From the Collection: Speck, William A. (William Alfred), 1864-1928
Published / Created:
1809 Oct 14
Call Number:
YCGL MSS 6
Container / Volume:
Box 10, folder 314
Image Count:
3
Description:
3 p. ; 20 x 33 cm. Personal red seal attached. With notarization by von Wolfskeel, dated Oct. 16, 1809; with impressed seal attached. Conferring full rights upon Goethe's wife to act for him in settling the estate of his deceased mother Katharina Elisabeth Goethe. As assistant in this matter he appoints Friedrich Johann Heinrich Schlosser.
From the Collection: Speck, William A. (William Alfred), 1864-1928
Published / Created:
n.d.
Call Number:
YCGL MSS 9
Container / Volume:
Box 2, folder 29
Image Count:
46
Description:
Autograph ms. 78 p. of music. 17 x 20 cm. Transcriber unknown. Text by Goethe, Schiller, and others; music by Zelter, Zumsteeg, Harder, and others. Partial contents: Goethe: 1. An die Erwahlte! (Hand in Hand und Lipp auf Lippe). 5. Stirbt der Fuchs (Nach Mittage sassen wir junges Volk) 6. Frühlings Orachel! (Du prophetscher Vogel). 15. An die Entfernte (So hab ich wirklich dich verloren?). 27. Gedicht [Mignon] (Kennst du das Land?) [music by Hausler]. Schiller: 30. Monolog der Maria Stuart (O Dank! Dank diesen freundlich grünen Bäumen) [music by Zumsteeg] 31. Abschieds Lied Johannes aus Schillers Jungfrau von Orleans (Lebt wohl irh Berge, ihr geliebten Triften) [music by Zumsteeg] One sheet of music for piano [?] laid in.
From the Collection: Speck, William A. (William Alfred), 1864-1928
Published / Created:
n.d.
Call Number:
YCGL MSS 6
Container / Volume:
Box 15, folder 607
Image Count:
3
Description:
AMs (fragment), 1 p. ; 22 x 20 cm. Note on verso, in Schiller's hand: "Zum 5ten Auftritt des 5ten Akts," but text corresponds to act 2, scene 6, in the edition of Schiller's Theater, Tübingen, 1805-07, Bd. 3, p. 282-283. With a manuscript note in an unknown hand with heading: "Aus Göthes Hand" and signed "Goethe," dated "Weimar, d. 3ten Novbr. 1819," designating this to be Schiller's insertion in his drama, used in the earlier rehearsals by the prompter, until a new copy had been made.
