"A box-like room is suspended in the sea by ropes on pulleys, a shaft ascending from its roof. There is no front wall, enabling sea-monsters to attack the occupants, who are four terrified little men, naked except for breeches. In each of the three walls is a barred window; through one (right) a large fish has pushed its head to seize the head of a man in its jaws, while water gushes in."--British Museum online catalogue, description of an earlier state
Description:
Title from text above image., P.F.L.B. is a pseudonym of James Gillray., Reissue with altered imprint; originally published July 19, 1801, by H. Humphrey., Sheet trimmed within plate mark., and Temporary local subject terms: Fishing spears -- Fishing rakes -- Fishing hooks -- Diving-machines -- Pastimes: Diving.
Lottery, on a new plan, begins drawing October 20, 1807
Description:
Caption title., Handbill with details of the lottery and the supplementary draw., "Tickets and shares are on sale at J. Warner's Licensed Lottery Office ..."--Bottom of sheet., and Name and address of "Mrs. Scott" added in ink on verso. For further information, consult library staff.
Caption title., In verse; without the music., A broadside ballad about the Queen Caroline affair., First line: O such wonders there never was known ..., and Inscribed "500 October 19th 1820" in ink beneath title, suggesting that this was the printer's copy? For further information, consult library staff.
Publisher:
Marshall, printer, Newcastle
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull pushing old politicians into a machine which grind them and turn them into young and honest people."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "123" in brown ink in top center portion of design., and No. 123.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Peel, Robert, 1788-1850 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Grinding machines, Older people, Young adults, Scepters, Telescopes, Pitchforks, and Ladders
"The mother sits beside an open work-table, receiving the children whom a black footman ushers in, looking round the door and grinning broadly. The eldest girl has rushed into her mother's arms; a little boy stands beside her, gleefully welcoming a younger girl who is running forward. The eldest boy, on whom his mother's eyes are fixed, advances nonchalantly, blowing a trumpet. A cockatoo screeches on its perch. There are two pictures: Harvest Home and Happy Return, a woman at her cottage door greeting a youth."--British Museum online catalogue
Alternative Title:
Commencment of the holidays and Commencement of the holidays
Description:
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15188 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., Temporary local subject terms: Holidays -- Black servants -- Parlors -- Families -- Pictures amplify subjects -- Parrots -- Joy -- Horns., and Watermark: 1834.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26 Haymarket
Subject (Topic):
Blacks, Children, Cockatoos, Dogs, and Sewing equipment & supplies
Title from caption below image., Printmaker from signature on related print of similar design. See Lewis Walpole Library call no.: Bunbury 786.09.01.12., Date of publication based on the dates of other Rowlandson etchings after Bunbury on the topic of horsemanship. See p. 36-37 in Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. i., Sheet trimmed within plate mark., Possibly one of several designs from a single plate. For other designs that may have been cut from the same sheet, see Lewis Walpole Library call nos.: Bunbury 781.05.10.05, Bunbury 781.05.10.06, Bunbury 786.09.01.12, and Bunbury 786.09.01.13., A greatly reduced copy of no. 7241 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Horse and rider -- Allusion to York -- Sign-post to York -- Horsemanship -- Three-legged gait., and Numbered in ms. at top of sheet: 196.
Title from caption below image., Printmaker from signature on related print of similar design. See Lewis Walpole Library call no.: Bunbury 786.09.01.12., Date of publication based on the dates of other Rowlandson etchings after Bunbury on the topic of horsemanship. See p. 36-37 in Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. i., Sheet trimmed within plate mark., Possibly one of several designs from a single plate. For other designs that may have been cut from the same sheet, see Lewis Walpole Library call nos.: Bunbury 781.05.10.05, Bunbury 781.05.10.06, Bunbury 786.09.01.11, and Bunbury 786.09.01.12., A greatly reduced copy of no. 7239 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Horse and rider -- Horsemanship: Stopping., and Numbered in ms. at top of sheet: 182.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump Jewess leans over the wooden barrier across the street doorway, to kiss a sucking-pig which her husband holds out to her, affectionately putting his arm round her shoulders. He is bearded, with a long coat, with a bag slung from his arm, showing that he deals in old clothes. A sow (right) looks up anxiously at the pig. A comely young woman wearing a necklace and ear-rings leans over Mrs. Shevi, admiring the pig. From an adjacent window or doorway, an elderly Jew leans, registering outraged horror. The doorway is vaulted, and has a heavy wooden door. A caged bird hangs just inside. On a wall (right) is a bill: 'Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mrs. Shevi in a longing condition
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "213" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling colourd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 254-5., Watermark: 1817, Numbers scribbled in ink in a comtemporary hand on both sides of title., and Leaf 70 in volume 3.
A figure of a man, Mr. Read (?), shown full-length walking to the right, with a riding crop in his right and wearing a top hat. He has a toothpick(?) hanging from his mouth
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Identified in ms. note as a Mr. Read in red ink below image, by a comtemporary hand., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A bear (right), wearing Cossack trousers and an imperial crown surmounted by a double-headed eagle, runs off to the right. He carries a piece of mountainous country inscribed Greece on which kneels a tiny Greek in profile to the left, exclaiming Save me from my Friends. The bear (the Tsar) tramples on the neck of a turkey, with the bearded, turbaned, and terrified head of the Sultan, which lies on its back. The bear looks fiercely over his shoulder towards an angry English sailor who sits in an open boat with a cannon mounted in the bows. The sailor wears a top-hat with a ribbon inscribed Navar[ino, see BM Satires No. 15507, &c]; he has dropped an oar to lean back, extending his clenched fist towards the bear, and shouting: Halloo--master-drop that, or d--me I'll run along side of you, in no time. Cannon-balls are piled in the stern; above them flies a Union flag topped by oak leaves. On the farther side of the water (left) stands Charles X, a capering French fop in the dress of the ancien régime, with a cane under his arm. He says: By gar he is take away all de Greece. The scene is watched from a distance by the Emperor of Austria, who draws his sword, saying, I should like a bit of that."--British Museum online catalogue
Alternative Title:
Imperial bears grease or a peep into futurity
Description:
Title from caption below image; the letters "a" and "s" in the word "grease" are crossed out and the letters "e" and "c" etched above to form the word "Greece.", Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 223.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Charles X, King of France, 1757-1836
Subject (Topic):
Russo-Turkish War, 1828-1829, Bears, Crowns, Sailors, British, National emblems, Russian, and Turkeys