Manuscript on parchment of Capitularies of Charlemagne and Louis the Pious compiled by Ansegisus in 827. With Capitularies of Charles the Bald; and List of Frankish kings from Faramund to Philip II (1180).
Description:
In Latin., Script: Written in fine Carolingian minuscule primarily by two scribes. Scribe 1: ff. 1v-42v; Scribe 2: ff. 43r-96r, 98r-102r., Eleven large decorative initials (5- to 13-line) of very good quality in gold, green, red, and white, of the style usually associated with the school of Rheims. The initials are constructed of broad outlines in green which are decorated with unburnished gold (partly rubbed) and bordered with red. The letters terminate in interlace knots and animal heads. Empty spaces within the initials are filled with interlace grids of stylized foliage in unburnished gold laid on greenish ground. The stems of the most important initials (ff. 3r, 8v, 28v, 55r, 67r, 83r, 98r) are decorated with white interlace designs on red grounds., and Binding: Eighteenth century. Edges spattered red. Brown spattered calf, blind-tooled. Remains of paper label on spine.
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Charlemagne, Emperor, 742-814., Charles II, King of France, 823-877., and Louis I, Emperor, 778-840.
Subject (Topic):
Law |z France, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of 1) Le Debat du Faucon et du Levrier. G. Holmer believes that Beinecke MS 465 is the only manuscript to preserve the complete Latin text which was later translated into French by Robert du Herlin, Secretary of King Louis XI. 2) Pseudo-Bernard of Clairvaux, Epistola de gubernatione rei familiaris
Description:
In Latin., Script: Written in fine upright batarde script., 3- to 2-line spaces for decorative initials unfilled., Lower margin chewed by rodent; parchment stained throughout; no loss of text., and Binding: Ninteenth century (after 1881). Dark brown goatskin, gold-tooled with medallion of falcon on upper cover. Bound by Riviere and Son (London, 1881-1939).
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Politics and government
A collection of documents bearing the signatures of rulers or important personages of France; most are preceded or followed by an engraving of the person. Mounted so that both sides of the document are visible
Description:
In French, English, Italian, Latin and Spanish., Collected, mounted and bound in one volume during the 19th century., and Binding: Nineteenth century. Dark blue goatskin, gilt, by Riviere and Son.
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Anne, Queen, consort of Louis XIII, King of France, 1601-1666., Catherine de Médicis, Queen, consort of Henry II, King of France, 1519-1589, Charles VIII, King of France, 1470-1498, Charles IX, King of France, 1550-1574, Charles X, King of France, 1757-1836, Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920, Ferdinand II, Holy Roman Emperor, 1578-1637, Francis I, King of France, 1494-1547, Francis II, King of France, 1544-1560, Henry II, King of France, 1519-1559, Henry III, King of France, 1551-1589, Henry IV, King of France, 1553-1610, Louis XI, King of France, 1423-1483, Louis XII, King of France, 1462-1515, Louis XIII, King of France, 1601-1643, Louis XIV, King of France, 1638-1715, Louis XV, King of France, 1710-1774, Louis XVI, King of France, 1754-1793, Louis Philippe, King of the French, 1773-1850, Louise, de Savoie, duchesse d'Angoulême, 1476-1531, Marguerite, Queen, consort of Henry IV, King of France, 1553-1615, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Marie Leszczyńska, Queen, consort of Louis XV, King of France, 1703-1768, Marie de Médicis, Queen, consort of Henry IV, King of France, 1573-1642, Marie-Thérèse, Queen, consort of Louis XIV, King of France, 1638-1683, Napoleon I, Emperor of the French, 1769-1821, and Napoleon III, Emperor of the French, 1808-1873
Manuscript, in a single hand, providing charts, summaries, and personal observations on French finances during the Seven Years' War and the French and Indian War. The volume includes a list of the ordinary revenues and expenses of the king; ordinary military expenses; and an extensive section addressing war finance, including yearly summaries of money raised in France between 1756 and 1762, with notes of royal edicts, such as a lottery in 1756, and other edicts levying extraordinary taxes to pay for the war. The volume also contains sections on the finances of the clergy and the court of Rome; and occasional references to the American colonies and the Compagnie des Indes
Description:
In French., Table of contents at beginning of manuscript., On title page: Etat actuel des affaires Generalles Concernant les finances du Royaume de france. Qui constate Les Revenues et Deperses ordinaires du Roy avec Les affaires extraodinaires faittes en france depuis et comprisant 1756 jusqu'a la fin de 1762 au sujet de la guerre..., Binding: full calf. In gilt on spine: Mss. Finances de France., and For further information, consult library staff.
Subject (Geographic):
France and United States
Subject (Name):
Louis XV, King of France, 1710-1774. and France. Sovereign (1715-1774 : Louis XV)
Subject (Topic):
Appropriations and expenditures, Finance, History, Royal households, Economic aspects, Seven Years' War, 1756-1763, and Politics and government
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 45.8 cm, on sheet 29.1 x 46.9 cm., and Mounted on leaf 57 of volume 2 of 12.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
Minerva Press broadside detailing the unfortunate end of Louis XVI on the guillotine, January 21, 1793 in Paris. The broadside includes a woodcut illustration of a man lying face down waiting for the blade of the guillotine to drop; the decree of the French National Convention authorizing the execution of "Louis Capet;" descriptions of his execution and of the guillotine--"the modern beheading machine"--and a few anecdotes indicating "that for some time [the king] had been expecting his fate."
Description:
One of several variants; in this edition, the text of the second column begins with the words: "middle of the square, directly facing the gate of the garden of the Tuileries..." See also English short title catalogue, nos. T194096 and T039027., Caption title., Text printed in two columns; text and illustration within double-ruled black border., "Price three-pence.", "Where may be had an exact and authenticated copy of his will, price one-penny"--Lower margin., and For further information, consult library staff.
Publisher:
Printed at the Minerva Office, for William Lane, Leadenhall-Street, and sold wholesale at one guinea per hundred and And retail by every bookseller, stationer, &c. in England, Scotland and Ireland
Subject (Geographic):
France and France.
Subject (Name):
Louis XVI, King of France, 1754-1793 and Louis XVI, King of France, 1754-1793.
Subject (Topic):
Death and burial, Politics and government, Foreign public opinion, British, and Public opinion
Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government
"The base of the design is a dunghill from which rises the head of Napoleon as a young republican officer, not caricatured. His head is covered by a large cup-shaped fungus, decorated with a tricolour cockade and resembling a Cap of Liberty; from its apex ascends a curving stalk, terminating in the large yellow rosette of a sunflower, centred by the head of Napoleon as Emperor, larger than that of the base, and representing an older man; like the lower one it is directed slightly to the right. Below it, leaves project from the stalk, balancing the design. On Napoleon's head is an arrangement of stamens in the form of an imperial crown. These unite to form the long scraggy neck of the third Napoleon, a head in profile to the right, emaciated and desperate. On this head is a larger fungus than that below, projecting like an enormous hat. From it ascend the stems of a bunch of violets, copied from No. 12511, but with the addition of more flowers, and on a larger scale. It contains the profiles of Napoleon, Marie Louise, and the King of Rome, arranged exactly as in British Museum Satires No. 12511. Smaller fungi sprout from the dunghill, some flat and some conical, like caps of Liberty; on the latter tricolour cockades are indicated. Four little figures are on a slope (left) leading towards the dunghill, prepared to clear it away. In front are Blücher and Wellington, running forward, and talking to each other; one holds a spade, the other a broad hoe. Behind them is the Tsar, shouldering a pickaxe. Behind again stands Louis XVIII, with splayed gouty legs, supported on a crutch. He waves his hat to cheer them on."--British Museum online catalogue
Alternative Title:
Pedigree of Corporal Violet
Description:
Title etched below image., Text below title: First as a Consular Toadstool, rising from a Corsican Dunghill, then changing to an Imperial Sun Flower, from that to an Elba Fungus and lastly to a bunch of Violets, which are disposed as to represent a whole length of profile of Buonaparte, with a bust of Maria Louisa, and her son the Prince of Parma., and Companion print to: A view of the Grand Triumphal Pillar.
Publisher:
Pubd. by H. Humphrey June 9th, 1815 - No. 27 St. James's St.
Subject (Geographic):
France and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, Louis XVIII, King of France, 1755-1824, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832., Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847., and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Political satire, French, Politics and government, Mushrooms, and Flowers
Manuscript journal of a London wine merchant's travels in France, Germany, Switzerland and the Low Countries during the summer and fall of 1835, accompanied as far as Switzerland by a boy, Alfonzo Pipon. The diary documents travel and hotel conditions; social events and contacts with British residents in various cities; business plans and trade fairs; and encounters with members of the British and Continental aristocracy, Although they witnessed part of the "Grand Review" by Louis Philippe on July 28, 1835, Collins and Pipon only heard reports of Fieschi's assassination attempt shortly after. The entries for the following week include descriptions of the mood of Paris, the lying in state of the assassination victims, and a brief interview between a deputation of British residents and the King, who spoke in English "expressing great affection for the English Nation.", Entries for the Swiss and German portion of the tour are illustrated with printed scenes and describe the natural beauties of the region in detail, comparing Berne to Somersetshire; a difficult and storm-plagued boat trip to see the Griesenbach Falls; the arrival of the Queen of Naples in Zurich; and an archery contest at the William Tell school, The journal concludes with lists of the letters of introduction carried by Collins; his addresses while traveling; and a chart of distances and conveyances for the entire journey, and Tipped in: folding lithograph with scenes concerning the Fileschi assassination attempt, printed August 12, 1835; 8 sepia aquatints of Swiss views; 2 prints of Lucerne; plan of Karlsruhe; small map of Low Countries
Description:
Inscribed "To Mrs. Collins, Bramford" (his mother) with a letter dated "25th December 1835.", Inside front pastedown has illuminated coat of arms with the motto "Dum spiro spero.", and Binding: crimson half-morocco with marbled boards.
Subject (Geographic):
Europe., Belgium, France, Germany, Great Britain, Germany., France., Netherlands, and Switzerland
Subject (Name):
Fieschi, Giuseppe Marco, 1790-1836. and Louis Philippe, King of the French, 1773-1850.
Subject (Topic):
Tourism, Travelers' writings, English, Wine and wine making, Description and travel, Politics and government, Commerce, and Views
