"The King, Queen, and three princesses are seated at a small dinner-table, on which is a soup-tureen, &c. The King holds a plate on which is an insect, turning round to address angrily a cook (right), who stands trembling beside him. Two alarmed servants stand behind the King's chair. The Queen and princesses make gestures of alarm; one princess (left) has risen from her chair in horror. On the extreme left stands a beefeater holding a jug, who lets glasses fall from a salver in his consternation. A draped window forms a background."--British Museum online catalogue
Description:
Title etched below image; source of the title "Lousiad canto 1st" as indicated., Printmaker from Grego., Date of publication from British Museum catalogue., Sheet trimmed to plate mark on right and left sides., and Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto I. London, G. Kearsley, 1787.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"In a squalid room Johnson and Boswell lie in two short truckle beds. Boswell (right) is in the foreground, his face contorted with horror, his hands before his mouth as if to stifle a scream, his bare feet drawn up, but projecting over the end of his bed. A gigantic spider descends towards his head, insects are spotted over the bedclothes and pillow, from which projects Ogden (see BMSat 7031). Johnson lies on his back (left) under a casement window, his eyes closed, his hands clasped as if in prayer, his knees drawn up to accommodate the shortness of the bed. A woman's dress hangs as an improvised curtain between the two beds. Under Johnson's bed two rats gnaw Boswell's wig."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Five lines of verse below title: "There were two beds in the room, and a woman's gown was hung on a rope to make a curtain of seperation [sic] between them ..." Vide Journal p. 153., Sheet trimmed within plate mark., and In mss. in lower left corner: E-155.
Publisher:
Pubd. 20 June 1786, by E. Jackson No. 14, Mary bone [sic] Street, Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, and Boswell, James, 1740-1795.
Subject (Topic):
Atttics, Bedroooms, Nightmares, Sleepwear, and Spiders
"A foppish young man wearing a looped hat with cockade, double-breasted waistcoat, ruffled shirt, striped stockings, and low shoes with rosettes, walks (left to right) rapidly but affectedly. His head is turned to the left and he looks downwards; his left hand held up in a finicking manner."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Companion print to: Country simplicity., and Temporary local subject terms: Foppish young man.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No.3 Piccadilly
The opera singer Madamme Banti engages in a jovial conversation with Lord Pembroke. Each holds a wine glass; a decanter sits on the table
Description:
Title from inscription in design., Date suggested by ms. note on mount., Brigitta [Brigida] Banti is the stage-name of Brigida Giorgi., and For further information, consult library staff.
Subject (Name):
Pembroke, George Augustus Herbert, 11th Earl of, 1759-1827
Subject (Topic):
Opera singers, Eating & drinking, and Drinking vessels
A watercolor sketch of two rotund monks in front of a entrance to monastery in a lane within gate and wall surround. One attends closely to a young lady with two baskets on her arms; the other reads, lounging on a bench with his one foot raised
Description:
Title from note in ink in lower right corner., Unsigned; attributed to Rowlandson by Andrew Clayton-Payne, author of a catalog of Rowlandson. Similar in theme (and in architecture) to signed watercolors at the Yale Center for British Art., and With dealer's notes in pencil on verso.
Subject (Topic):
Courtyards, Lust, Monasteries, Monks, Obesity, and Reading
The Duchess of Devonshire sits nursing a fox at her bare breast; the fox is dressed as a child, its paw on her lap. A child sits to her right crying, arms stretched towards her. On the left a cat licks the face of a dog while ignoring her kitten that crawls beside them. A cradle sits empty in the background (left).
Description:
Title and date from graphite pencil inscriptions in image., Study for the print of the same title, no. 6546 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With, on the opposite side of the sheet: a drawing for Reynard put to his shifts by the same artist.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Women in politics, Foxes, Breast feeding, Infants, Women, and Political activity
Count Przobosky wildly rears a horse in a grand room knocking over furniture to the shock and astonishment of distrressed onlookers
Description:
Title from caption inscribed in ink below image., Date supplied by cataloger., Attributed to Rowlandson., and For further information, consult library staff.
Gamblers with expressions of anxiety and despair sit or stand around an octagon-shaped table. One man slumps in his chair, asleep and with his purse empty. One man resembles Captain Topham; others may be caricatures as well. In the center of the table is a circular roulette mechanism with the letters E and O for even and odd
Description:
Title etched below image., Artist attribution from British Museum catalogue., Reissue of an earlier state dated 1781, with a different title. Cf. British Museum catalogue, no. 5928., and Partially trimmed within plate mark.
Publisher:
Publish'd Jany. 1st 1786, by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
An ink drawing contrasting the bust of a balding man with a long curly beard and a stag head with three-point antlers
Description:
Title from caption inscribed below image in the same ink and hand as the artist., Attributed to Rowlandson by curator., Date based upon watermark., Trimmed watermark: 18[..]., and For further information, consult library staff.
The Duchess of Devonshire stands with raised skirts while a fox takes cover under her petticoats. She looks toward a huntsman on her right, two hunting dogs at his feet. He calls "Tally O my good dogs" while in response they cry "No coalition" and "No India Bill." The Duchess says, "My dear Fox get into cover."
Description:
Study for the print of the same title, no. 6551 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. and On the opposite side of the sheet: a drawing for Political affection by the same artist.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Women in politics, Women, and Political activity