"The pair, seated in a gig, drive (r. to left.) along a country road, preceded by a mongrel dog carrying a large bone. The man drives the miserable hack with the air of an expert, flicking a heavy lash over the animal's neck. He is smartly dressed with side-whisker, swathed neck-cloth, high collar, and top-boots. His almost spherical wife takes his arm. She holds a little closed parasol, and wears gloves above we elbow. The feather and trimmings of her hat float behind her in the wind. On the side of the gig is a pestle and mortar, showing that the man is an apothecary. The emaciated and decrepit horse has broken knees and gaping wounds under the collar and harness; one pastern is swollen. Birds fly towards it, scenting carrion. A broken milestone (r.) is inscribed 'Miles from London'."--British Museum online catalogue
Alternative Title:
Cockney and his wife going to Wycombe
Description:
Title etched below image., Printmaker from British Museum catalogue., and Two lines of quoted text emphasizing a lingual accent follow title: "Vednesday vas a week, my vife & I vent to Vest Vycombe, & vhether it vas the vind, or vhether it vas ...
Publisher:
Publish'd June 10th, 1805, by H. Humphrey, 27 St. James's Street, London
"The pair, seated in a gig, drive (r. to left.) along a country road, preceded by a mongrel dog carrying a large bone. The man drives the miserable hack with the air of an expert, flicking a heavy lash over the animal's neck. He is smartly dressed with side-whisker, swathed neck-cloth, high collar, and top-boots. His almost spherical wife takes his arm. She holds a little closed parasol, and wears gloves above we elbow. The feather and trimmings of her hat float behind her in the wind. On the side of the gig is a pestle and mortar, showing that the man is an apothecary. The emaciated and decrepit horse has broken knees and gaping wounds under the collar and harness; one pastern is swollen. Birds fly towards it, scenting carrion. A broken milestone (r.) is inscribed 'Miles from London'."--British Museum online catalogue
Alternative Title:
Cockney and his wife going to Wycombe
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted text emphasizing a lingual accent follow title: "Vednesday vas a week, my vife & I vent to Vest Vycombe, & vhether it vas the vind, or vhether it vas ..., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.4 x 37.6 cm, on sheet 28.6 x 40.0 cm., Watermark: Turkey Mills J. Whatman., and Mounted on leaf 34 of volume 11 of 12.
Publisher:
Publish'd June 10th, 1805, by H. Humphrey, 27 St. James's Street, London
"One man falls violently, arms and legs in the air; he brings the ferrule of his stick heavily down on the eye of a neighbour who has just landed on his posterior, his legs and arms extended. In the background three other skaters have fallen, and lie or sit, legs in the air."--British Museum online catalogue
Alternative Title:
Fundamental error in the art of skating, Elements of skateing : a fundamental error in the art of skaiting, and Elements of skating : a fundamental error in the art of skaiting
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., Sheet trimmed within plate mark., and Mounted to 27 x 37 cm.
Publisher:
Publishd. November 24th, 1805, by H. Humphrey, 27 St. James's Street
"One man falls violently, arms and legs in the air; he brings the ferrule of his stick heavily down on the eye of a neighbour who has just landed on his posterior, his legs and arms extended. In the background three other skaters have fallen, and lie or sit, legs in the air."--British Museum online catalogue
Alternative Title:
Fundamental error in the art of skating, Elements of skateing : a fundamental error in the art of skaiting, and Elements of skating : a fundamental error in the art of skaiting
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., Sheet trimmed within plate mark., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 25.4 x 36.2 cm, on sheet 28.2 x 39.6 cm., and Mounted on leaf 38 of volume 11 of 12.
Publisher:
Publishd. November 24th, 1805, by H. Humphrey, 27 St. James's Street
"Two skaters strike attitudes in the foreground. One (l.), with hands on hips, describes a curve on the outside edge of the left. foot, the r. foot being held out stiffly. He looks aggressively towards the other, a younger man who bends his knees, arms extended, and grins at his rival. The former wears a spencer over a short coat, the latter a tail coat; both wear Hessian boots, but those of the latter, who is more fashionably dressed, reach to the knee and are tasselled. Both hold sticks. In the background (r.) a pair of men with folded arms skate back to back in doing a figure of eight; a third skates forward fast with hands on hips. The scene is a lake in a snow-covered landscape."--British Museum online catalogue
Alternative Title:
Elements of skateing : Attitude! Attitude is every thing! and Elements of skating : Attitude! Attitude is every thing!
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
Publish'd November 24th, 1805, by H. Humphrey, 27 St. Jamess [sic]
"Two skaters strike attitudes in the foreground. One (l.), with hands on hips, describes a curve on the outside edge of the left. foot, the r. foot being held out stiffly. He looks aggressively towards the other, a younger man who bends his knees, arms extended, and grins at his rival. The former wears a spencer over a short coat, the latter a tail coat; both wear Hessian boots, but those of the latter, who is more fashionably dressed, reach to the knee and are tasselled. Both hold sticks. In the background (r.) a pair of men with folded arms skate back to back in doing a figure of eight; a third skates forward fast with hands on hips. The scene is a lake in a snow-covered landscape."--British Museum online catalogue
Alternative Title:
Elements of skateing : Attitude! Attitude is every thing! and Elements of skating : Attitude! Attitude is every thing!
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., Sheet trimmed to plate mark leaving thread margins., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 24.9 x 35.9 cm, on sheet 28.7 x 39.2 cm., and Mounted on leaf 37 of volume 11 of 12.
Publisher:
Publish'd November 24th, 1805, by H. Humphrey, 27 St. Jamess [sic]
"Below the title: 'Barrass (then in Power) being tired of Josephine, promised Buonaparte a promotion, on condition that he would take her off his hands; - Barrass had, as usual, drank freely, & placed Buonaparte behind a Screen, while he amused himself with these two Ladies, who were then his humble dependents, - Madame Talian is a beautiful Woman, tall & elegant; - Josephine is smaller & thin, with bad Teeth, something like Cloves, - it is needless to add that Buonaparte accepted the Promotion & the Lady, - now, - Empress of France!' In the centre of the design the two women dance, veiled by transparent drapery which is framed by a heavy festooned curtain. On the r., in full light, sits Barras, lolling tipsily in an ornate armchair. On the left., in shadow, Bonaparte lifts the curtain to stare intently at Josephine. The women are naked, except for gartered stockings, slippers, bracelets, and barbaric ear-rings. They dance, beating tambourines, and are as described, Mme Tallien in back view, Josephine directed towards Bonaparte but looking over her right. shoulder. Their hair hangs in snaky locks below the waist. Barras' chair or Directorial throne has a draped canopy, its back is surmounted by a realistic figure of an infant Bacchus among grapes wearing a bonnet rouge and holding up a full glass and a bottle resembling a Chianti flask. Similar flasks and a cornucopia with grapes flank the Bacchus. Barras, bloated and brandy-faced, holds a glass, spilling the contents. Before him is an ornate round writing-table; its legs are carved with satyrs' heads and terminate in hooves. A decanter of 'Burgundy' stands on a paper headed 'Egypt'; 'Commission pour Buonaparte', above the signature, 'Barrass'. There is also a bottle of 'Mareschino', decanters, and glasses. Other bottles and a broken glass lie on the floor. On the wall an oval frame is inscribed 'Messalina'; the picture is hidden by the curtain framing the dancers. Bonaparte leans forward, holding his cocked hat behind his back. He wears a long military coat with heavy sword and boots. Behind him is a high folding screen. On this are skulls wearing bonnets rouges, and, above, partly concealed by the curtain, a shadowy crown. On another leaf (l.) a little Cupid, blowing a pipe, rides a crocodile, pyramids and palm-trees forming a background (cf. BMSat 11057)."--British Museum online catalogue
Alternative Title:
Madame Talian and the Empress Josephine dancing naked before Barrass in the winter of 1797
Description:
Title etched below image. and Mounted on leaf 2 of volume 6 of 12.
Publisher:
Pubd. Feby. 20th, 1805, by H. Humphrey, St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Barras, Paul, vicomte de, 1755-1829, and Tallien, Thérésia Cabarrus, 1773-1835
"A horse shies at a high and solid gate, throwing its fat rider, who flies sideways through the air, with arms extended. He wears red coat and top-boots. Behind shrubs on the. farther side of the gate lies a bull, the cause of the accident. Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publishd. August 20th, 1805, by H. Humphrey, No. 27 St. James's Street, London
"A horse shies at a high and solid gate, throwing its fat rider, who flies sideways through the air, with arms extended. He wears red coat and top-boots. Behind shrubs on the. farther side of the gate lies a bull, the cause of the accident. Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching & aquatint on wove paper ; sheet 26.4 x 35.4 cm., and Mounted on leaf 14 of volume 11 of 12.
Publisher:
Publishd. August 20th, 1805, by H. Humphrey, No. 27 St. James's Street, London
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., Sheet trimmed within plate mark on upper and lower edges., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 38.5 x 46.3 cm, on sheet 42.5 x 52.3 cm., and Mounted on leaf 6 of volume 6 of 12.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
