"A group of men and women conversing near tall, marble pillars, inside a richly decorated hall; in the background are more open rooms, with figures, and statues set within niches on the wall; lettered with names of artists and publisher in three labels in the lower margin, scratched letter proof before title."--British Museum online catalogue
Alternative Title:
Intérieur du Panthéon de Londres
Description:
Title from item., Sheet trimmed to plate mark., "From an original drawing in the possession of Robt. Sayer."--Below title., and Mounted to 51 x 62 cm.
A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:
Billy Dimple sitting for his picture
Description:
Title engraved below image., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Earlier state, without plate number. Cf. No. 4520 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: illegible name (2 lines).
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:
Billy Dimple sitting for his picture
Description:
Title from item., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Later state, with altered imprint statement and added plate numbering. For an earlier state with the imprint "Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London, published as the act directs, 25 Sepr. 1772", see Lewis Walpole Library call no.: 772.09.25.01.1+, Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1792. See: Plomer, H.R. Dictionaries of the printers and booksellers., Plate numbered '257' in lower left corner., Temporary local subject terms: Furnishings: round mirror -- Portrait paintings -- Artist's implements: palette and brushes., and Watermark.
Publisher:
Printed for Bowles & Carver, Map & Printsellers, No. 69 in St. Pauls Church Yard, London
"Mary kneeling and holding out the Christ child to the high priest, who leans down with open arms; a group of men looking on from a higher level between pillars, one climbing down; Joseph standing behind Mary in a humble attitude to right."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., "Size of the picture, 2 f. 0 i. by 2 f. 6 i. in height"--Lower left corner., Engraved after the painting kept by Horace Walpole in the Great North Bedchamber at Strawberry Hill., Mounted on page 212 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
Published Sepr. 25th, 1771, by J. Boydell, engraver in Cheapside, London
From the original drawing in the collection of the Duke of Devonshire
Description:
One of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London: Published by the proprietor, John Boydell, [1777-1819]., Title from descriptive catalog at beginning of bound volume., Text below image: From the original drawing in the collection of the Duke of Devonshire., and Plate numbered in lower left corner: No. 37.
Publisher:
Published April 25th, 1774, by John Boydell, engraver in Cheapside
"Whole-length figures, standing by a tree outdoors, King, on the right, turned to Mrs. Baddeley, with his hands outstretched at his sides and face expressive; she, holding a kerchief in her right hand, left hand raised in surprise, figure in the background walking to the front."--British Museum online catalogue
Description:
Title from the British Museum online catalogue, registration no.: 1902,1011.891., Sheet trimmed within plate mark., and Characters from the play "The Clandestine Marriage".
Publisher:
Publish'd November 1st, 1772 by R. Sayer, No. 53, Fleet Street
Subject (Name):
King, Thomas, 1730-1805, and Baddeley, Sophia, 1745?-1786,
"Pastoral landscape with the Arch of Constantine; in the foreground, at right, an artist sketching with a companion on a fallen tree-trunk, beyond cattle and figure crossing a stream, followed by two figures on a donkey accompanied by a figure on foot, beyond at centre the Arch, and at left the Colosseum."--British Museum online catalogue, description of a later state
Description:
Title supplied by cataloger based on description of a later state in the British Museum; see British Museum online catalogue, registration no.: 1872,1012.4705., Etched outline state of one of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London : Published by the proprietor, John Boydell, [1777-1819]., Plate numbered in lower left corner: No. 115., Watermark: VI., and Imperfect; plate numbering has been erased from sheet.
Publisher:
Published Sepr. 1st, 1775, by John Boydell, engraver in Cheapside
Title from lettered state in the British Museum., Artist, printmaker, and publication information from description of a later state in the British Museum online catalogue, registration number: 1977,U.938., State lacking text but having a coat of arms etched below image with the motto: Fari quae sentiat., Plate XXII from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: [A fryar's head].
Title from lettered state in the British Museum., Artist, printmaker, and publication information from description of a later state in the British Museum online catalogue, registration number: 1977,U.938., State lacking text but having a coat of arms etched below image with the motto: Fari quae sentiat., Plate XXII from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: [A fryar's head].
