A scene of pandemonia on a public street as animals escape from an Animal Kingdom as people flee the exotic animals -- kangaroos, bulls, elephants, lions, etc. -- including a cart driven by a monkey and pulled by a bull
Alternative Title:
Uproar on Change, or, A trip from Exeter to Charing Cross
Description:
Title and imprint from manuscript annotations on mount., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark with probable loss of text from bottom edge., Possibly an imperfect impression of a print entiled "An uproar on Change, or, A trip from Exeter to Charing Cross," which was published in 1828 by Edward McLean. Cf. No. 15603 in the Catalogue of prints and drawings in the British Museum, v. 11., and Mounted on sheet 24.9 x 36.1 cm.
Title from annotation in a modern hand written in pencil below plate mark., Artist and printmaker from pencil annotations in a contemporary hand below image: J. Buckler del. ; Thos. Higham., Probably a proof state., and Date based on the timing of the final collapse of the Fonthill Abbey tower, which occurred in 1825.
"Portrait of the dramatist Sir William Killigrew; three-quarter length, standing, to the right, right hand under robe; with shoulder length hair, moustache, and short pointed beard; a column and tree in background."--British Museum online catalogue, description of a later state
Alternative Title:
Sir William Killigrew
Description:
Title from later state., Proof before title; for a later state with title and additional lettering below image, see British Museum online catalogue, registration no.: 1908,0810.6., Publication information from imprint on later state: Published Decr. 1, 1796, by E. & S. Harding, Pall Mall., Proof state of a plate for: The biographical mirrour. London : Published by S. and E. Harding, Pall-Mall, 1795-[1814?]., Engraved after a copy of the painting by Anthony van Dyck in the Little Library of the Cottage at Strawberry Hill, which Horace Walpole believed to be a portrait of John Milton., Sheet trimmed within plate mark with possible loss of text from bottom edge., Mounted on page 201 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., and Annotated in pencil with the title "John Milton" below image and with the name "Mr. Bawtree" in lower right corner.
"Portrait of Lady Venetia Digby; half length looking to left; wearing lace-trimmed dress with ribbon tied to a rosette around waist; after miniature by I. Oliver."--British Museum online catalogue, description of a later state of similar composition
Description:
Title from lettered state; see British Museum online catalogue, registration no: 1920,1211.509., Artist and printmaker from statements of responsibility on lettered state: S. Harding del. ; A. Birrell sculp., Proof before letters., Publication information from imprint on lettered state: Pub. by S. Harding, 127 Pall Mall, Jan. 1, 1802., Lettering on later state indicates that the print was made "from a miniature by Isacc Oliver at Strawberry-Hill.", Sheet trimmed within plate mark., Mounted on page 50 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., and Contemporary annotation in pencil below image: Venitia [sic] La. Digby.
Publisher:
S. Harding
Subject (Name):
Digby, Venetia Stanley, Lady, 1600-1633, and Strawberry Hill (Twickenham, London, England)
"Portrait of Robert Clive, 1st Baron Clive of Plassey, three-quarter length, standing to right on a hill beside a tree, looking towards the viewer, leaning on a stick held in his left hand, holding a tricorn hat in the right; wearing uniform, sash over waistcoat, sword and queue wig; river below."--British Museum online catalogue, description of another print of similar composition
Description:
Title from manuscript note in ink on mounting sheet., Engraved after a painting by Nathanial Dance; see description of another print of similar composition in the British Museum online catalogue, registration no.: 1920,1211.410. For a discussion of various versions of the painting produced by the workshop of Nathanial Dance, see description for NPG 39 in the online catalogue of the National Portrait Gallery, London., Proof before letters?, Approximate date of publication supplied by cataloger., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 451., Window mounted to 51 x 36 cm., and Mounted opposite page 382 (leaf numbered '197' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Clive, Robert Clive, Baron, 1725-1774,
Subject (Topic):
Government officials, British, and Military uniforms
"A sequel to British Museum Satires No. 10416. The thistle grows from papers resting on an upturned tub on the extreme right. The head, with Melville's profile facing his tormentors, is erect; the stem is inscribed 'His radiis rediviva viresco'. These roots or papers are inscribed: 'First Charge Lie Ist'; '2d Charge Lie 2d'; '3d Charge Lie 3d'; '5th Charge Lie 5'; '7th Charge Lie ye 7th'. Clouds of dense smoke issue from these papers and billow to the left. across the upper part of the design, carrying with them the heads of nine of Melville's discomfited assailants whom he regards with a slight smile. By the tub falls a sheaf of bulky papers headed 'Protest'. The heads are (left to right): Erskine (close to a plume of feathers denoting the Prince of Wales), Derby, a judge's wig in back view, [For many years this denoted Lord Loughborough (Rosslyn); he died in 1805.] Fox, Stanhope, Ellenborough (scowling), Howick, Sidmouth, Moira. The thistle is irradiated with rays dispelling the dark smoke and inscribed: 'Judicium Parum', 'Not Guilty', and 'Lex Terrae'. Beside them floats a scroll: 'No Crime by ye unanimous opinion of ye eleven Judges'. On the extreme left is a cask, on low trestles, in which stands Wilberforce, with the lank hair bands, and steeple-crowned hat of a seventeenth-century sectary; his hat blows off in the drifting cloud; he turns his head in profile towards the thistle saying, "Tis the Lords doing And has spoiled our Brewing." In the foreground is a procession, leaving the platform on which stands the thistle. On the extreme left is the Speaker, partly concealed by the left margin in wig, hat, and gown, but with no body (to indicate that he is nobody, cf. British Museum Satires No. 5570, &c.) and with the gown raised to show a large foot and ankle inscribed 'Ex pede Herculem'.[Judge the whole from the part, as you guess the size of Hercules from seeing only his foot. Abbot was very small.] He carries a pole inscribed 'Casting Vote' [see British Museum Satires No. 10301] attached to a small ladder. He is followed by two men who carry, slung from a drayman's pole (as in British Museum Satires No. 10574), a cask (damaged), from which Whitbread leans out to shake his left fist at Melville. Under his right hand is a paper: 'Vote of Thanks to the Managers'. From the bung-hole issues a mass of exploding froth inscribed 'not sweet wort'. The cask-bearers are descending the shallow steps from the platform, where a bulky paper lies: 'The Tenth Report waste Paper'. The two men wear bag-wigs; the foremost gloomily gnaws his nails; from his pocket hangs a torn paper: 'I do my Best and yet it fails I hold my tongue and Bite my Nails'."--British Museum online catalogue
Alternative Title:
From such inquisitors, impeachers, tub politicians and tub-preachers ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Twelve lines of verse below image in two columns, one on either side of an empty space for the title bound by curly brackets: From such inquisitors, impeachers, tub politicians and tub-preachers, like wolves carnivorous ..., 1 print : etching on wove paper ; plate mark 29.5 x 38.6 cm, on sheet 30.6 x 39.8 cm., Contemporary pencil annotations "The triumph of the thistle" and "unfinished sketch" within blank space below image intended for title., and Mounted on leaf 85 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, George IV, King of Great Britain, 1762-1830., Smith-Stanley, Edward, 1752-1834, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Wilberforce, William, 1759-1833, and Whitbread, Samuel, 1764-1815
"A sequel to British Museum Satires No. 10416. The thistle grows from papers resting on an upturned tub on the extreme right. The head, with Melville's profile facing his tormentors, is erect; the stem is inscribed 'His radiis rediviva viresco'. These roots or papers are inscribed: 'First Charge Lie Ist'; '2d Charge Lie 2d'; '3d Charge Lie 3d'; '5th Charge Lie 5'; '7th Charge Lie ye 7th'. Clouds of dense smoke issue from these papers and billow to the left. across the upper part of the design, carrying with them the heads of nine of Melville's discomfited assailants whom he regards with a slight smile. By the tub falls a sheaf of bulky papers headed 'Protest'. The heads are (left to right): Erskine (close to a plume of feathers denoting the Prince of Wales), Derby, a judge's wig in back view, [For many years this denoted Lord Loughborough (Rosslyn); he died in 1805.] Fox, Stanhope, Ellenborough (scowling), Howick, Sidmouth, Moira. The thistle is irradiated with rays dispelling the dark smoke and inscribed: 'Judicium Parum', 'Not Guilty', and 'Lex Terrae'. Beside them floats a scroll: 'No Crime by ye unanimous opinion of ye eleven Judges'. On the extreme left is a cask, on low trestles, in which stands Wilberforce, with the lank hair bands, and steeple-crowned hat of a seventeenth-century sectary; his hat blows off in the drifting cloud; he turns his head in profile towards the thistle saying, "Tis the Lords doing And has spoiled our Brewing." In the foreground is a procession, leaving the platform on which stands the thistle. On the extreme left is the Speaker, partly concealed by the left margin in wig, hat, and gown, but with no body (to indicate that he is nobody, cf. British Museum Satires No. 5570, &c.) and with the gown raised to show a large foot and ankle inscribed 'Ex pede Herculem'.[Judge the whole from the part, as you guess the size of Hercules from seeing only his foot. Abbot was very small.] He carries a pole inscribed 'Casting Vote' [see British Museum Satires No. 10301] attached to a small ladder. He is followed by two men who carry, slung from a drayman's pole (as in British Museum Satires No. 10574), a cask (damaged), from which Whitbread leans out to shake his left fist at Melville. Under his right hand is a paper: 'Vote of Thanks to the Managers'. From the bung-hole issues a mass of exploding froth inscribed 'not sweet wort'. The cask-bearers are descending the shallow steps from the platform, where a bulky paper lies: 'The Tenth Report waste Paper'. The two men wear bag-wigs; the foremost gloomily gnaws his nails; from his pocket hangs a torn paper: 'I do my Best and yet it fails I hold my tongue and Bite my Nails'."--British Museum online catalogue
Alternative Title:
From such inquisitors, impeachers, tub politicians and tub-preachers ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Twelve lines of verse below image in two columns, one on either side of an empty space for the title bound by curly brackets: From such inquisitors, impeachers, tub politicians and tub-preachers, like wolves carnivorous ..., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, George IV, King of Great Britain, 1762-1830., Smith-Stanley, Edward, 1752-1834, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Wilberforce, William, 1759-1833, and Whitbread, Samuel, 1764-1815
Nugent, Thomas, active 18th century, printmaker, publisher
Published / Created:
[1800]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Esther Jane Sheridan with her son Charles on her back, as a rustic figure carrying a jug towards a stream at right, donkeys in surrounding landscape."--British Museum online catalogue, description of a later state
Alternative Title:
Mrs. Sheridan and son
Description:
Title from lettered state., Artist and printmaker from statement of responsibility on lettered state: Painted by J. Hoppner R.A. ; engraved by T. Nugent., State before any lettering. For a later state with the imprint "London, Published April 2, 1800, by T. Nugent, No. 21 Charles Street, Middlesex Hospital," see British Museum online catalogue, registration no.: 1871,1209.321., Sheet trimmed within plate mark., Bound in as frontispiece (opposite title page) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and With title "Hester Jane, Second Wife of R.B. Sheridan" and artist statement "John Hoppner pinxt." added in pencil in lower margin, in a later hand. Printmaker's name "Nugent" written beneath image in lower right, in a contemporary hand.
Publisher:
T. Nugent
Subject (Name):
Sheridan, Hester Jane, 1776-1817, and Sheridan, Charles Brinsley, 1796-1843,
Subject (Topic):
Country life, Donkeys, Pitchers, Mothers, and Children
"Portrait of G.F. Handel, from a painting by Hogarth, then in the etcher's collection; bust directed to the right, looking towards the viewer, in fur-trimmed cap and coat."--British Museum online catalogue
Description:
Title supplied by cataloger., Artist, printmaker, and date from statement of responsibility present on later state: Etch'd by D.C. Read from a picture painted by Hogarth in his possession, 1830., First (proof?) state before letters. For a later state with sitter's name "G.F. Handel" etched beneath statement of responsibility in lower margin, see British Museum online catalogue, registration no.: 1875,0508.1664., Probably printed by Read himself at his residence in Salisbury, using a press he obtained shortly after beginning to publish his etched plates in 1828. See Oxford Dictionary of national biography, entry for David Charles Read., and Mounted to 42 x 29 cm. At bottom of mounting sheet is a manuscript presentation note by David Charles Read's son, Raphael W. Read: This portrait of the immortal Handel etched by his [i.e. Raphael Read’s] father from the original picture of Handels bosom[?] friend Hogarth, in the possession of C.D. Read, is presented to Charles Morine[?] as a token of friendship by Raphael W. Read.
"Portrait of Samuel Johnson, half length, to the right, reading a book, holding it close to his face; after Northcote."--British Museum online catalogue
Description:
Title from later state., Artist from statement of responsiblity on later state., Proof with scratched engraver's name only. For a later state with title "Samuel Johnson L.L.D." and statements of responsibility "J. Northcote R.A. pin." and "J.J. De Claussin sculp." added, see British Museum online catalogue, registration no.: K,61.51., Window mounted to 51 x 36 cm., Mounted opposite page 110 (leaf numbered '162' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., With contemporary pencil annotations; printmaker's name "Claussins" written beneath lower right corner of image, and "Proof 32 A.W. 1813" written on verso., and Later annotations in ink, written below print on mounting page, identify the sitter as "Samuel Johnson" and give the production details "Published by Baldwyn, Catherine Street".
