A sparse interior where (G) Mary Toft lies on a curtained bed apparently in the throes of labour. She is attended by (E) her husband Joshua Toft and (F) his sister Margaret, acting as nurse. (D) Dr John Howard is receiving a dead rabbit from a butcher at the door. There are three other men in the room: (A) Nathaniel St André, (C) John Maubray or Cyriacus Ahlers, and (B) a third (Sir John Manningham or Samuel Molyneux) whose arm is thrust beneath Mary's skirts. Rabbits scamper across the floor; others lie dead; to the right is a chamber pot."--British Museum online catalogue
Alternative Title:
Wise men of Godliman in consultation
Description:
Title engraved below image., State, date, and place of publication from Paulson., According to Hogarth's early biographer John Nichols, the print was commissioned by a group of rival surgeons paying a guinea each., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Toft, Joshua, fl. 1720-1726, Manningham, Richard, Sir, 1690-1759, St. André, Nathanael, 1680-1776, and Howard, John, fl. 1690-1720
Subject (Topic):
Births, Butchers, Chamber pots, Canopy beds, Interiors, Physicians, and Rabbits
A sparse interior where (G) Mary Toft lies on a curtained bed apparently in the throes of labour. She is attended by (E) her husband Joshua Toft and (F) his sister Margaret, acting as nurse. (D) Dr John Howard is receiving a dead rabbit from a butcher at the door. There are three other men in the room: (A) Nathaniel St André, (C) John Maubray or Cyriacus Ahlers, and (B) a third (Sir John Manningham or Samuel Molyneux) whose arm is thrust beneath Mary's skirts. Rabbits scamper across the floor; others lie dead; to the right is a chamber pot."--British Museum online catalogue
Alternative Title:
Wise men of Godliman in consultation
Description:
Title engraved below image., State, date, and place of publication from Paulson., According to Hogarth's early biographer John Nichols, the print was commissioned by a group of rival surgeons paying a guinea each., Sheet trimmed within plate mark., On page 42 in volume 1. Sheet trimmed to: 18.3 x 24.9 cm., and Ms. note in Steevens's hand in pencil, above this print: Modern impression.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Toft, Joshua, fl. 1720-1726, Manningham, Richard, Sir, 1690-1759, St. André, Nathanael, 1680-1776, and Howard, John, fl. 1690-1720
Subject (Topic):
Births, Butchers, Chamber pots, Canopy beds, Interiors, Physicians, and Rabbits
The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
Alternative Title:
Freeing of the galley slaves
Description:
Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., "Vol. I. p. 129"--Below image, lower left., and On page 88 in volume 1. Trimmed to plate mark: 242 x 184 mm.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Lancers, Rescues, Enslaved people, and Swords & daggers
The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
Alternative Title:
Freeing of the galley slaves
Description:
Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., and "Vol. I. p. 129"--Below image, lower left.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Lancers, Rescues, Enslaved people, and Swords & daggers
published according to act of Parliament, Feb. 1, 1751 [that is, between 1790 and 1835]
Call Number:
Print20072
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State from Paulson., Second state, with price mostly burnished from plate. This state of the plate was first issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and Temporary local Medical Library subject terms: Prevention of cruelty to animals.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.5 x 32.1 cm, on sheet 59 x 46 cm., and Plate 76 in the album: Queen Charlotte's collection of Hogarth works.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.6 x 32.1 cm, on sheet 56 x 45 cm., and Leaf 52 in: Album of William Hogarth prints.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 53K(a) Box 215
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and Sheet trimmed to 382 x 313 mm.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.03.1+ Box 200
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", This impression stamped '6d' following price '1s'., and 1 print : etching & engraving on laid paper ; plate mark 380 x 320 mm, on sheet 470 x 384 mm.
