An elderly husband, with a look of despair and exasperation, sits at a tall cased escritoire, after reading his young wife's account book; she sits in the chair next to the desk hiding her smile behind a handkerchief. Behind her is a harp. On the desk at the husband's elbow is a book with a spine label "L'École des vieillards" and at his feet he has thrown his quill pen and the account book with the label "Dépense".
Description:
Title from caption below image., Series title and number from caption above image., Printmaker's name letterd in image on the base of the harp., This plate was listed in the 'Bibliographie de France' for 12 June 1824. See British Museum online catalogue, Registration number: 2003,0630.14., and "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue.
Publisher:
Chez Martinet
Subject (Topic):
Anger, Couples, Desks, Harps, Interiors, Parlors, and Writing materials
A man and woman in their pajamas and slippers stand looking in fright at the closed door of their bedroom. He wears a night cap and stands with a weapon in each hand, pointed at the door; his figure casts a large shadow on the back wall and over the bureau on which sits his tricorne hat. His wife (right) clings to his nightshirt, as she holds up a candlestick to light their way. She has her hair tied up in a scarf. To the right, their infant cries in its basket under which sits a overflowing chamber pot. On the other side of the closed door is a small mouse
Description:
Title etched below image., Series title and number from caption above image., Printmaker's name etched in image, on left baseboard., Plate 14 in this series is dated 1817 in the British Museum online catalogue., Sheet dimensions from British Museum catalogue., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to plate mark: 21.2 x 29 cm.
A thin man in a cap pulled down on his head feeds a morsel of food to an obese woman who combs a wig in her hand as they sit on a sofa before a table laid with lunch. They are in a well-appointed sitting room decorated with a mirror above a fireplace with a mantel on which sits a clock, a sheet of music entitled 'Romance', and under a glass vitrine, a statuette of man holding a bird on his finger. The fire screen is decorated with an image of two love birds. On the left edge is only a portion of painting, but it shows a bird perched on the finger of the sitter's hand. The man's discarded hat and walking stick rest of a sofa to the left
Description:
Title from text below image., Signed by the printmaker on a slip of paper tucked into the left edge of the mirror., Series title and number from caption above image., Sheet trimmed within plate mark., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Mounted on blue laid paper to: 36 x 30 cm.
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"A man spying through a key-hole at a lady in a bath is squirted with water in the eye by her maid."--British Museum online catalogue
Description:
Title from text below image., Series title and numbering, imprint, statement of responsibility and dimensions from impression in the British Museum online catalogue., Signed "G de Cari" in design, on the wall in the lower right., This plate was entered in the 'Bibliographie de France' for 22 November 1817. See British Museum online catalogue, Registration number: 1982,U.1215., and Sheet trimmed within design with loss of left portion of the image (lady in the bath), the imprint statement, and series title and numbering. Title mounted below.
Publisher:
Chez Martinet Libre., rue de Coq no.15
Subject (Topic):
Bathrooms, Curiosity, Lust, Water guns, and Women domestics
An emaciated women sits in a bed playing cards. Her clothes and sheets have tears and holes; the wallpaper is falling off the walls. Under her bed is a used chamber pot and to the left a table with shoes and an umbrella. An elegant coat, dress, and hat suggest better times. A letter on the foreground (right) is addressed: [illegible] CC. Madame de [illegible] rue de Richelieu no. 39.
Description:
Title etched below image., Date based on number 31 in this series, which was listed listed in the 'Bibliographie de France' for 3 June 1820., Series title and numbering etched above image., Printmaker's name etched on table (left) in image: G. de Cari., Between title and subtitle: "Ils sont passés ces jours de fêtes, Ils ne reviendront plus.", and "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue.
Publisher:
Chez Martinet, Libraire, rue du Coq, no. 25
Subject (Topic):
Card games, Chamber pots, Gamblers, Poverty, Starvation, and Vice
"The Englishman, grossly obese, walks from the door of the inn (left) supporting his paunch on a wheelbarrow which the cook of British Museum satire no. 12361 helps to drag, exhausted by the effort, and mopping his face with his cap. A plank leads from the quayside to a packet-boat, the stern of which appears below, empty except for one expectant sailor. Another sailor's hand appears by the plank, ready to assist the embarkation. The sign of the inn is not depicted, the window flap hangs down. The second cook stands in the courtyard, offering food to a gorged cat on the roof."--British Museum online catalogue
Description:
Title etched below image., Dimensions from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 12 Novemberr 1814, before its pendant 'L'Arrivée' (1868,0808.7249) which logically precedes it. Martinet's name is not actually lettered on the plate., and Sheet trimmed within plate mark, with loss of text at lower left; corners trimmed: 19 x 23.3 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Eating & drinking, Ethnic stereotypes, Gluttony, Mail steamers, and Obesity
Title etched below image., Date supplied by curator., Creator information from British Museum website., In top margin: Musée Grotesque No.16., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Martinet, Libre. Rue du Coq, No.15 ; Depe. à la Don
Subject (Topic):
Gluttony, Cherry trees, Ladders, and Eating & drinking
A man with lecherous look on his face, his tongue between his teeth and with a large grin, reaches his hand between the curtains of a canopy bed, his other hand raised. Behind him leaning against a coat tossed on a chair is a bed warmer. On the dresser behind him is a bust of a woman with a feathered headdress. On the small chest at the foot of the bed is a basket with a lid
Description:
Title etched below image., Series title and number from impression in Les Musèes de la Ville de Paris., Printmaker's name etched in image, at bottom of bureau., Date based on Plate 15, which was entered in the 'Bibliographie de France' for 29 March 1817., Dimensions from the impression in Les Musèes de la Ville de Paris., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to image: 21 x 13.7 cm.
Publisher:
Chez Martinet, Libre., rue du Coq, no. 15
Subject (Topic):
Bedrooms, Canopy beds, Headdresses, Lust, and Sculpture
A view of the back window of a carriage on a country, tree-lined lane, shows a woman unswaddling her screaming child with a look of concern. An obese man to her right plugs his ears with his fingers, red-faced and angry. A thinner man to her left holds his nose. Another man in a bonnet leans out the window of the carriage with a surprised look on his face. In the front is a glimpse of the whip and the arm of the coach driver as he drives the coach quickly down the lane, hurling clouds of dust behind them. A dog looks down from the roof of the coach
Description:
Title etched below image., Series title etched above image, Printmaker's name etched at top of carriage., Series title and number from caption above image., Dimensions from impression Museum of Fine Arts, Boston., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to 20 x 24 cm.
Publisher:
Chez Martinet, Libraire, rue du Coq, No. 25
Subject (Topic):
Infants, Carriages & coaches, Crying, Dogs, Odors, and Sounds
