"Two designs. [1] Scene outside the Queen's house (left) in Portman Street. Four men in court-dress hurry across the street from the door assailed by the mob. In front is Wilberforce (right) holding a 'Petition to the Queen'; he exclaims "Oh! Dear! Saints never were so served before." From the other three (Stuart-Wortley, Bankes, and Sir T. Acland) ascend the words "These are aw-full times as the Scot's man said" [ ? the 'Scotsman', a conspicuously Queenite paper]. In the foreground (left) a man, saying "There he goes Dr Cantwell," and a boy spit copiously at them. The crowd: "Hiss! hiss"; "No Cantwell"; "out out"; "Spit on 'em." Brougham stands in the doorway; Denman behind him; he says "What quantities of rabbid saline!!" The Queen stands on a balcony, the base of which is 'a Good Foundation--(ie) Innocence--'. She says "No Tricks, you faithful representitaves [sic] of the people." [2] A corner of the House of Commons with the Speaker (Manners-Sutton) in the Chair (right), calling "Order! Order!" Beside the table and on the Speaker's right a member stands shouting "Privilege! Privilege." Behind is a group of members, freely sketched. One man looks down from the gallery."--British Museum catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. July 3d, 1820, by W. Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wilberforce, William, 1759-1833, Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845, Bankes, Henry, 1757-1834, Acland, Thomas Dyke, Sir, 1787-1871, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canterbury, Charles Manners-Sutton, Viscount, 1780-1845.
Subject (Topic):
Politicians, Crowds, Balconies, and Legislative bodies
"Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are advancing many rowing-boats filled with little French soldiers. Napoleon stands with drawn sword in the foremost boat, a tiny figure with a large head and no body, to show that he is Nobody, as in BMSat 5570, &c. The distant French coast (right) is covered with troops marching towards the shore. Clouds of smoke rise from the beach, which is concealed by the foreground. Britannia, wearing Roman dress with cothurnes, raises her arms, and shrieks (parodying Hamlet): "Doctors & Ministers of dis grace defend me!" The 'dis' is scored through but conspicuously legible. Addington holds a bottle of Gunpowder to her nose, and looks in alarm at the approaching army. He says: "Do not be alarm'd my dear lady! the Buggabo's (the Honest Gentlemen, I mean,) are avowedly directed to Colonial service, - they can have nothing to do Here - my Lady! - nothing to do with Us! - do take a Sniff or two, to raise your Spirits, and try to stand, if it is only upon One Leg!" Hawkesbury looks down with deep melancholy, supporting her (cracked) shield, and holding her (damaged) spear. He says: "Yes my Lady, you must try to Stand up, or we shall never be able to "March to Paris"". Sheridan holds Harlequin's wooden sword of 'Dramatic-Loyalty' in his right hand (cf. BMSat 9916). On his left arm is a shield with Medusa's head, the snaky locks inscribed: 'Abuse', 'Bouncing', 'Puffing', 'Detraction', 'Stolen Jests', 'Malevolence', 'Stale Wit', 'Envy'. He wears a hat turned up in front with a tricolour cockade; its crown is a fool's cap with two ears and a bell. Round his paunch is a tricolour sash through which is thrust a paper: 'Ways and Means to get a Living'. He shouts in defiance at the distant army: "Let 'em come! - dam'me!!! - where are the French Buggabo's? - single handed I'd beat forty of 'em!!! dam'me, I'd pay 'em like Renter Shares, sconce off their half Crowns!!! - mulct them out of their Benefits, & come ye Drury Lane Slang over 'em!" Behind, between Addington and Sheridan, is the head of Fox, holding his hat before his eyes; he says: "Dear me - what can be the reason of the Old Lady being awak'd in such a Fright? - I declare I can't see any thing of the Buggabo's!" In the foreground lies a long torn scroll, headed 'Treaty of Peace.'"--British Museum online catalogue
Alternative Title:
Britannia recover'd from a trance and Britannia recovered from a trance
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Harlequins -- Britannia -- Literature: Parody of Hamlet by Shakespeare, William, 1564-1616 -- Medical: Smelling salts -- Weapons: Ammunition -- Gunpowder -- Sword -- Emblems: Britannia's shield -- Britannia's spear -- Shield with Medusa -- France: Threat of invasion -- Peace treaties., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publd. March 14th, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Napoleon I, Emperor of the French, 1769-1821, and Fox, Charles James, 1749-1806
"In a small space between the House Commons (left) and a rustic alehouse (right) Lord Temple and Lord Camelford play battledore and shuttlecock with the head (the features as in BMSat 9200) of Horne Tooke. In this are stuck feathers, five inscribed respectively: 'Deceit, Vanity, Jacobinism, New Morality [cf. BMSat 9240], Envy'. From the neck hang (torn) clerical bands. Camelford in back view, 'profil perdu', wears a rakish hat with curved brim (as in BMSat 9699), a naval officer's coat with sailor's striped trousers, and buckled shoes; from his coat pocket issues a paper: 'Effusion of Loyalty'. He says: "There's a Stroke for you, Messmate! and, if you kick him back, I'll return him again, dam'me! - if I should be sent on a cruise to Moorfields [i.e. Bedlam], for it! - go it, Coz:" Temple, a stout country gentleman, scarcely caricatured, wearing a stiff round hat, prepares to return the stroke vigorously, left fist clenched; he says: "Send him back? - yes, I'll send him back Twenty Thousand times, before such a high flying Jacobin-Shuttlecock shall pearch [sic] it here, in his Clerical band." Both play vigorously with legs astride. Through the wide doorway behind him, inscribed 'St Steevens', is seen the Opposition side of the House of Commons densely packed, the Speaker just visible in his chair, the Clerk staring apprehensively. All the (tiny) members wave red caps to cheer their champion, shouting "The Church for Ever, [?] dem[me]". Sheridan and Fox only are characterized. The alehouse is a primitive thatched building with the chequers sign. On it are two placards: 'The Old Sarum Electors', five pigs in a sty eating from a trough. Below: 'The House of Call for Independent Members'. Against the building are a rustic table and bench. On the ground by Camelford is a 'List of Candidates for Old Sarum, J. H. Tooke, Black Dick [it was reported, though denied by Camelford, that he had declared his intention of returning his black servant if Tooke's election should be annulled], Thelwall' [see vol. vii]. In the background between the buildings is seen a small ruinous village, representing Old Sarum, with a bare, decayed tree."--British Museum online catalogue
Alternative Title:
Old Brentford shuttlecock between Old-Sarum & the Temple of St. Steevens
Description:
Title from text in lower part of image., Mounted to 37 x 56 cm., Collector's annotations on mount., and Identifications in contemporary hand written below plate.
Publisher:
Publish'd March 15th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Pitt, Thomas, Baron Camelford, 1775-1804, Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A game of chess between the Tsar and the Sultan. The latter sits cross-legged on a chest, to which the chess-board, supported on legs, is attached. Nicholas, a military dandy with a hideous profile, moves a piece, saying 'Check Mate'; he has taken two castles and other pieces. With his left hand he slips a large bag of 'Roubles' into the hat of Wellington who stands behind his chair. The Duke raises two fingers, saying, 'I say's Nothing'. The Sultan clutches his turban, registering consternation; to the box on which he sits is chained a Greek (? Capodistrias) in national costume. The Emperor of Austria and King of Prussia stand behind the chess-board; the former says: 'We must look on for the present Brother.' Beside them stands a Quakerish-looking man, hands clasped and thumbs together, probably President Jackson; he says 'Um . .m.. .m.' Behind Wellington (right) are Eldon, with his hands raised in horror, saying 'Here's treatment of Old friends and Allies.' Behind him is Lyndhurst in wig and gown. Behind the Greek (left) the King of France says to his fellow-Bourbon of the Two Sicilies (identified from BM Satires No. 15865), 'Ve must take care ours turn is not de next.'"--British Museum online catalogue
Description:
Title etched below image., British Museum catalogue suggests September or October as the month of publication in 1829., Sheet trimmed within plate mark., Temporary local subject terms: Military dandies -- Games -- Chess -- Russo-Turkish wars -- Reference to Greece -- Turkey -- Russia -- Austria -- Prussia -- France., and Numbered in ms. at top of sheet: 222.
Publisher:
Publish'd by J. Field, 65 Quadrant
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855, Wellington, Arthur Wellesley, Duke of, 1769-1852, Mahmud II, Sultan of the Turks, 1784-1839, Kapodistrias, Iōannēs Antōniou, 1776-1831, Jackson, Andrew, 1767-1845, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Eldon, John Scott, Earl of, 1751-1838, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Charles X, King of France, 1757-1836, and Francesco I, King of the Two Sicilies, 1777-1830
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title from text below image., Date of publication from unverified data in local card catalog record., Description based on imperfect impression; sheet trimmed with loss of left edge of image., Six stanzas of verse in letterpress below title: Ye bakers of London, beware, who have long liv'd on adulteration ..., Text following imprint: ... price one penny., Publisher's advertisement above imprint: Just published, price one penny with a cut, the "Pope's dreadful curse.", and Manuscript edits to letterpress stanzas in contemporary hand.
Publisher:
Printed and published by J.L. Marks, No. 23, Russell Court, Covent Garden ...
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"First panel: crowd of citizens questioning an ignorant Whig on a platform with other members of the party; second panel: hangman on the point of opening the door of Duke of Wellington's cell."--British Museum online catalogue
Alternative Title:
Tolerable specimen of true Whiggery
Description:
Titles from item., Initials of printmaker Charles Jameson Grant in lower left corner of second panel of design., Date of publication from the British Museum online catalogue., Design consists of two panels side by side, each individually titled., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "87" in brown ink in top left corner of second panel of design., and No. 87.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Apsley House (London, England),
Subject (Topic):
Politicians, Stages (Platforms), Crowds, Executioners, and Ropes
"A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:
Royal rumping
Description:
Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
Title from caption below image., Date of publication from British Museum online catalogue, registration no.: 1935,0522.5.48., Sheet trimmed within plate mark., A copy in reverse of no. 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Soldiers -- Volunteers -- Clerks -- Sign: "The Old Fortune" -- Town centers -- Castle gate -- Pictures amplify subject., and Numbered in ms. at top of sheet: 239.
