"Companion plate to British Museum Satires No. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires No. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires No. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., Mounted on page 36 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; sheet 27.1 x 21 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
"Companion plate to British Museum Satires No. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires No. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires No. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., and Watermark: J. Whatman.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
United States. War Department. Corps of Engineers, cartographer, publisher
Published / Created:
[1875?]
Call Number:
831 1875
Image Count:
1
Resource Type:
cartographic image
Description:
BEIN 831 1875: Imperfect: eastern sheet wanting; western sheet chipped. Inscription below edition statement: Lieut. [?] F. Eng., 5th Infty. Inscription on verso: Capt. Ludlow's map, 1875, sheet no. 1., Relief shown by hachures., Scale "1 inch - 12 miles.", Shows battle sites and military expeditions, with dates., and In upper left margin: Brig. Genl. A.A. Humphreys, Chief of Engineers.
"Two designs, side by side, each with a second title in the upper border: [1] 'Scene, in the Island of Jersey.' Wellington, in uniform, sits on a sofa beside Lady Jersey, addressing her, hand on heart: 'And will your Ladyship ever remain cruel, & insensible to emotions which You alone can excite?' She holds a cross attached to a rosary, and looks at him over her shoulder, aloof, but coyly persuasive: 'Oh you flatterer! Every body knows your devotion to Woods & Forests: therefor don't talk to me of Love, false man! my heart bleeds only for my persecuted friends of the true Church in Ireland. You are the only man in Christendom who is able to emancipate them. Grant me this favor, dearest! most illustrious hero and then perhaps--I could - - - -'. She wears a large hat of puffed-out silk over short ringlets; her dress has huge gigot sleeves. [2] 'Scene in the Duchy of Lancaster.' Mrs. Arbuthnot, pretty, décolletée, and jewelled, sits on a sofa with her back to the door, her right hand on her heart. Wellington, cloaked, booted, and spurred, stands in the doorway. She: 'Was that his knock? or is the false man a Jesuit in Love too?--Oh no although he spends his mornings in her boudoir--he loves her not--she cannot touch his cold heart--she too cares not for him but to serve her politics--& for that she assails his vanit--his weak side, on which I first attacked him--yes! his vanity! his passions!--these are the points for me to work at!--heart he has none.' The 'PP' of the signature points to an inscription in the upper margin: 'I'm sorry to intrude, but some dirty Rogue--has lately been copying my Caricatuers--robbing us of our Ideas & Just profit--may I ask of my Friends not to purchase unless they see the Publisher T McLeans name at the Bottom all others are Copies--P Pry.' (Cf. BM Satires No. 15933.)"--British Museum online catalogue
Description:
Title from caption below images., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Design consists of two images side by side, each individually titled., Text above image entitled Morning: Scene in the island of Jersey., Text above image entitled Nigth [sic]: Scene in the Duchy of Lancaster., The man with an umbrella in the signature points to an inscription in the upper margin: I'm sorry to intrude, but some dirty rogue has lately been copying my caricatuers, robbing us of our ideas & just profit. May I ask of my friends not to purchase unless they see the publisher T. McLeans name at the bottom, all others are copies. P. Pry., Sheet trimmed within plate mark on three edges., and Numbered in ms. at top of sheet: 234.
Publisher:
Pub. by T. McLean, 26 Haymarket-caricatuers daily pub
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Arbuthnot, Harriet, 1793-1834, and Jersey, Sarah Sophia, Countess.
Subject (Topic):
Candlesticks, Lighting, Military uniforms, and British
Caricature of Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair, her foot resting on a stool; she wears a hat with three ostrich feathers and around her neck hangs a small portrait (indistinct image) and holds a large glass of brandy while a servant (Alderman Wood wearing the fur-trimmed robes), his eyes cross-eyed, stands beside the chair in attendance with a decanter in hand
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Digit "6" in day of publication "26" in imprint is etched backwards., Sheet trimmed to plate mark., Four lines of verse in two columns below title: To brandy I flew to seek relief, but he's ne'er the less before me, ah no, no, no, brandy cannot cure, the pains I endure for Bergami., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
"Alderman Wood, dressed as an elderly woman (as in British Museum Satires No. 13858) in bonnet with a lace frill, worn over a cap, and tippet, comes out of his house in South Audley Street, grasping in a gloved hand a large bottle inscribed 'Popularity'. He stands, directed to the right, between the pillars of the porch; above the porch in large letters: 'Refuge for the Destitute'."--British Museum online catalogue
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is noted in the British Museum catalogue., and Mounted on page 26 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Wood, Matthew, Sir, 1768-1843 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Mr. Liston and Madam Vestris in the duet of Buy a broom!!!
Description:
Title from caption below image., Four lines of verse on either side of title: "From Tuetschland I come with my light wares all laden ...", Sheet trimmed to plate mark on upper and lower edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Identifications in contemporary hand written in lower margin.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King and Queen on two giants' shoulders crossing the Thames; common people in small boats bothered by the waves sended up by the giants."--British Museum online catalogue
Alternative Title:
Royalty and loyalty making gigantic strides
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "99" in brown ink in upper left portion of design., and No. 99.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
Giants (Fictitious characters), Wading, Rowboats, and Steamboats
Caption title., Date based on the February 1813 lease to Mrs. Rebecca Edwards of No. 12 ‘The Paragon’ Blackheath, which appears to have been acquired to open her school for ladies., Engraved throughout; with greek-key and hatchwork border., Text continues with itemized price list for "The elements of astronomy and geography scientifically", "Music", "Drawing", and "Writing", followed by the statement "Latin, Greek and Italian by respectable masters"., and For further information, consult library staff.
