Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson. and On page 163 in volume 2. Sheet trimmed to: 16.2 x 18.8 cm.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.4 x 19.4 cm, on sheet 21.1 x 25.8 cm., Mounted on leaf 59 x 46 cm., and Plate 69 in the album: Queen Charlotte's collection of Hogarth works.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.2 x 19.2 cm, on sheet 21.2 x 24.4 cm., and Mounted on leaf 49 in: Album of William Hogarth prints.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., With the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p., and Trimmed to the image; mounted on verso of title page in Horace Walpole's copy of Analysis of beauty.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., Ms. note in pencil in Steevens's hand centered at top of page: Columbus., Ms. note in pencil in Steevens's hand between this print and another to the right: See Mr. Nichols's book, 3d. edit. p. 324., With Hogarth's signature in ink and wax seal. Also dated October 1, 1752 to Arlander Dobson Esqr., and On page 163 in volume 2. Sheet trimmed to plate at top: 22.3 x 19.6 cm.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", and A subscription ticket for Analysis of beauty.
Copy in reverse of the frontispiece to John Clubbe, 'Physiognomy; scene outside an inn with the sign of 'The Weighing House', with nine men being assessed along a scale of gravity to levity; at left a man by the inn door operates a pulley to raise a magnet from the crossbeam of the inn sign; the men are balanced in a semi-circle from 'A', 'absolute Gravity', standing on his head, to 'I', 'absolute Levity or Stark Fool', in the middle of the air just beneath the magnet; at the centre, horizontally balanced and with nonchalant expression, is E, 'good Sence'.
Alternative Title:
Weighing house
Description:
Title from original as described in Paulson., The degree of Hogarth's involvement in the design is unknown (see Paulson for discussion). Clubbe dedicated the 'Physiognomy' to Hogarth, and the author's son claimed that Hogarth had drawn at least the faces, but that perhaps the rest of the design was by Joshua Kirby, draughtsman and writer on perspective and a mutual friend to Hogarth and Clubbe. The attribution of the engraving to Luke Sullivan is as early as Nichols and Steevens' 'The Genuine Works of William Hogarth' (1808) vol. 1, p. 373., Sheet trimmed to plate mark., Copy in reverse of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 242., Ms. note in pencil in Steevens's hand to right of print: See ibid. [Nicholls] 401., and On page 199 in volume 2.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1783]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 12. Etchings by Henry William Bunbury, Esq. and after his designs. Page 27. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A country girl sitting outside a thatched cottage, holding a jug in one hand and offering a glass to a soldier, who stands to right, leaning on his gun, wearing a cocked hat and looking curiously at her; in a roundel; unlettered proof."--British Museum online catalogue
Alternative Title:
Girl offering beer to a soldier
Description:
Title devised by cataloger., Artist and printmaker from statements of responsibility added in ink below image: Mr. Bunbury del. ; Js. Bretherton f., Date of publication from imprint statement added in ink in lower left corner: Publish'd 23d Jany. 1783., Sheet trimmed to plate mark., Mounted on page 27 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 28.6 x 27.8 cm., and Sheet trimmed within plate mark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1783]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 12. Etchings by Henry William Bunbury, Esq. and after his designs. Page 27. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A country girl sitting outside a thatched cottage, holding a jug in one hand and offering a glass to a soldier, who stands to right, leaning on his gun, wearing a cocked hat and looking curiously at her; in a roundel; unlettered proof."--British Museum online catalogue
Alternative Title:
Girl offering beer to a soldier
Description:
Title devised by cataloger., Artist and printmaker from statements of responsibility added in ink below image: Mr. Bunbury del. ; Js. Bretherton f., Date of publication from imprint statement added in ink in lower left corner: Publish'd 23d Jany. 1783., Sheet trimmed to plate mark., and Mounted on page 12 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
