Manuscript on paper of Pseudo-Augustine, texts relating to the Pelagian controversy, and other texts
Description:
In Latin., Script: two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex, but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., The manuscript contains: 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas., and Binding: original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Council of Carthage
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Pelagianism, Theology, and History
Manuscript fragment on parchment of Pseudo-Augustinian Sermons, possibly from an Alan of Farfa Homiliary
Description:
In Latin., Script: written in Caroline minuscule, which Bischoff has dated to the first third of the ninth century., and Decoration: the homily begins with a 7-line decorated initial "F" outlined in brown and filled with orange, dark orange, ochre, and olive green; 1-line initials in brown uncials; rubric written in red uncials; punctuated with the punctus and punctus versus; a leaf has been drawn in red in the space between the columns on the verso.
Manuscript on paper of devotional treatises by numerous authors, including Guillelmus Iordani (Willem Jordaens, c. 1321-1372), Pseudo-Augustinius, Iacobus Mediolanensis, and Leroquais
Description:
In Latin., Script: copied by one hand in Gothica Hybrida Libraria/Formata; the ascenders on the top line and the descenders on the bottom line may have calligraphic extensions. The last treatise is by another scribe using the same type of script., Stroking of majuscules, underlining, paragraph marks and headings in red., and Binding: original binding, sewn on three double cords. Brown leather over wooden boards with rounded edges. Plaited headbands. Parchment endleaves. Remnants of one brass clasp attached to the rear board. Red leather tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on paper of 1) Pseudo-Augustine, Soliloquia, translated into Greek by Demetrius Cydonius; first leaf missing. 2) Creed of St. Athanasius. 3) Various prayers and hymns, some by John of Damascus and Macarius, but most anonymous
Description:
In Greek., Watermarks: Harlfinger Chapeau 74., Script: Written by a single scribe in tall, upright minuscule., Decorative initials, 6- to 5-line, in red with simple floral designs; rubrics throughout., and Binding: 16th-17th centuries. Three original chain-stitched supports, the thread laced into square-edged, flush, wooden boards grooved on the edges. The beaded, colored endbands are sewn on cords which are attached in holes in the edges of the boards. The edges are painted with a red and black interlace design, the spine smooth and round. Covered in brown goatskin, blind-tooled with concentric borders, different on each board, the central panels filled with flowers and small diamonds. One pin hole in the edge of the upper board, three holes for a strap in the lower. Rebacked. According to A. R. A. Hobson, the binding originated in Crete.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Hymns, Manuscripts, Medieval, Mysticism, and Prayers
