Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sitting rooms -- Tables -- Wine -- Firescreens -- Mantels.
Title from caption below image. and Ten lines of verse below image: A lad who goes into the world dick like me, should have his neck tied up, you know, there's no doubt of it ...
"Scene in a ramshackle garret. A dandy in a late stage of decay crouches over the fire (where an iron is heating) on a small stool, holding out his shirt, befrilled and collared, but sleeveless. He wears tightly laced stays over bare flesh, which is ravaged by insects or skin-disease, with ragged drawers and socks. Other ragged garments hang from a string across the fireplace, others project from a crock (right) where they are being washed. Boots, blacking, &c., are on the floor. Coat, hat, trousers, and eyeglass lie on a makeshift bed; an overcoat hangs on a coat-hanger. His hair is brushed upwards from the neck with one lock arranged over the forehead. His whiskers are on a stand on the table, with broken combs, tooth-brush, &c. On the wall hang his umbrella, a pair of bootsoles, and a red herring. On the chimney-piece, with medicine-bottle, tea-pot, &c., is a ballad headed by a gibbet with corpses. On a box which forms a head to the bed are band-box, cane, cracked mirror, &c."--British Museum online catalogue
Title from text above images., Date of publication from citation in: Imagining the penitentiary : fiction and the architecture of mind in eighteenth-century England / John Bender. Chicago: University of Chicago Press, 1987., Design consists of three individually-titled images on one plate., Description based on imperfect impression; sheet trimmed within plate mark., Window mounted to 37 x 48 cm., and Watermark.
Title from item., After Rowlandson., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Crutches -- Amputated legs., Watermark: Strasburg Lily., and S.W. Fores; ownership stamp located in bottom right corner of sheet.
Publisher:
Pub. Jany. 1st, 1801. by S.W. Fores, No. 50 Piccadilly
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed leaving thread margins., Three lines of verse after title: He that is robb'd not wanting ..., Temporary local subject terms: Portsmouth, Mary Anne, (Hanson), Countess of (afterwards Mrs. Alder), fl. 1823 -- Whips., Watermark: J. Whatman., and Manuscript "262" above the center of the plate.
Publisher:
Pubd. Jany. 1823 by S.W. Fores 41 Piccadilly
Subject (Name):
Alder, Daniel, fl. 1823-1824. and Portsmouth, John Charles Wallop, Earl of, 1767-1853.
Title from caption below image., Reissue, with different imprint statement, of a print originally published 15 Oct. 1781 by W. Dickinson. Cf. No. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered in upper left corner: No. 10., Temporary local subject terms: Pets: Birds -- Mythology: Reference to Cupid -- Cupid's bow -- Arrows -- Persons: Sir Joshua Reynolds [?], 1723-1792 -- Portraits -- Families -- Short wigs -- Doves -- Artist's implements., and Watermark: J. Ruse 1799.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
"A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
Title from item., Numbered 'Plate 66' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Busts: Shakespeare's bust -- Falstaff -- King Lear., and Watermark: E. Vallan(...?). Name partially trimmed off.
