Creator: Rowlandson, Thomas, 1756-1827, artist / Subject Heading: Fox, Charles James, 1749-1806

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1. A touch on the times [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, artist
Published / Created:: [29 December 1788]
Call Number:: Auchincloss Rowlandson v. 3
Image Count:: 1
Resource Type:: still image
Abstract:: "The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:: Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., 1 print : etching on laid paper, hand-colored ; sheet 26.2 x 36.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 3 of 14 volumes.
Publisher:: Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):: George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Subject (Topic):: Britannia (Symbolic character)
Found in:: Beinecke Rare Book and Manuscript Library > A touch on the times [graphic].

2. A touch on the times [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, artist
Published / Created:: [29 December 1788]
Call Number:: 788.12.29.01+ Impression 1
Image Count:: 1
Resource Type:: still image
Abstract:: "The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:: Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:: Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):: George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Subject (Topic):: Britannia (Symbolic character)
Found in:: Lewis Walpole Library > A touch on the times [graphic].

3. Political affection [art original].

Creator:: Rowlandson, Thomas, 1756-1827, artist
Published / Created:: April 1784.
Call Number:: Drawings R79 no. 3 Box D145
Image Count:: 1
Abstract:: The Duchess of Devonshire sits nursing a fox at her bare breast; the fox is dressed as a child, its paw on her lap. A child sits to her right crying, arms stretched towards her. On the left a cat licks the face of a dog while ignoring her kitten that crawls beside them. A cradle sits empty in the background (left).
Description:: Title and date from graphite pencil inscriptions in image., Study for the print of the same title, no. 6546 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With, on the opposite side of the sheet: a drawing for Reynard put to his shifts by the same artist.
Subject (Geographic):: Great Britain and Great Britain.
Subject (Name):: Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):: Elections, 1784, Women in politics, Foxes, Breast feeding, Infants, Women, and Political activity
Found in:: Lewis Walpole Library > Political affection [art original].

4. Reynard put to his shifts [art original].

Creator:: Rowlandson, Thomas, 1756-1827, artist
Published / Created:: [1784]
Call Number:: Drawings R79 no. 3 Box D145
Image Count:: 1
Abstract:: The Duchess of Devonshire stands with raised skirts while a fox takes cover under her petticoats. She looks toward a huntsman on her right, two hunting dogs at his feet. He calls "Tally O my good dogs" while in response they cry "No coalition" and "No India Bill." The Duchess says, "My dear Fox get into cover."
Description:: Study for the print of the same title, no. 6551 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. and On the opposite side of the sheet: a drawing for Political affection by the same artist.
Subject (Geographic):: Great Britain and Great Britain.
Subject (Name):: Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):: Elections, 1784, Women in politics, Women, and Political activity
Found in:: Lewis Walpole Library > Reynard put to his shifts [art original].