"Princess Caroline (left) sits in an ornate oval bath in a small boarded room. Bergami stands in the bath (right), draping himself in a towel from the waist down, and splashing water at his companion, who extends her arms towards him, with an encouraging smile. A man and woman, evidently Majocchi and Demont, peep from behind the door (right). On the bath is a Maltese cross (see British Museum Satires No. 13810), placed hatchment-wise between supporters, the Lion and Unicorn, who lie with closed and averted eyes. The Princess's feathered hat and the miniature of Bergami (cf. British Museum Satires No. 14103) hang on the wall (left). Beside her on a camp-stool are a bottle of 'Brandy' [see British Museum Satires No. 14175] and a decanter of 'Essence of Bergami'. His postilion's boots and cap are on the floor."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Four lines of verse below title: While she received the copious shower, he got a step in honor's path, and grew from that auspicious hour, a K-night Companion of the Bath., 1 print : etching with stipple ; plate mark 27.5 x 22.6 cm, on sheet 27.9 x 22.9 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 78 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
Subject (Topic):
Adultery, Bathing, Bathtubs & showers, Disgrace, Coats of arms, Miniatures (Paintings), and Unicorns
"Caricature on Queen Caroline, who is sponged in her bath by Bergami, while a maid throws up her hands in horror."--British Museum online catalogue
Alternative Title:
Delicate recreations on board a polacre
Description:
Title etched below image., Attribution to Theodore Lane from a similar print, likewise bearing the signature of "Selim" and also published by George Humphrey in October 1820, that is attributed to Lane in the British Museum online catalogue. Cf. British Museum online catalogue, registration no.: 1935,0522.12.160., See: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, no. 13890., 1 print : etching with stipple ; plate mark 23.5 x 26.1 cm, on sheet 23.8 x 26.4 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 92 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in pencil at bottom of sheet; date "2 Oct. 1820" written in ink in lower right corner. Typed extract of two lines from the British Museum catalogue description for No. 14188 (which mentions this print) is pasted beneath print.
Publisher:
Pubd. Octr. 1820 by G. Humphrey, St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
"A young woman shown three-quarter length directed to left, looking down to left, drying herself, covered below the waist with draped cloth, reaching behind her neck with right hand, holding a cloth, which falls around her shoulders and is held at the waist in left hand, her hair dressed in classical style with a band; after Hoare."--British Museum online catalogue
Description:
Title engraved below image., Date of publication based on form of publisher's name in imprint; John Bowles partnered with his son Carington Bowles and traded as "John Bowles & Son" from approximately 1752 to 1764. See British Museum online catalogue., Sheet trimmed to plate mark leaving thread margins., and With watermark: Lang[illegible].
Publisher:
Printed for Jno. Bowles & Son at the Black Horse in Cornhill
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, 1 print : etching ; plate mark 38.2 x 23 cm, on sheet 39 x 23.9 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 61 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Ald. Wood, Brewers Druggist" identified in ink below image; date "28 Feb. 1821" written in lower right corner. The censored name "C-r-l--e" in title has had its blank spaces completed in ink to read "Caroline." Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
In the woods beside a stream a young woman bather removes her last stocking while a young man hidden among the reeds looks at her with pleasure
Description:
Title etched below image. and Late-20th century restrike on modern paper, similar to others from the same collection bearing pencil annotations suggesting printing dates around 1980. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles.
