Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 30 x 22.5 cm, on sheet 30.3 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in ink below image; date "1 Feb. 1821" written in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature of Queen Caroline sleeping side by side with Bergami as seen through the window of an elegant stage coach as they are observed by an astonished postillion. On the top of the carriage are two cases with the initials CB (Caroline of Brunswick) and on the carriage door, a coat of arms with a sleeping lion and unicorn
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Sheet trimmed within plate mark., Two lines of quoted text below title: "Ha! Ha! by gar, vat dat I see yonder, dat look so tempting red and vite?", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Sleeping, Carriages & coaches, and Coats of arms
Caricature of Queen Caroline sleeping side by side with Bergami as seen through the window of an elegant stage coach as they are observed by an astonished postillion. On the top of the carriage are two cases with the initials CB (Caroline of Brunswick) and on the carriage door, a coat of arms with a sleeping lion and unicorn
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Sheet trimmed within plate mark., Two lines of quoted text below title: "Ha! Ha! by gar, vat dat I see yonder, dat look so tempting red and vite?", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; sheet 27.7 x 22.6 cm.., Printed on wove paper., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 87 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil at bottom of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Sleeping, Carriages & coaches, and Coats of arms
"The Queen drives in state through a cheering crowd; windows and balconies are filled with women waving handkerchiefs. P. 21: V, for the Virtue displayed in the town, When Demo and Kresso were said to be down. ..."--British Museum online catalogue
Alternative Title:
V, for the virtue displayed in the town, when Demo and Kresso were said to be down ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Demont, Louisa, active 1814-1820., Kress, Meidge Barbara., and Rosco.
"The King lies uneasily on a sofa, holding out a glass to be filled by Sidmouth, the 'Doctor', clyster-pipe in pocket. Beside him is a table, with bottles, &c. P. 22: W, for the wine and liqueurs he swallow'd, While writhing he lay on the sofa and hallow'd, ..."--British Museum online catalogue
Alternative Title:
W, for the wine and liqueurs he swallow'd while writhing he lay on the sofa and hallow'd ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, and Rosco.
Subject (Topic):
Alcoholic beverages, Bottles, Sofas, and Medical equipment & supplies
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue, description of a variant state
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Variant state lacking "London" at beginning of imprint statement. Cf. No. 14120 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 6 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Temporary local subject terms: Female costume: over-dress, drawers -- Wigs: queue -- Postilion whips -- French windows -- Trellises -- Couriers -- Guns: pistols -- Powder flasks -- Holsters -- Saddles -- Portmanteaus -- Male costume: spurs., and Manuscript "1." in upper left corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Temporary local subject terms: Female costume: over-dress, drawers -- Wigs: queue -- Postilion whips -- French windows -- Trellises -- Couriers -- Guns: pistols -- Powder flasks -- Holsters -- Saddles -- Portmanteaus -- Male costume: spurs., 1 print : etching with stipple ; plate mark 30.2 x 22.8 cm, on sheet 30.5 x 23.1 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 59 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in pencil below image; figure of "Bergami" identified in ink. Date "17 Feb. 1821" written in ink in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
