Doublures of character, or, Strikeing resemblances in phisiognomy, Strikeing resemblances in phisiognomy, and Striking resemblances in physiognomy
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 82., Sheet trimmed within plate mark at bottom., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Reduced copy of a print with the same title etched by Gillray and published by John Wright in 1798 as an illustration to the Anti Jacobin review, v.1., Subject of each double portrait is identified with a Roman numeral followed by a description below title., Seven columns of text below title: I. The patron of liberty. Doublúre, the arch fiend. ..., Cf. Gillray, J. Fashionable Contrasts, 28., Cf. Satirical etchings of James Gillray, 59., Temporary local subject temrs: Satan -- Judas -- Silenus (Greek deity) -- Devil -- Highwaymen: Sixteen-String Jack -- Baboons - Jockeys., Temporary local Medical Library subject terms: Politics, British., and 1 print : soft ground etching and stipple ; plate mark 21.6 x 28.6 cm.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Bedford, Francis Russell, Duke of, 1765-1802, and Lavater, Johann Caspar, 1741-1801.
Doublures of character, or, Strikeing resemblances in phisiognomy, Strikeing resemblances in phisiognomy, and Striking resemblances in physiognomy
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 82., Sheet trimmed within plate mark at bottom., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Reduced copy of a print with the same title etched by Gillray and published by John Wright in 1798 as an illustration to the Anti Jacobin review, v.1., Subject of each double portrait is identified with a Roman numeral followed by a description below title., Seven columns of text below title: I. The patron of liberty. Doublúre, the arch fiend. ..., Cf. Gillray, J. Fashionable Contrasts, 28., Cf. Satirical etchings of James Gillray, 59., Temporary local subject temrs: Satan -- Judas -- Silenus (Greek deity) -- Devil -- Highwaymen: Sixteen-String Jack -- Baboons - Jockeys., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Bedford, Francis Russell, Duke of, 1765-1802, and Lavater, Johann Caspar, 1741-1801.
Title from item., Sheet trimmed within plate mark., Publication date from British Museum catalogue., Plate from: London und Paris, ix, 1802, pl. No. V., Plate identification [N. V] partially trimmed from upper right corner of sheet., Temporary local subject terms: Judges -- St. Stephens interior -- Courtoom -- Newspapers -- Clerks -- Spectacles., and Mounted to 29 x 35 cm.
Publisher:
publisher not identified
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844 and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
A satire ridiculing the installation of Lord Grenville as the Chancellor of Oxford University on July 3rd, 1810. The installation followed a divisive election in which Lord Eldon opposed Lord Grenville on political and religious grounds. Opponents like Gillray saw Grenville's installation as a triumph for Catholic Emancipation. Here Grenville rises in balloon over a vast applauding crowd in Oxford. Many of the faces in the crowd are identifiable political figures: Buckingham, Stafford, M.A. Taylor, Erskine, Tierney, Holland, Grey, Sidmouth, Cholmondeley, Whitbread, Watkin Williams-Wynn, Fingall, Sheridan, etc
Description:
Title from Latin quote below image., Sheet trimmed to plate mark., Sequel to Gillray's The introduction of the Pope to the convocation at Oxford by the Cardinal Broad-Bottom., Published in: Hill, Draper. Fashionable contrasts: Caricatures by James Gillray. London: Phaidon Press, 1966, cat. no. 49., and For further information, consult library staff.
Publisher:
Publish'd August 8th, 1810 by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Moss, Charles, 1763-1811, and University of Oxford
Subject (Topic):
History, Catholic emancipation, Satires (Visual works), and Cartoons (Commentary)
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'." On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title from caption etched below image., Publication date from British Museum catalogue., Plate numbered 'XXI' in upper right corner., Plate from: London und Paris, vol. x, 1802 [1803]., and Part of watermark: [...] & Zonen.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Cradles, Nurseries (Rooms & spaces), and Washstands
Study of three male and three female heads. One of the male heads is attached to a disproportionately small body dressed in a cape, hands folded in front; in one hand he holds several objects with wheels and a long fork. A third smaller hand holds the folds of the cape at his chest. All the other figures are wearing hats, one woman in profile
Description:
Attributed to Gillray., Title from dealer's label on back of frame., and James Gillray, English caricaturist, 1756-1815.
A preparatory sketch for an unpublished caricature illustrating a scene in a large Georgian kitchen. In front of the open hearth a bull is roasting on a spit as a large-bottomed man (Grenville) sits beside it basting the meat. The dish beneath it is inscribed 'Broad bottom dripping pan'. Other dishes around the room are labeled as are the pools of fat in the dripping pan; some legible notes include plum pudding and mock turtle
Description:
Title from dealer's description., Signed "J. Gillray" in lower right corner., Date from watermark: Ruse & Turner 1805., Two sheets of paper joined:, One of at least three drawings of similar composition executed by Gillray; other versions of the design are held by the New York Public Library and the Courtauld Institute of Art, London., Formerly mounted on a blue paper backing, now removed with residual spots of mounting paper., and This sketch is mentioned in Broadley and Rose's Napoleon in Caricature 1795-1821, published in 1911. In a footnote to page 280, volume I, it notes that 'amongst Gillray's unfinished sketches for caricatures in possession of the writer [presumably Broadley, a known collector] are two very similar drawings entitled the "Broad Bottom Dripping Pan".'
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
Subject (Topic):
John Bull (Symbolic character), Bulls, Kitchens, Cookery, and Cooking utensils
A fat man (right), seated in an armchair, undergoes an operation upon the carbuncles of his bloated nose. The thin operator (left) holds the patient's forehead and applies a small pointed instrument (a metallic tractor) to his nose. The seated man grits his teeth, clenches his fists, and winces in pain
Description:
Title supplied by curator., Unsigned; attribution to Gillray from curator., Date inferred from that of the related print., For Gillray's print of similar design that was published in 1801 by H. Humphrey, see no. 9761 in the Catalogue of prints and drawings in the British Museum, v. 8., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Metallic tractors -- Perkins, Elisha.
Subject (Name):
Perkins, Benjamin Douglas, 1774-1810
Subject (Topic):
Pain, Quacks and quackery, Quacks, Medical procedures & techniques, and Medical equipment & supplies
Tentative identification of Fox, Sheridan, Moira, Sir John Sinclair, and Sir George Shuckburgh in chairs, leaning against the sides of bunks in a ship, all sleeping or being ill
Alternative Title:
Margate hoy
Description:
Title from Draper Hill; alternative title from pencil inscription on verso: A Margate hoy. and Date from Draper Hill, who suggests that the drawing is a preliminary for one of the illustrations for the abandoned de luxe edition of Poetry of the Anti-Jacobin.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sinclair, John, Sir, 1754-1835, and Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804