Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., and For further information, consult library staff.
Collection of 10 engraved trade cards for a variety of business as well as tickets for admissions to a variety of events including concerts and auctions. Some engravings signed by the artist; two cards annotated in manuscript. Engravers include: Hall from Russell Street, Bloomsbury; Strongitharm, No. 127 Pall Mall; Ashby Russel Court, Darling, Lockington Street
An image of a semi-naked woman, paritally covered in drapery, flying amongst the clouds. In her left hand she holds a banner. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary manuscript note "Dalby Theatre. July 9th. The Castle spectre, with a farce call'd Transformed or no?". For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary ms. note: Dalby Theatre July 15. Isabella with Lovers quarrels. For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary ms. note: Dalby Theatre July 15. Romeo & Juliet with The commissary. For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary manuscript notes "21st July. Macbeth, with High life below stairs" on recto, and "Admission ticket, not transferable" on verso. For further information, consult library staff.
