J. Boydell, No. 90 Cheapside & at the Shakespeare Gallery, Pall Mall, London
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image., Later state with imprint and dimensions burnished out., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6; this plate referred to as "The breakfast scene"., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
Publisher:
J. and J. Boydell?
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
"A grand bedroom with the countess holding a morning levée attended by her hairdresser while the lawyer, Silvertongue, arranges to meet her at a masquerade; others in the room include a female friend and effeminate men who pay rapt attention to a castrato singer accompanied by a flautist, a young black man who serves chocolate to the party, and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid; playing cards and invitations lie on the floor."--British Museum online catalogue
Alternative Title:
Toilette
Description:
Title etched below image., After Hogarth's painting "The Toilette" in the National Gallery, London., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., No. 4 in a series of 6 images, known as "The toilette.", Series title engraved below image., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2375., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 161., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 231.
Publisher:
Pub. Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
"Three-quarter lenghth portrait, directed to front but facing and looking slightly up and to left, in naval uniform with sword, leaning on a long telescope which he holds with his right hand, his left hand resting on his right arm; rocks behind to left, smoke billowing around two ships in distance to right, rowing boat alongside; open letter proof. 1782."--British Museum online catalogue
Description:
Title from text below image. and Mounted on paper support: 461 x 332 mm.
Publisher:
Publish'd Octr. 22d. 1782, by John Boydell, engraver in Cheapside London
"Members of the Royal Academy, gathered to draw from a model, a young man, being positioned on the right; most are conversing; in the foreground sits another model; on the wall, portraits of Angelica Kauffman and Mary Moser; behind the group, classical busts and casts, including an écorché; after the painting in the Royal Collection."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed to plate mark., For key to this print, see Royal Academy Catalogue vol. I, nr. 300., John Chaloner Smith lists the artists portrayed., and Mounted on secondary paper support.
Publisher:
Published by Robt. Sayer at No. 53, in Fleet Street, as the Act directs
Delivery of Saint Peter out of prison and From the original drawing in the collection of the Duke of Devonshire
Description:
One of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London: Published by the proprietor, John Boydell, [1777-1819]., Title from descriptive catalog at beginning of bound volume., Text below image: From the original drawing in the collection of the Duke of Devonshire., and Plate numbered in lower left corner: No. 51.
Publisher:
Published Augt. 1st, 1774, by John Boydell, engraver in Cheapside
The exhibition room of the Royal Academy in Pall Mall is crowded with visitors conversing or looking at the three walls covered with pictures up to the cornice which supports a top light. The fashionably dressed crowd hold catalogues, stoop to look at pictures, or discuss pictures with their companions. One older woman and a boy, looking dejected, sit on a bench in the center of the crowd of art connoisseurs
Description:
Title from item., Sheet trimmed within plate mark., and Matted to 56 x 62 cm.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street
Subject (Name):
Royal Academy of Arts (Great Britain)
Subject (Topic):
Art exhibitions, Galleries & museums, Hats, Paintings, and Spectators
"Woodland scene with a naked young boy lying on a cloth in the foreground, guarded by dogs; to right, a herdsman and a woman, presumably Mithridates and his wife Cyno, surprised at the sight; to left, a curved stone frieze of soldiers, surmounted by a crown and a naked child holding up a shield; to right, a boy looking on from behind Mithridates' sheep; fields and cattle in the background at centre."--British Museum online catalogue, description of a proof state
Description:
Title etched below image, above and on either side of etched Walpole arms bearing the motto "Fari quae sentiat.", Text below title: Six of the picture 2 f. 4 1/4 i. by 3 f. 6 1/2 i. long., Sheet trimmed to plate mark., and Mounted on page 151 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Publish'd Septr. 1st, 1781, by John Boydell engraver in Cheapside, London
Subject (Name):
Cyrus, the Great, King of Persia, -530 B.C. or 529 B.C.
