Manuscript on parchment of Durand of Huesca (ca. 1160-1224?), Biblical Distinctiones, an early 13th-century revision of Peter of Capua's (d. 1214) Alphabetum in artem sermocinandi. Marston MS 266 is apparently the only known witness to Durand's revision. With Rhymed life of Peter of Capua , in quatrains, composed by Durand of Huesca
Description:
In Latin., Script: Written in a fine early gothic bookhand by several scribes, above top line., Nice penwork initials, 7- to 3-line, for each letter of the alphabet, blue with red or vice versa. Smaller initials, 2-line, in similar but less intricate designs for chapter divisions. Chapter numbers, some initials, plain line fillers, and text divisions in red. Ornamental border, in red, encloses common ending for verses on f. 1r-v. Spaces for rubrics left unfilled. Majuscules in text stroked with pale yellow., Beginning and end of codex worm and rodent damaged., and Binding: Date? Fragmentary binding. Resewn with a chain stitch and the spine lined with coarse cloth. Plain, wound endbands and paste boards (composed of paper and parchment fragments of manuscripts), that once were covered with brick red tawed skin. Traces of two ties. Outline of rectangular label, now missing, on upper cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Durand, of Huesca. and Peter, of Capua, Cardinal.
Subject (Topic):
Biography, Manuscripts, Medieval, and Scholasticism
Bonaventure, Saint, Cardinal, approximately 1217-1274
Published / Created:
ca. 1408- ca. 1415
Call Number:
Beinecke MS 941
Image Count:
292
Resource Type:
unspecified
Abstract:
Manuscript on parchment containing 1) Bonaventura OFM (1221-1274), Breviloquium. 2) Bonaventura, Lignum vitae. 3) Four short texts, the last one by a different hand
Description:
In Latin., Script: copied by two hands: the main part is by hand A (the Celestine monk Jean Gerson, colophon on f. 119v) , who writes a small Gothica Cursiva Libraria, the evolution of which during the copying of the present book and especially its second section has been studied by Ouy ("Le Célestin", pp. 287-288); hand B, who uses a small Gothica Semitextualis Libraria (rarely adopting Textualis "a"), copied the tabula, the note on f. 119v (see below), most of the headings in art. 5, and the final texts on ff. 140v-141v; he also made a few corrections in the text copied by hand A. The very last text has been added by a third hand in tiny Gothica Cursiva Libraria., Headings, paragraph marks and heightening of the majuscules in red. Numerous 2-line (rarely 3-line) flourished initials in red with black penwork; in art. 4 the seven parts of the text in principle open with a similar initial with diagonal penwork spreads in the margin: ff. 23v (II), 49r (IV), 64v (V), 81v (VI), 103v (VII). The two principal texts open with a littera duplex in red and blue, with black penwork and marginal extension: ff. 4r (art. 2), 5 lines, and 120r (art. 5), 3 lines with diagonal penwork spreads., Running headlines in artt. 2-4 only: up to f.29r they consist of an indication of the page's content and, at right on the recto pages, also in the upper margin, the number of the part dealt with ("I", "II"); thereafter the number only is given., and Binding: contemporary parchment. On the flat spine and partly on the covers, a label with the handwritten 18th century inscription "Ancien / Manuscrit / sur **** / pr**** / Lo*****."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bonaventure, Saint, Cardinal, approximately 1217-1274.
Manuscript on paper containing 1) Commentary on the Latin translation of Porphyrius (233-c. 301), Isagoge. 2) Commentary on Aristoteles (384-322 B.C.), Praedicamenta. 3) Commentary on Gislebertus Porretanus (Gilbert de la Porrée, c. 1076-1154), Liber de sex principiis, redaction A. 4) Commentary on Aristoteles, Ars vetus (final form, 1337).
Description:
In Latin., Script: Copied by a single hand writing a small highly abbreviated Gothica Hybrida Libraria; exceptions are a few folios by other hands using the same type of script (ff. 1, 11-13, etc.), and the replacement leaves 28 and 35 written in Humanistica Cursiva Libraria/Currens. Lemmata in Northern Gothica Textualis Formata., Watermarks: spiked wheel, var. Briquet 13268; ox head, var. Briquet 14306. The upper outer corners damaged by moist in the second half of the codex., Alternately red and blue paragraph marks, with long vertical extensions when at the beginning of a line; alternately red and blue flourished initials (2- or 3-line) at the opening of the chapters; larger flourished initials with more developed penwork in the same colours, of course execution, on ff.1r (9 lines), 15r (7 lines), 60r (6 lines), 73r (6 lines), 99r (5 lines), 113r (5 lines). There are carefully executed logical diagrams in the text on ff. 100r-v, 115v,116v-117v (their inscriptions partly in Northern Gothica Textualis); diagrams are sketched in the margins of ff. 19r and 59r., and Binding: Original, thin wooden boards sewn on three thongs; the leather cover missing, replaced with mottled orange paper; rebacked with brown leather. Remnants of two red leather clasps attached to the front cover, with brass catches on the rear cover. The front endleaves are cut from large sheets of paper ruled with ink for two columns, mounted transversally (width of the leaf: 290 mm.; of the ruling 175 mm., intercol. space 30 mm.).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle., Burlaeus, Gualterus, 1275-1345?, and Porphyry, approximately 234-approximately 305.
Manuscript on parchment (badly damaged by moist; repaired using brownish paper) of 1) Boethius (c. 480-c. 524), Commentaria in Ciceronis Topica. 2-3) Chalcidius (400-410), Commentum in Platonis Timaeum
Description:
In Latin., Script: Copied by two hands in Praegothica: A copied art. 1, B copied artt. 2-3., A 5-line plain Romanesque initial in green at the beginning of art. 1 and a 2-line plain initial in blue on f. 1rb, both with a guide-letter in the margin. Space reserved for a 3- or 4-line initial on f. 3vb at the opening of chapter 49 (see art. 2). Two musical diagrams in pen and ink (see art. 2)., Ff. 2r-3v: due to the severe damage to the inner lower part of the leaves, four large sections of text are missing, including part of the triangular diagram of musical proportions on f. 2v. On f. 4, losses of text due to the defective state of the inner margin and several holes in the parchment., and With the fragments are kept the modern paper flyleaves, one cardboard board and some minor fragments of a binding of considerable dimensions (flyleaves 340 x 215 mm.). On one of the flyleaves the following pencil notes: "Fragment Boetius de musica"; "Phillipps sale May 1913" and "Ms. Ph(illipps) 20690".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Calcidius., Cicero, Marcus Tullius., and Plato.
Manuscript fragment on parchment of Petrus Cantor (c. 1130-1197), Commentum in libros Proverbiorum, Ecclesiastes, Sapientiae et Ecclesiastici
Description:
In Latin., Script: copied by one hand in early Gothica Textualis. Running headlines in flourished majuscules alternately red and blue; they stop after f. 6., Many leaves are badly soiled., Red underlining of biblical passages. 2-line flourished initials with extensions in the margin or in the intercolumnar space; they are in red and blue on ff. in quire I, in red only in quires II-III (two flourished initials on f. 1v are also executed only in red); two initials of that type are missing, ff. 11r and 16r. Larger initials at the beginning of the commentary of new Bible books: 4-line littera duplex "B(eatus)" on f. 4r, Prologue to Ecclesiastes; 3-line "Q(uecumque)" on f. 8v, Prologue to Wisdom; 11-line "S(ummi)" and 6-line "O(mnis)", both red on beige background, on f. 15r, Prologue and text of Ecclesiasticus., and Binding: unbound.
Manuscript on paper of 1) Pseudo-Dionysius Areopagita, Epistolae, translated into Latin by Iohannes Sarracenus (?). 2) Commentary by Albertus Magnus (here ascribed to Thomas Aquinas) on art. 1. 3) Commentary on a poem on Book I of the Sentences of Peter the Lombard. 4) Commentary on a poem on Book II, Distinctiones 1-6 of the Sentences of Peter the Lombard
Description:
In Latin., Script: Art. 1-2 written by a single scribe in two variants of Humanistic script: art. 1 (the text) in Humanistica Textualis, art. 2 (the commentary) after some hesitation in a very similar form of Humanistica Cursiva. Art. 3-4 written by a single scribe in Gothica Hybrida Libraria under Humanistic influence, of greasy appearance; a larger size is used for the poetical parts., The majuscules in art. 1-2 are heightened in dark yellow. Headings in red. Red calligraphic initials throughout the manuscript by the same hand (3 lines in artt. 1-2, 2 lines in artt. 3-4). At the opening of art. 1 a 9-line blue Renaissance initial with white vinestem decoration without background. At the opening of art. 3 a red (?) 3-line initial with some flourishing., The book is excessively trimmed; especially in artt. 3-4 the lower margins are extremely narrow. The paper is badly damaged by the acidity of the ink., and Binding: Seventeenth century (?). Limp vellum. At the top of the front cover: "M.S." in ink. Spine with three raised bands. In the second compartment the title in ink "S. Dionis. Epistol@".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Dionysius, the Areopagite.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, Scholasticism, and Theology, Doctrinal
Manuscript on sheepskin parchment of Thomas Aquinas, O.P. (1225-1274), Commentary on the Gospel of Saint John, edited by Reginald de Piperno, O.P.; with excerpts (art. 2) from Nicolaus de Gorran, O.P. (d. c. 1295), Postillae in epistolam ad Romanos, chs. 1-9.
Description:
In Latin., Script: The main text (art. 1) is copied in a small Northern Gothica Semitextualis Libraria; and art. 2 is in a small Gothica Cursiva Antiquior Libraria (Anglicana)., and Decoration: There are alternating red and blue paragraph marks; running headlines associated with chapter numbers; alternating red and blue 2-line flourished initials, half inserted, with penwork in the contrasting colour (N.B. penwork missing on f. 74va); and on f. 1r, a 6-line littera duplex in red and blue, with delicate penwork in the two colours and a J-stave over the full height of the left margin. Art. 2 is undecorated.
Manuscript on parchment of Iohannes Halgrinus de Abbatisvilla (d. 1237), Commentum in Cantica Canticorum. With a table of the lemmata commented in art. 1, referring to the original foliation
Description:
In Latin., Script: Copied by one hand in very small Gothica Textualis Libraria, marked by d with a very long ascender, the southern form of tironian et, and occasional lengthening of the ascenders on the top line and the descenders on the bottom line., First pages stained; from about f. 41 the lower outer corners of the leaves are damaged without loss of text., Red underlining of the lemmata. Red captions in the margins. 3-line red plain initial at the beginning of art. 1., and Binding: Limp parchment, consisting of a 17th century document in English, the blank verso of which is at the outer side. Gilt edges.
Manuscript on parchment (goatskin) of John Waleys (John of Wales, Iohannes Gallensis), Communiloquium sive summa collationum ad omne genus hominum
Description:
In Latin., Script: Written by a single scribe in Southern Gothica Textualis Libraria which, however, differs from Rotunda by the absence of Textus Praescissus features. A few rubrics are added in Gothica Cursiva, e.g. ff. 63v and 64v. Instructions for the rubricator are written in thin Gothica Cursiva Currens in the lower margins, mostly lost due to trimming., Headings in red. Alternately red and blue paragraph marks. The decoration consists of (1) alternately red and blue flourished initials, 2 lines; (2) flourished litterae duplices, 3-5 lines, at the opening of the Distinctiones; they have marginal extensions ("J-staves") in pen and ink over the full height of the text area; (3) on f. 4r a damaged foliate initial on a gold, red and blue background, containing a hybrid, with floral extensions featuring a hybrid head and a hybrid. On f. 37r there is a coarse pen and ink drawing of a sword in the margin, probably related to a Hermogenes quotation in the text about murder., and Binding: Seventeenth century. Sprinkled brown leather over cardboard, the covers simply decorated with blind fillets. Spine with five raised bands and two gold-tooled red leather title-labels with the inscriptions "MS. VALLENS. COMMUNILOQ." and "TRACT. DE RE PUBLICA." Red edges. The spine was reinforced by means of two strips of parchment from an English archival document (ca. 1500) in which the names William Holborn, Robert Ball "nuper de Letheringham" and others appear.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John, of Wales, -approximately 1285. and Franciscans.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Preaching, and Scholasticism
Hugo, Argentinensis, approximately 1210-approximately 1270
Published / Created:
[ca. 1350]
Call Number:
Marston MS 118
Image Count:
250
Resource Type:
unspecified
Abstract:
Manuscript on parchment (poor quality) of Hugo Ripelin, Compendium theologicae veritatis. This text has been sometimes erroneously attributed to Albertus Magnus, Bonaventure or Thomas Aquinas
Description:
In Latin., Script: Written in small gothic bookhand, below top line. Marginal notes in anglicana scripts., Flourished initials, 14- to 5-line, primarily blue with red and/or parchment designs (including circles), mark beginning of each book. Many blue initials with modest red penwork designs, 5- to 2-line. Headings in red. Paragraph marks alternate red and blue. Guide letters for decorator., and Binding: Between 1800 and 1810, England. Brown, diced calf, gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugo, Argentinensis, approximately 1210-approximately 1270.
