Title from caption below image., Title from dialogue in Shakespeare's The taming of the shrew: Tailor "The sleeves curiously cut." Petruchio "Ay, there's the villainy.", Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P-Prys caricatures, none are original without this publication., Text following title: Vide Skakspeare., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
"Above the design: '"Take heed, have open eyes; for thieves do foot abroad [sic]. Shakespeare' ['Merry Wives', II. i] 'Render unto Seizer those things which are Seizers.' A bishop (right), wearing apron and shovel-hat, brandy-faced and scowling, walks to the right, using a cane. Dodging behind are Wellington and Peel as ragged pickpockets. The Duke wears a cap, a dilapidated military coat, and old white trousers; twitching a handkerchief from the bishop's coat-tail pocket he says: 'I say Bob-I'll have a dash at the Parsons now.' Peel, dressed as the "Cad" of BM Satires No. 15734, &c, says: 'Odd Rat 'em-I'm afeard on 'em.' The bishop claps his hand over his breeches pocket and scowls; he says: 'Two very suspicious looking fellows-dodging me about-I hope they are not going to pick my pocket.'"--British Museum online catalogue and A bishop wearing an apron walks to the right. Behind him Wellington and Peel dressed as pickpockets pull a handkerchief from his pocket
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Publisher's advertisement following imprint: "Sole publisher of Paul Pry caricatures."
Publisher:
Pub June 2d, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Two soliders shown full-length, one facing forward and the other in profile looking left
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 13, 1831, for W. Heath at 56 Quadrant Regent Street
Subject (Topic):
Daggers & swords, Military uniforms, British, Bayonets, and Rifles
"The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat's legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach's antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable's staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it's all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose--Rose Water rose water--oh oh oh-- From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul's, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6--Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0---&c &c."--British Museum online catalogue
Alternative Title:
Cruel radical harpies destroying a feast
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Text beside artist's device, meant to be words spoken by the man with an umbrella?: They seem to be introding [sic] here., Date of publication from the British Museum catalogue., Imprint continues: ... where political & other charicatuers [sic] are daily brought out., Sheet trimmed within plate mark., and Text above image: "now by St. Paul's the work goes bravely on -.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"All hunt on velocipedes; they advance (left to right) in two streams on each side of a grass plot, while in the background the huntsmen are just behind the dogs, chasing (right to left) the stag. A dandy, his machine in the air, falls head first on a woman who also obstructs a lean tailor, with shears and card of patterns in his pocket. A bare-legged chimneysweeper follows, his brush tied to the back of his machine. A lean barber and a grotesquely fat butcher follow, with a man in a smock. On the extreme left a dustman in fan-tailed hat rides with a woman seated behind him and ringing his bell. The figures in the second column are on a small scale but well characterized. Accidents and collisions occur. Two dandies (right) in the middle distance (right) are turning to follow the hounds."--British Museum online catalogue
Alternative Title:
Hobbies in an uproar
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "338" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Male costume, 1819 -- Female costume, 1819 -- Chimney-sweeps -- Domestic service: Dustmen -- Dustman's bells., and Watermark: C. Wilmott 1819.
Publisher:
Published by T. Tegg, 111 Cheapside
Subject (Topic):
Barbers, Butchers, Bicycles & tricycles, Dandies, British, Hobbyists, and Tailors
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"All hunt on velocipedes; they advance (left to right) in two streams on each side of a grass plot, while in the background the huntsmen are just behind the dogs, chasing (right to left) the stag. A dandy, his machine in the air, falls head first on a woman who also obstructs a lean tailor, with shears and card of patterns in his pocket. A bare-legged chimneysweeper follows, his brush tied to the back of his machine. A lean barber and a grotesquely fat butcher follow, with a man in a smock. On the extreme left a dustman in fan-tailed hat rides with a woman seated behind him and ringing his bell. The figures in the second column are on a small scale but well characterized. Accidents and collisions occur. Two dandies (right) in the middle distance (right) are turning to follow the hounds."--British Museum online catalogue
Alternative Title:
Hobbies in an uproar
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "338" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Male costume, 1819 -- Female costume, 1819 -- Chimney-sweeps -- Domestic service: Dustmen -- Dustman's bells., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 48 in volume 5.
Publisher:
Published by T. Tegg, 111 Cheapside
Subject (Topic):
Barbers, Butchers, Bicycles & tricycles, Dandies, British, Hobbyists, and Tailors
Title from caption below image., Imprint continues: ... sole publisher of W. Heaths etchings., Text above image: No. 1., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket ...
"Heading to a printed broadside. Four well-dressed men hold open a large bag, resting on the ground, in which stands a fifth, in profile to the right, who says indignantly to one of the openers: "Oh here you are--now for the Truth, the whole Truth & nothing but the Truth, by whose authority did you make Tools of the Clergy, to create divesions [sic] among their Parishione's [sic], & become sources of discord instead of Peace Makers." The other draws back disconcerted, answering: "Indeed it was not my master but the Pit Club, to whom the Nation is so much indebted." The first speaker rejoins: "Yes to whome the Nation is indebted 9 Hundred Millions." A slanting blast issues from the bag to the left, carrying into the air Wellington astride a cannon, who turns round to look anxiously down at the bag, and is followed by a cannon supported on clerical arms and legs and ridden by a bishop. The latter says: "my Minor Cannon are of little use." A little man (? Canning) runs in the blast, below Wellington. Smoke surrounds the bag. The text is the speech of Mr. Marsh at the Hampshire meeting on 12 Jan., when petitions to both Houses in favour of the Queen were resolved on. The plate illustrates a passage from the facetious printed speech: 'Besides the Ultras had a terrible weight of metal for the fight. They could muster all the great guns from Portsmouth; and if these did not do execution enough, they had at hand the little canons of Winchester.'"--British Museum online catalog
Alternative Title:
Secret spring of ultra-loyal addresses, discovered and exposed
Description:
Title from letterpress text below image., Attribution to William Heath and date of publication from the British Museum catalogue., Five lines of text beneath title: See the following witty and elucidating speech of Mr. Marsh, at the Hampshire meeting, January 12, which was attended by 6000 persons ..., Sheet trimmed to plate mark on three sides., Two columns of letterpress text at bottom, beginning: Mr. Marsh came forward, and was received with great applause. ..., "Price one shilling"--Following imprint statement., Watermark: J L 1817., Mounted to 58 x 39 cm., Mounted on leaf 42 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Jan. 1821" written in ink in lower right corner of sheet. Typed extract of fourteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Canning, George, 1770-1827
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
Title etched below image., Date assigned by cataloger., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
