A grotesque caricature attacking the much-debated 1820 settlement scheme which encouraged English people to settle in South Africa, where they were promised fertile land and a pleasant climate. In the print, a working-class English family are shown being attacked by a snake, lion and crocodile while highly stereotyped and racist depictions of the local population are seen cannibalizing the family and burning down their home
Alternative Title:
Blessings of emigration to the Cape of Good Hope and Blessings of emigration to the Cape of Forlorn Hope
Description:
Title etched below image. The word "Forlorn" in title is scored through and the word "Good" has been inserted above the line with a caret, forming the correct place name "Cape of Good Hope"., Sheet trimmed to plate mark., Plate numbered twice in upper margin; "No. 2" is centered, and "366" is in the upper right corner., For a companion print entitled "A strong proof of the flourishing state of the country, exemplefied in the proposed emigration to the Cape of Good Hope! ...", see no. 13267 in the Catalogue of prints and drawings in the British Museum, v. 9., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Septr. 7, 1819, by T. Tegg, 111 Cheapside, London
Subject (Geographic):
South Africa
Subject (Topic):
Emigration and immigration, Emigration & immigration, Indigenous peoples, Ethnic stereotypes, Cannibalism, Snakes, Lions, Crocodiles, and Fires
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
"Caricature with Britannia and her lion, with the help of 'A Nation's Love', protecting Queen Caroline from the attacks of her accusers in Parliament."--British Museum online catalogue and Portrays Princess Charlotte defending her mother against attacks by George IV and his ministers
Description:
Title etched below image., With large manuscript lettering "Oh my mother, my mother" in ink above image; impression at the British Museum (registration no.: 1983,0305.31) has the same phrase written in the same place., "Argus" was an early pseudonym of Charles Williams; however, three other prints signed "Argus" from 1820 have been attributed in the British Museum catalogue to William Heath (as have others from this time period with S.W. Fores's address spelled "Picadilli" in imprint). See page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Possible artist's device follows the "Argus" signature in lower right: A cross above a circle divided into quarters., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Weatherley & Lane 1818., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Eldon," "Londondery [sic]," "Sidmouth," "Liverpool," and "Geo. IV" identified in ink below image; date "23 Aug. 1820" written in lower right corner.
Publisher:
Pub. Aug. 23, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Britannia (Symbolic character), Lions, Shields, Spears, and Politicians
"George III, wearing a crown and ermine-trimmed robe is seated in an arm-chair asleep. The tassels of his girdle are thistles, indicative of Scottish influence. Round his neck is a chain from which hangs a cross, indicating the Romanizing tendencies of which he was accused at this time, see BMSat 5534, &c. His crown is being taken from his head by a judge in wig and ermine-trimmed robes, evidently Mansfield. Over the king's shoulder looks a Scot in Highland dress, evidently Bute, holding the sceptre which he has taken from the king's hand. He leans towards Mansfield saying "What shall be done with it?" Mansfield answers, "Wear it Your sel my Leard." On the king's left a man stands who holds in both hands the other side of the crown, he says, "No troth I'se carry it to Charly & hel not part with it again Mon!" He is dressed an an English gentleman, though his language indicates that he is a Scottish Jacobite; he is perhaps intended for some unpopular Scot, perhaps Wedderburn, then attorney-general. Behind the king's chair America, wearing a feathered head-dress, watches the scene; he says "We in America have no Crown to Fight for or Loose." In the foreground (right) sits Britannia asleep, her head resting on her hand; by her side lies the British lion, also asleep and chained to the ground. At her feet are two maps, one of "Great Britain" (torn) lies on one of "America". On the left stands a man in rags with bare legs and dishevelled hair, clasping his hands together and saying "I have let them quietly strip me of every Thing"; he appears to represent the British commercial community. An Irishman next him, a harp under his arm, walks away saying "I'le take Care of Myself & Family". The background to these figures is a hedge; behind it on the right is a Dutchman (the United Provinces) helping himself to the contents of two hives."--British Museum online catalogue
Description:
Title from item., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 35.2 cm, on sheet 28.7 x 43.8 cm., and Mounted on leaf 11 of volume 1 of 12.
Publisher:
Pubd. May 15th, 1780, by W. Renegal
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Britannia (Symbolic character)., Commerce, Sleeping, Beehives, Harps, and Lions
"The death of Chunee, a large Asian elephant, kept at the Exeter Change menagerie; to the left; a group of soldiers and others, all carrying guns; some observing and others firing on Chunee to the right; who, roaring, breaks the bars of his wooden cage; blood pouring from many wounds and soaking the floor; the keeper, in shirtsleeves, stabbing the elephant with a bayonet; smoke obscuring the scene; behind; small iron-barred cages containg an agitated lion and tiger respectively; above hutches containing monkeys, one grasping the bars."--British Museum online catalogue
Alternative Title:
Destruction of the furious elephant at Exeter Exchange
Description:
Title etched below image., "Entered at Stationers Hall"--Above title., Issued with a broadside consisting of four columns of letterpress text, entitled "Interesting pariculars relating to the elephant." See Douglas., Sheet trimmed to plate mark on top edge., "Price 1s. plain - 2s. coloured.", and Watermark: J. Whatman Turkey Mill.
Publisher:
Pubd. March 6th, 1826, by J. Harrison, 56 Long Acre
"Alderman Wood, a dumpy figure with a large head, lies on his back, arms and legs in air, with mud splashing up all round him. He has fallen from a high wall adjoining the gate (left) of Brandenbourg House [cf. British Museum Satires No. 13852]. An angry lion (? in stone), with tail erect, stands on the wall by the gate, looking down at him. Two scrolls hang precariously from the coping: 1821 A Baronet, 1821 A Lord, 1823 A Duke-- 1824 * * * *, 1825 *****. and Expectations.--Wardenship of St Catherines [see British Museum Satires No. 14131, &c], Lord Mayor for Life, Prime Minister, Commander in Chief. A scroll inscribed Cornwall Mines is falling. On the ground beside him are two papers: The Alderman's Rise-- Errend Boy. Shopman. Bagman. Alderman &c &c &c &c &c &c &c, and: Old Wood to be Sold Cheap [cf. British Museum Satires No. 14147]. Through the iron gate are seen the trees and grounds of the house."--British Museum online catalogue
Description:
Title etched below image., Watermark: J. Whatman Turkey Mill 1821., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 106 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Ald. Wood" identified in ink below image; date "19 Sep. 1821" written beneath lower right corner of image. Typed extract of seventeen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England and London.
Subject (Name):
Wood, Matthew, Sir, 1768-1843, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
Subject (Topic):
Death and burial, Humpty Dumpty (Fictitious character), Municipal officials, Falling, Mud, Walls, Gates, Lions, and Scrolls (Information artifacts)
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., 1 print : etching on laid paper, hand-colored ; sheet 18.8 x 26.5 cm., Imperfect; sheet trimmed within plate mark on bottom edge, with loss of text below title., and Formerly mounted on verso of leaf 22 of volume 1 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 27.5 x 41.9 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 71 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," " Dr. Parr," "G. Noel[?]," "Brougham," "Sir. R.[?] Wilson," "Times Paper," and "Caroline" identified in ink below image; date "12 May 1821" written in ink in lower right corner. Typed extract of thirty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Caricature with Caroline standing holding an anchor of the Constitution with a soldier and sailor either side of her, in the ray of the sun."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching with stipple ; sheet 35.4 x 25 cm., Printed on wove paper with watermark "J. Whatman 1819"; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., and Mounted on leaf 103 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Published October 19th, 1820, by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Caricatures, Anchors, Soldiers, Sailors, Lions, Ships, and Eyes
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs and defecates at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.7 x 36.1 cm., Mounted on wove paper backing., and Formerly mounted on leaf 54 of volume 1 of 14 volumes.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain Parliament
Subject (Topic):
Dissolution, Politics and government, Humor, Horses, Lions, Coats of arms, Chairs, Defecation, and Crowds
