Paradice for fools, Paradise for fools, Nocturnal trip, or, The disciple of Johanna benighted, and Disciple of Johanna benighted
Description:
Title from caption below images., Questionable attribution to Williams from British Museum catalogue., Three designs arranged horizontally on one plate, each with an individual title etched above; design on left entitled "The summons to paradice," center design entitled "The set-down," and design on right entitled "The return to reason.", Sheet trimmed within plate mark., Temporary local subject terms: Costume, 1814 -- Male costume: Night cap -- Candlesticks -- Female costume: Stays., and Numbered in ms. at top of sheet: 258.
Publisher:
Pubd. Septr. 1st, 1814, by W.N. Jones, No. 5 Newgate Street
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 175.
Publisher:
Pub. Feb. 25, 1830 by S. Gans, 15, Southampton St., Strand
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Lyndhurst, John Singleton Copley, Baron, 1772-1863, and Scarlett, James Yorke, Sir, 1799-1871
Title from caption below image., Originally published: December 23, 1809 by Thomas Tegg. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall --Carlton House -- Lighting -- Gas lamps -- Male Costume, 1809 -- Irishmen -- Quakers -- Female cosutme -- Fur muff., and Ms. annotation in lower right corner of sheet.
"From slits in a huge green bag, labelled 'Evidence against the Q...n', peer the heads of five witnesses against the Queen. Round it stand puzzled and apprehensive Ministers discussing their plans. Castlereagh, on the extreme left, faces Sidmouth who stands with flexed knees holding a constable's staff, one hand on the bag. He says: "Well Gentlemen! we are pretty well in for it now--we must lie through thick and thin to do any good, and get as many as we can to do the same, or it is all up with us; what say you Doctor have you any specific for the occasion." Sidmouth: "Friend Derry I could as soon produce the Philosophers stone or Elixir of Life but if your brazen face can't bring us through it is a forlorn hope, however here is some chance in the Bag!" The head of a man crouching in the Bag looks up to say: "Yes I have some choice Tales to communicate what with Bargemen--Chambermaids--W....s and Rogues, whom I have had the honor to associate with. I shall be able to COOK up a high seasoned dish that his M.....y will relish." On the right of the Bag stands Canning, scratching his head with a puzzled expression; he says: "Curse that City Hop Merchant [Wood] he has thrown bitter into this Brewing with a vengeance! I'll try what a dash of my wit will do, or we shall be obliged to swallow it ourselves!" A pretty female head looks up at him from the Bag, to say: "I say Mr. Flashman! don't stand scratching your head in that manner but hear what I have to tell you when a woman is determined on revenge she will stick at nothing to accomplish it--turn me away indeed for a little amusement with Peter, when my husband was out I hate such scrupulous Modesty. I'll swear any thing you wish." Three faces appear at smaller slits, saying respectively: "I'll swear!"; "So will I!"; "So will I to any lie." Eldon (right) in Chancellor's wig and gown, walks off to the right, holding a rolled document: 'Rex [vers]us Regina'. He says with a meditative frown: "Well Gentlemen I shall go home and consult about it. I dont like to decide too hastily Look before you leap ought to be the Motto of my Seal" [cf. British Museum Satires No. 15139, &c.]. Behind Castlereagh (left) is a table with writing materials; at his feet are bundles of papers labelled 'Foreign Newspapers' and 'Foreign Correspondence private'.."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 24 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by J. Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Wood, Matthew, Sir, 1768-1843., Demont, Louisa, active 1814-1820., Cooke, William, 1757-1832., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Bags, Witnesses, Documents, Newspapers, and Tables
Title from text below image., Date of publication from unverified data in local card catalog record., and Figure identified in pencil in a contemporary hand: Aldn. Copeland.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"In an arena, bull with the King's features being devoured by dogs with politicians' features; other politicians outside the arena encouraging the dogs."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "90" in brown ink in top center portion of design., and No. 90.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Bulls, Dogs, Rats, Animal fighting, and Spectators
"Print showing George IV, in the title role of Mozart's opera, surprised by the sudden arrival of his wife, Caroline, as Donna Anna, lately returned from Italy, during the wedding feast scene, at which a number of bare breasted women are present; on the left, Lord Castlereagh, playing the role of Leporello, holds a long list of the King's female conquests."--Library of Congress online catalog
Description:
Title etched below image., Text below title: Don Giovanni by His M-y, Donna Anna by a celebrated actress, her first appearance on this stage these 7 years, Leporello by Derry Down Triangle, the other caricters [sic] by the Corps de Ballet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 20 of: George Humphrey shop album.
Publisher:
Pub. July 23, 1820, by H. Fores, 16 Panton St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Mozart, Wolfgang Amadeus, 1756-1791.
Subject (Topic):
Operas & operettas, Adultery, Surprise, Banquets, Dining tables, and Chandeliers
"A group of men wearing oriental costumes and turbans kicking a ball lettered with 'Corn Laws', seen rolling at left; the Caliph (fourth from left, Sir Robert Peel) more furious than the rest, kicking hardest (others kicking, from left to right, Richard Cobden, Lord Morpeth, John Bright, Lord Aberdeen, Sir James Graham, Henry Goulburn, Duke of Buckingham, Duke of Richmond); a man, in the character of Mozamhabad (Duke of Wellington) and his companion (Lord Stanley) kneeling in foreground at right, trying to stop the Caliph, without success."--British Museum online catalogue
Alternative Title:
Scene from Vathek (realized)
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Likely a proof state before minor changes were made to the design., Sheet trimmed with nearly complete loss of series statement from upper right margin; series numbering from British Museum online catalogue, registration no.; 1868,0808.12180., Three lines of quoted text below image: "The Caliph more furious than the rest, followed close, & gave as many kicks as he could. ...", and With contemporary pencil annotations, perhaps by the artist, indicating corrections to be made to the design. Additional notes in pencil below image identify the figures and label the print as a "Proof."
Publisher:
Published Decr. 22nd, 1845, by Thos. McLean, 26 Haymarket and Printed at 70 St. Martin's Lane
Subject (Name):
Beckford, William, 1760-1844., Peel, Robert, 1788-1850, Cobden, Richard, 1804-1865, Carlisle, George William Frederick Howard, Earl of, 1802-1864, Bright, John, 1811-1889, Aberdeen, George Hamilton Gordon, Earl of, 1784-1860, Graham, James, Sir, 1792-1861, Goulburn, Henry, 1784-1856, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Richmond, Charles Gordon-Lennox, Duke of, 1791-1860, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Derby, Edward George Geoffrey Smith Stanley, Earl of, 1799-1869
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
Title from text in center of design., Design consists of four panels, each individually captioned., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Imprint scored through in ink and illegible.
Publisher:
Pubd. by Geo. Fores, 5 Ball Alley, Lombard Street and C. Ingrey lithog., 310 Strand