A dustman dances with a black woman as a black musician plays the fiddle and spectators look on. A picture on the back wall and a poster on the chimney shows people hanging from gallows
Alternative Title:
Scene in Tom & Jerry, Scene in Tom and Jerry, and Life in London
Description:
Title from caption below image., Ms. note following date in imprint: '1822', Sheet trimmed leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Cansell 1818.
Publisher:
Pubd. April 24 by S.W. Fores, 41 Piccadilly
Subject (Topic):
Blacks, Audiences, Dance, Hangings (Executions), Musicians, and Garbage collecting
"A parody of G. Cruikshank's 'My Eye', see British Museum Satires No. 14168. The eye is as before but much enlarged, filling the design. It contains a printing-press, inscribed 'Radical Press', and on it rests the Queen's bust portrait wreathed in laurel, closely copied from British Museum Satires No. 14150. Below the eye: 'See Hone's eulogium on the Radical Press. I'll watch them [him] tame. Shakespeare' ['Othello', III. iii; quoted in British Museum Satires No. 14168]."--British Museum online catalogue
Description:
Title etched at top of image., Text at bottom of image: See Hone's eulogium on the Radical Press., Text in lower right corner of image: I'll watch them tame. Shakspeare., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:
Pubd. May 1821 by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
To William Davison, chemist, druggist, & apothecary
Description:
Date from manuscript annotation on Lewis Walpole Library copy., Engraved invoice for the pharmacist, stationer, and printer William Davison of Alnwick., and Invoice completed in manuscript to "Major Frankland, West Glanton"; numbered "231" in upper right and dated "1821 October 17" in lower left. For further information, consult library staff.
"Nicholas I, in uniform with plumed cocked hat, rides (right to left) a gigantic Russian eagle, his sword raised to slash. The eagle holds in one of its beaks a round wicker coop which it drops over a turkey crouching on a grassy slope (left). From each predatory beak a cloud issues, inscribed WAR in large elaborate letters. The heraldic bird is very much alive, one claw clutching a sceptre, the other an orb. The Tsar stands in his stirrups; his saddle is superimposed on the shield on the bird's breast on which is a mounted knight in armour with visor down and sword raised. To the shield are appended eagles and other emblems. Far below (right) is a snow-covered plain where tiny Cossacks gallop with levelled spears, chasing Turks, The sky is filled with flame and smoke from blazing buildings. On the left from among the smoke emerges the dark silhouette of a profile bust of Napoleon; he says: Europe look well to this beware of the Kelmuc [sic]."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 219.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855 and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Russo-Turkish War, 1828-1829, Cages, Ceremonial objects, Daggers & swords, Eagles, Poultry houses, Scepters, and Turkeys
"The Queen (left), short, fat, and grotesque, stands on tiptoe, on an ornamental slab, to reach Bergami who stoops to kiss her. She wears feathered hat, lace-edged pelisse, and short, projecting skirt. He is dressed as a postilion, with a short furred jacket, his whip projecting from a pocket. The floor is carpeted. Below the design: 'This, to be fact is now admitted even by the Opposition!!! She doesn't stand upon trifles.' The plate is depicted in British Museum Satires No. 14206."--British Museum online catalogue
Alternative Title:
Armful of love
Description:
Title etched above image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 4 of: George Humphrey shop album.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 12138 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Apr. 28, 1813, by H. Humphrey., Temporary local subject terms: Election balls -- Lighting: Chandeliers., and Numbered in ms. at top of sheet: 67.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Topic):
Ballrooms, Balls (Parties), Chandeliers, Couples, Dance, and Musicians
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Title from caption below image., Printmaker and date of publication from Grego., Sheet trimmed within plate mark., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. London, 1836?, p. 39., Companion print to: Anglers of 1611., Watermark: 1809., and Numbered in ms. at top of sheet: 224.
Two newly arrived Frenchmen meet on the pavement outside the door of the White Bear (Piccadilly). Their speech and appearance amuse two girls who have just passed (left), and a stable-boy and coachman (right) and the fact that a dog is urinating on the boot of the tall man on the left who is unaware of this action. They wear supposedly English dress: breeches and boots, top-hats with small high crowns, reversing the shape of the prevailing bell-shaped topper (cf. BM Satires 14438). One (right) wears a multi-caped coat (carrick, see BM Satires 12375) and carries its skirts looped over his arm; against his shoulder he holds a huge (furled) umbrella. Their words are below the title: "Gode a Morning Sare, did it rain tow Marrow?--"Yase it vas"--. Above the door is a carved polar bear. In the window (left) above a green blind appear a tureen, bottle, &c.; placards hang against the panes offering Hashed Tongue, Soup Meagre, Hotch Potch, and Mock [Turtle]. On the right of the door is the entrance to the coach-office: The Original White Bear Inn. Coach & Waggon Office--The Original Paris Coach Office. Advertisements and place-names flank the doorway: (left) Expeditio--French English Made Easy; P[aris] & Dover Dilligence & Jumbling Ease, (right) Deal, Dover, Brighton, Paris, Calis. On the right is the entrance to the inn-yard in which stands a coach. -- From the British Museum online catalogue with additional comments., Title from caption below image., Lines of dialogue below title: "Gode a morning sare, did it rain towmorrow? "Yase it vas.", Sheet trimmed within plate mark., Companion print to: Anglo-Parisian salutations, or, Practice par excellence!, Reissue of no. 14440 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 6, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 113.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
City & town life, Dogs, Umbrellas, Stores & shops, Taverns (Inns), and Urination
Title from caption below image., Lines of dialogue below title: "Commong porty wous munseer? O Oui, il est un tres belle jour"!, Sheet trimmed within plate mark., Companion print to: Anglo-Gallic salutations in London, or, Practice makes perfect., Reissue of no. 14441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 10, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 115.
