"An imitation of BMSat 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, p. 129)."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435
"Eight elderly topers with pipes and glasses surround a small oblong table, on which are punch-bowl, wine-glasses, tobacco, &c. All are much caricatured; some sing, a parson sleeps, a dog howls. The room is lit by a chandelier; a bracket-clock points to 3.40, on it is carved a Bacchanalian figure of Time astride a cask. A bust portrait of Anacreon holding pen and paper is on the wall (left)."--British Museum online catalogue.
Description:
One line of quoted text above image: "Whilst, snug in our club-room, we jovially 'twine the myrtle of Wenus with Bacchus's wine." and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Anacreon,--depicted.--http://id.loc.gov/authorities/names/n83015407, Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435
"Beneath the title is etched on a separate plate: 'Description - A Row of English People in Tatters, and wooden Shoes, hoeing a Field of Garlic. A tall raw-boned Frenchman, with a long Queue behind, like a Negro Driver with a long Waggoner's Whip in each Hand, walking by their side. The People very sulky, but tolerably obedient & tractable for so short a Time ; John Bull being a bad Lad only when you are very good to him. The Group of the hoers are, a Husbandman, his Wife, a Manufacturer, a Curate, & an Old man; - in another Part of the Field [middle distance, left], four other English people, a Father & Son (Husbandmen) with two Seamen, in a Yoke, drawing a Plough ; a French Farmer guiding it with one Hand, & with the other flourishing & cracking a French Postillion's long Whip ; a French Boy walking by the side of the Yoke with a Goad, which has a Point as sharp as a Needle, the French Hoe-driver gives his Instructions thus: "Jacques Roast-Beef, hoe straight, deep, quick & rest not." - The Instructions of the French Holder of the Plough are - "Monsieur John Bull mon Ami", (in English) My Friend, Mr John Bull, pull hard, plough deep, trot quick, turn sudden, & rest not," - A Messager d'Etat, (in English) a Messenger of State in his Habit of Office, with a Letter in his Hand, comes to hurry on the work for the Exigencies of War. - In another part of the Plate [left] stand the Farm Offices ; a vast oak, withered, above them, - A Caldron boiling, on which is engraved, Soup Maigre, with a stack of Onions & Turnips close by it. On a large Board is painted - "Regulations of this Farm., - ["At Five o'clock in the Morning the Hogs & English Slaves are \ "to be fed; at Twelve O'Clock at Night they are to be suppered, \ "& littered up with the best Straw that the Scotch & Irish part \ "of the Slaves can steal from the neighbouring Farms, & then \ "locked up. But there are Holes in the Bottom of the Walls \ "for the Hogs to go out, & get the Benefit of Fresh Air. - \ "Punishment of Laziness, for the first Offence, five hundred \ "Lashes; for the second, the Guillotine. All other Crimes, ex \ "-cept those which affect Frenchmen, are forgiven on Promise \ "of Amendment." - A Ballad is lying on the Ground in the English Language, entitled, "Recantation of British \ & Irish Republican Husbandmen & Manufacturers. - The Burden of the Song is - "Oh, England, England! \ "King, Wife, Sons & Daughters of our King, of \ "whom the Sons are all brave, & the Daughters \ "all beautiful: Parliament & Judges, who covered \ "us with Blessings, which are repaid with Reproaches. \ "Clergy who taught us to die as well as to live for \ "our country - Landaff, Landaff. - Nobles & \ "Squires in whose Hospitality & Bounty we shared. - \ "St Vincents & Duncans. Merchants, Master Manufacturer[s] \ "who lived as simply as ourselves, but both of us well; "how could we forget you? You would not have de- \ "serted us; but we deserted you. - But with the same \ "Weapons which should have defended you, we will \ "punish ourselves. We despise Life, we could submit to \ "Misfortune, but cannot bear the Consciousness of \ "not having stood or fallen with you. Oh England, \ "England, Country of every Bliss, for ever farewell!' [Dalrymple, op. cit., pp. 5-6, 33-5.] The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man on the extreme right Gillray has added in the foreground a ragged hoer suspiciously like Fox, cf. BMSat 9180, &c. The four men yoked to the plough do not resemble seamen. The print otherwise follows the description; the 'Messager d'État' is dressed exactly as in BMSat 9213. All the Englishmen wear large wooden shoes, emblems of servitude."--British Museum online catalogue.
Alternative Title:
Consequences of a successfull Frenh [sic] invasion ; no. III, plate 2d
Description:
"Price 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Title etched below image., and With: Gillray, J. Me teach de English republicans to work: scene, a ploughed field. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798].
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dalrymple, John, Sir, 1726-1810, artist. http://id.loc.gov/authorities/names/n85199363, Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, publisher. http://id.loc.gov/authorities/names/n50033402, and Harvey, Francis--Ownership.
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--Queen, consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., Priestley, Joseph,--1733-1804--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wray, Cecil,--Sir,--1734-1805--Caricatures and cartoons.
"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue.
Alternative Title:
Consequences of a successful French invasion ; no. I, plate 2d
Description:
"Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., and Title etched below image.
"Beneath the title: 'Description. A Priest driven out of his Chapel, A French Soldier trampling on Crucifixes & Mitres, another kicking the Priest, a Gracefull Old Man; & a third stabbing him with a Dagger behind: A "Membre de la haute Cour de Justice" (in English a Member of the high Court of Justice, in his habit of Office, who has learnt to speak the English Language well, by going much to the Play-House, (having been long a Player himself,) says in the words of Othello - "Good, \ "very Good, the Justice, of it pleases, even on the \ "Stage of his own Imposition," - and it is \ "thus, that, the Gratitude of the French Republic "always pays Three Favours for One." - ' [Dalrymple, op. cit., p. 37.] Two ferocious soldiers wearing jack-boots pull and push the priest (in lace-trimmed cotta) from the door of a gothic church (right). A third jumps on a Bible and crucifix, part of a pile of crosier, mitre, chalice, censer (still burning), &c. On the cross which surmounts the door is a Phrygian cap of 'Liberté'. From a niche inscribed 'Ecce Homo' a crucifix has been torn, leaving only a crown of thorns and a skull and cross-bones. In the corresponding niche is a headless figure of 'Santè Marie', clasping a headless infant, burlesqued (in Gillray's manner when dealing with emblems of 'Popery', cf. BMSat 6026). On the left the 'Member of the high-court' walks past with folded arms, looking sideways with a sinister glare at the outrage. He wears the draperies and cap of BMSat 9209."--British Museum online catalogue.
Alternative Title:
Consequences of a successfull French invasion ; no. VI, plate 1st
Description:
"Price 6 d. Colourd. 1 sh. / 8 d.", Title etched below image., and With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798].
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue.
Alternative Title:
Weird sisters, ministers of darkness, minions of the moon and Wierd sisters, ministers of darkness, minions of the moon
Description:
Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain--Politics and government--1789-1820--Humor.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--Queen, consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Dundas, Henry,--1742-1811--Caricatures and cartoons., Fuseli, Henry, 1741-1825, associated name. http://id.loc.gov/authorities/names/n79021856, Fuseli, Henry,--1741-1825--Parodies, imitations, etc., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435, Pitt, William,--1759-1806--Caricatures and cartoons., Shakespeare, William,--1564-1616.--Macbeth--Adaptations, parodies, etc., Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons., Walpole, Horace,--1717-1797--Ms. annotations., and Walpole, Horace,--1717-1797--Ownership.
Subject (Topic):
Eclipses., Moon., Politicians--Great Britain., Regency--Great Britain.--http://id.loc.gov/authorities/subjects/sh2010110433, Sun., and Witches.