"George IV stands full-face on a cloud above the Pavilion; his legs wide apart; under his right foot is the word 'Decency'; by the left, 'Decorum'. An irradiated crescent moon inscribed 'Carolina' covers his face between mouth and forehead, its horns pointing upwards, above the apex of his curled wig. In his right hand is a large Green Bag (see No. 13735, &c.) inscribed 'Slander'. In the left he holds up a bottle of 'Noyau'. Across the base of the design stretches the east front of the Pavilion (see Summerson, 'John Nash', 1935, plate x) with the word 'Brighton'. This is backed by the sea, with ships; the horizon is just below the King's cloud, which curves upwards, framing the design."--British Museum online catalogue
Alternative Title:
Moon passing the Sun's disc!!
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 99 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Oct. 1820" written in ink beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published October 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Royal Pavilion (Brighton, England),
Subject (Topic):
Clouds, Bags, Libel & slander, Moon, Eclipses, Bottles, Sailing ships, and Official residences
"Heading to a lithographed broadside. The interior of a boarded sty in which a great boar, with the head of George IV, lies upon straw, boar and straw being spotted with black. Castlereagh empties a bucket of brandy into an overflowing trough, while Sidmouth leans over the half-door to squirt the animal with his clyster-pipe (cf. British Museum Satires No. 9849). The former says: "Friend Sid-- the Augean Stables were nothing to clense, compar'd to this Stye!!!" Sidmouth: "Aye, my worthy Fellow Servant, you will find the Stye, your Masterpiece! and with all my care, I can't make this Beast appear decent, he is so cover'd with filth!!" The first and last of five verses: 'In fam'd Pell-Mell [Carlton House] is kept a Boar, Which no strong tie can bind, No Savage Beast e'er known before, Was like it in its kind: Its breech so large, 'twould fill a barge. Its craw much larger still; To fill which full, One Mister Bull Pays dear for Brardy-Swill! . . . This Brute, unlike all other Boars, A faithless treacherous he Befouls its stye, and wastes its stores With each foul Boorish She! While belching still, its foul-breathed will, Its true-mate's life it seeks; And in the stretch of beastly lech Each tie of Nature breaks!!!'."--British Museum online catalogue
Alternative Title:
Pell-Mell boar and the powers of brandy!
Description:
Title from text below image., Five numbered stanzas of verse below title: In fam'd Pell-Mell is kept a boar, Which no strong tie can bind ..., Three lines of text above imprint: The above hymn was written in a pious mood, on a saintly subject, and sung with pure devotion by a holy-assemblage of faithful worshippers ...., "Price one shilling"--Below imprint., Mounted to 58 x 39 cm., Mounted on leaf 89 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink below image; date "30 Sep. 1820" written in ink in lower right corner of sheet. The word "Suppressed" is written twice at bottom of sheet, once in ink in lower center (beneath price statement) and once in pencil in lower right. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. 30th Septr. 1820 by J. Griffin, outside Middle Row, Holborn, opposite Gray's Inn Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Pig houses, Boars, Straw, Pails, Alcoholic beverages, Troughs, and Medical equipment & supplies
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., 1 print : etching on laid paper, hand-colored ; sheet 26.2 x 36.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 3 of 14 volumes.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"Caricature with George IV as an auctioneer selling his royal crown with cuckold's horns to a group of ladies."--British Museum online catalogue
Alternative Title:
Extensive dealer, disposing of articles of his own manufacture
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1975,0621.18., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Crowns with cuckhold's horns -- Royal arms -- Furniture -- Auctioneer -- Costume: male, female, 1820 -- Coronets -- Cuckold's horns., 1 print : etching ; sheet 24 x 34.2 cm., Printed on laid paper with watermark "G. Pike 1820"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 72 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil at bottom of sheet; date "1820" written in ink in lower right.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Adultery, Crowns, Horns (Anatomy), Coats of arms, Auctions, Auctioneers, Women, and Sofas
"A sea-monster (l.) with a cavernous mouth spouts two cascades which deluge an open packet-boat (r.) manned by the new Ministry; these are respectively 'Ridicule' and 'Contempt'. The monster has the horns of a bull and a lashing tail which churns up the water. The boat is in danger also from heavy waves; to her broken mast is lashed (with tricolour bands) a broom to which the single patched sail is tied. (A broom at the masthead signified that the ship was for sale.) This sail is filled by a blast from a wind or winged cherub with the head and shoulders of the Prince of Wales, wearing a round hat, with his feathers, and bulky cravat, and surrounded by heavy clouds. Between packet and whale is the barrel thrown out by the crew. This is inscribed 'Real Constitutional Spirits - No Maidstone' with the letters 'MT' [empty]. In the boat are (l. to r.) Erskine, Sheridan, Petty, Grenville (dressed as a naval officer), Windham, Spencer, Fox, Grey, and at the tiller, Lord Ellenborough in wig and gown. The most prominent are Fox and Grey who have just thrown the cask. It looks as if by means of the cask and the Prince the packet will escape the whale, and reach the calmer waters near the horizon. Partly above the horizon is a rising sun (cf. BMSat 10258) inscribed 'Power'; its rays are 'Cheese Parings', 'Candle Ends', 'Pluralities', 'Dissipation', 'Sensuality', 'Libertinism', 'Private Pickings'."--British Museum online catalogue
Description:
Title etched below image., Two lines of text following title: Representing an empty-barrel tossed out to amuse the great Leviathan-John-Bull, in order to divert him from instantly laying violent hands upon [the] new coalition packet. Vide Swifts preface to the Tale of a tub., and Mounted on leaf 18 of volume 6 of 12.
Publisher:
Pubd. March 14th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Spencer, George John Spencer, Earl, 1758-1834, and Ellenborough, Edward Law, Baron, 1750-1818
"Satire on George IV who greets Lady Conygham as she draws up in a carriage beside his cottage at Windsor."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 25 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in pencil at bottom of sheet; figure of "Geo. IV" identified in ink below image. Date "20 Nov. 1820" written in ink in lower right corner.
Publisher:
Pubd. Novr. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
Windsor Great Park (England)
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"The Prince of Wales, languid with repletion, leans back in an arm-chair, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. On his right a circular table covered with the remains of a meal, with decanters of 'Port' and 'Brandy', a castor of 'Chian'. Under the table, partly covered by the cloth, are empty wine-bottles. Behind the chair (right) a brimming chamber-pot stands on a table or commode on which are long bills: 'Poulterers Bill . . . unpaid, Butcher's Bill . . . unpaid, Baker's Bill . . . unpaid', and (on the ground) 'Doctors Bill'. In the foreground (right) lie a dice-box and dice with three books: 'Debts of Honor Unpaid', 'Newmarket List', and 'Faro Partnership Account Self Archer Hobart & Co.' On a shelf behind the Prince (right) is a triple stand of jelly-glasses, among which is a small pot: 'For the Piles', and a bottle: 'Drops for a Stinking Breath'. Beside it are a box of 'Leakes Pills', and a bottle of 'Velnos Vegetable Syrup' (see BMSat 7592). On the wall above is a candle-sconce with a burlesque coat of arms for the Prince: a plate with a crossed knife and fork, with his motto, coronet, and feathers; one candle is stuck in a wine-bottle, the other in a wine-glass. Above the Prince's head is a round picture in an elaborate frame inscribed 'L. Comoro, Ætat. 199 [sic]': a half length portrait of a man with a long beard drinking from a glass inscribed 'Aqua'. (Luigi Cornaro of Padua, 1467-1566, published 'Discorri della vita sobria . . .', a treatise on the means of living to extreme old age, describing the ascetic diet by which he had recovered health and vitality when in danger of death at the age of forty. Portrait by Tintoretto, Pitti Palace.) A carpet covers the floor. Through the window is seen the (unfinished) colonnade of Carlton House."--British Museum online catalogue
Description:
Title engraved below image., Companion print to: Temperance enjoying a frugal meal., Sheet trimmed to plate mark., Temporary local Medical Library subject terms: Gastronomy., 1 print : stipple engraving with etching on wove paper, hand-colored ; plate mark 36.2 x 29.0 cm, on sheet 41.6 x 33.0 cm., and Mounted on leaf 45 of volume 8 of 12.
Publisher:
Pubd. July 2d, 1792, by H. Humphrey, No. 18 Old Bond Street
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., Sheet trimmed within plate mark., 1 print : etching ; sheet 23.1 x 32.8 cm., Printed on wove paper with watermark "Fellows"; hand-colored., Window mounted to 24.6 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George Canning" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of eleven lines from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"Caricature on George IV who looks with horror at a projection on the wall from a magic lantern of a vision of the future with soldiers fighting an insurrection and politicians hanging from a lamp-post."--British Museum online catalogue
Alternative Title:
Peep in the magic lanthorn and Peep in the magic lantern
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 59 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," and "Liverpool" identified in ink in lower right margin, followed by the date "Aug. 1820" written in lower right corner.
Publisher:
Pubd. August 1820 by Dolby, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
