No. 1 of 5 works bound together with binders' title: Strawberry Hill records. Ms. annotations. Possibly owned by Lowndes and Vade-Walpole., Caption title., Authorship and private printing attributed by Harvard to William T. Lowndes. Cf. RLIN., and PDF version available.
Publisher:
William Lowndes?
Subject (Geographic):
England and London
Subject (Name):
Walpole, Horace, 1717-1797. and Strawberry Hill Press (Twickenham, London, England)
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians introducing themselves and asking for Christmas boxes to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "121" in brown ink in lower left corner of design., and No. 121.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Burdett, Francis, 1770-1844
Subject (Topic):
John Bull (Symbolic character), Politicians, Brooms & brushes, Lanterns, Staffs (Sticks), Bells, and Rats
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A man in hunting-dress stands on the back of his spirited horse to embrace a young woman who leans from a casement window. An elderly gap-toothed man wearing a night-cap peers from the cottage door with an imbecile gape. The hounds are in full cry beside the horse. A fat parson and a huntsman, much amused, turn in their saddles to watch the embrace. They are passing a village church."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of title and imprint statement. Missing text supplied from impression in the British Museum., Window mounted to 36 x 27 cm., and Titled in pencil in a contemporary hand at bottom of mount: Hunting in the tailors preserve.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Politician introducing an army composed of street men, criminals and Devil to drunk Queen of Spain with Catholic clergy and court."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: Her Most Catholic Majesty Donna Isabella reviewing the first division upon its arrival, under the command of Colonel De Lacy Evans ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "93" in brown ink in top center portion of design., and No. 93.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Spain.
Subject (Name):
Evans, George De Lacy, Sir, 1787-1870
Subject (Topic):
Queens, Intoxication, Clergy, Military officers, Working class, and Hand tools
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians and chancellor after the woolsack fire, begging for money to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "59" in brown ink in top center portion of design., and No. 59.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Politicians, Pleading (Begging), Poor persons, Bagpipes, and Cats
Title from first line of letter press, above coat of arms., An admission ticket for the fifteenth day of the trial of Henry Dundas, 1st Viscount Melville; the impeachment trial took place in Westminster Hall in April-June 1806., Engraved arms of the Great Chamberlain printed in sepia at center, with title printed in letterpress above., and "Dundas" written in black ink below coat of arms on recto. The letterpress form on the verso has been annotated with the name of "Miss Dundas" on the line for "The daughter of a Peeress in her own right"; this name may refer to either Elizabeth (1766-1852) or Anne (1768-1852). One corner of ticket (5.5 x 5.5 cm) has been neatly cut away, a lacuna that is explained by a later pencil note asserting that the corner had been cut away at the door when presented. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England. and England
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Impeachment, Trials (Impeachment), Women, and Legal status, laws, etc
"A phrenologist, ugly and dandified, standing behind a table, lectures to an informally grouped and stupid-looking audience; he holds his naturalistic brown wig, revealing a bald head covered with reddened protuberances. His Concluding Address is engraved in the lower margin: Ladies and Gentlemen Having thus concluded the hundred and thirty ninth article, under the Head or Section of Propensities: I shall take my leave until the next lecture, by clearly elucidating in my own person an instance of Due Proportion of Faculties: Talkativeness with Gulling, standing First: and further beg to testify, beyond all doubt, . . . that on the Craniums of this highly gifted and scientific Audience, the Organ of Implicit faith Under Evident Contradictions, Stands beautifully develop'd to a Surprising and Prominent degree Dear Ladies Worthy Gentlemen; adieu. Nearest the lecturer is a family party: anxious wife, amused husband, and small boy with a head abnormally protuberant at the back. Two bald men anxiously feel their bumps; an agitated woman presses her forehead. A man inspects a skull. On the lecturer's table, with one of Gall's plaster heads mapped out in numbered compartments, are writing materials and books, two with titles: Treatise on Elementary and Logic. Portrait busts, all bald, stand on the floor; busts illustrating different propensities decorate the room. Two are placed conspicuously on the floor in front of the table, Dr. [sic] Ville [see British Museum Satires No. 15157] and Gall. Others are of Spurzhim [sic], Scott, Shakespeare, W. Clive, and Tremaine. Two of a group of skulls are inscribed Thirtell [Thurtell, the murderer, executed 1824] and Pollard. The busts featuring character (with appropriate expressions) are Gazing Faculty, Slyness, Pride, Sleepiness, Consequence. The book-case behind the lecturer contains, besides books, a skull and a large jar of coloured liquid inscribed Gall, it stands on a large book, Opinions on Men and things; beside this are Lock on Understanding and Aristotle (propped by a skull). The other books with titles are Moore, Lavater [two volumes], Lectures on Nothing [? Outinian Lectures, see British Museum Satires No. 14773]; a rolled document, Doctrino Particularum, lies on two large books: Self Knowledge and Commentana Critica. Treatise on Magic, Harriette Wilson [see British Museum Satires No. 14828, &c], Duty of Man, Mackenzie ['Man of Feeling'], Treatise on Doubt, Philosophers Stone, Combe [two volumes], Treatise on Gold Making, Bells Brain [two volumes, 'New Idea of the Anatomy of the Brain', 1811]. On the wall are three pictures: Bumps, two little boys boxing with huge spherical gloves; Life's a Bumper, a fat 'cit' toping in an arm-chair; Tony Lumpkin, who cracks a whip, and shouts as in Goldsmith's play. Below these are pinned up a pictorial advertisement and three prints. The first is headed by a human eye and the inscription, Sold by Royal Patent Phrenological Hats Adapted to Every Protuberance of Faculty or Organ Yet Discovered, above a cluster of misshapen hats and a little man wearing such a hat; below: To be Had [in] Caster . . . Two prints illustrate bust portraits: Abstraction and Suspicion. The third, Prying, is a print of Paul Pry, see British Museum Satires No. 15138."--British Museum online catalogue
Alternative Title:
Phrenological lecture
Description:
Title from text above image., Atrributed to Henry Thomas Alken in the British Museum online catalogue, registration no.: 1895,0617.455., Text below image begins: Concluding address: Ladies and gentlemen, having thus concluded the hundred and thirty ninth article ..., Sheet trimmed within plate mark on top edge., Temporary local Medical Library subject terms: Lectures., and 1 print : soft-ground etching, hand-colored ; plate mark 24.9 x 32.6 cm, on sheet 30.3 x 39.6 cm.
Publisher:
Published Sepr. 1826 for the artist at St. Peters alley Corn Hill
"A phrenologist, ugly and dandified, standing behind a table, lectures to an informally grouped and stupid-looking audience; he holds his naturalistic brown wig, revealing a bald head covered with reddened protuberances. His Concluding Address is engraved in the lower margin: Ladies and Gentlemen Having thus concluded the hundred and thirty ninth article, under the Head or Section of Propensities: I shall take my leave until the next lecture, by clearly elucidating in my own person an instance of Due Proportion of Faculties: Talkativeness with Gulling, standing First: and further beg to testify, beyond all doubt, . . . that on the Craniums of this highly gifted and scientific Audience, the Organ of Implicit faith Under Evident Contradictions, Stands beautifully develop'd to a Surprising and Prominent degree Dear Ladies Worthy Gentlemen; adieu. Nearest the lecturer is a family party: anxious wife, amused husband, and small boy with a head abnormally protuberant at the back. Two bald men anxiously feel their bumps; an agitated woman presses her forehead. A man inspects a skull. On the lecturer's table, with one of Gall's plaster heads mapped out in numbered compartments, are writing materials and books, two with titles: Treatise on Elementary and Logic. Portrait busts, all bald, stand on the floor; busts illustrating different propensities decorate the room. Two are placed conspicuously on the floor in front of the table, Dr. [sic] Ville [see British Museum Satires No. 15157] and Gall. Others are of Spurzhim [sic], Scott, Shakespeare, W. Clive, and Tremaine. Two of a group of skulls are inscribed Thirtell [Thurtell, the murderer, executed 1824] and Pollard. The busts featuring character (with appropriate expressions) are Gazing Faculty, Slyness, Pride, Sleepiness, Consequence. The book-case behind the lecturer contains, besides books, a skull and a large jar of coloured liquid inscribed Gall, it stands on a large book, Opinions on Men and things; beside this are Lock on Understanding and Aristotle (propped by a skull). The other books with titles are Moore, Lavater [two volumes], Lectures on Nothing [? Outinian Lectures, see British Museum Satires No. 14773]; a rolled document, Doctrino Particularum, lies on two large books: Self Knowledge and Commentana Critica. Treatise on Magic, Harriette Wilson [see British Museum Satires No. 14828, &c], Duty of Man, Mackenzie ['Man of Feeling'], Treatise on Doubt, Philosophers Stone, Combe [two volumes], Treatise on Gold Making, Bells Brain [two volumes, 'New Idea of the Anatomy of the Brain', 1811]. On the wall are three pictures: Bumps, two little boys boxing with huge spherical gloves; Life's a Bumper, a fat 'cit' toping in an arm-chair; Tony Lumpkin, who cracks a whip, and shouts as in Goldsmith's play. Below these are pinned up a pictorial advertisement and three prints. The first is headed by a human eye and the inscription, Sold by Royal Patent Phrenological Hats Adapted to Every Protuberance of Faculty or Organ Yet Discovered, above a cluster of misshapen hats and a little man wearing such a hat; below: To be Had [in] Caster . . . Two prints illustrate bust portraits: Abstraction and Suspicion. The third, Prying, is a print of Paul Pry, see British Museum Satires No. 15138."--British Museum online catalogue
Alternative Title:
Phrenological lecture
Description:
Title from text above image., Atrributed to Henry Thomas Alken in the British Museum online catalogue, registration no.: 1895,0617.455., Text below image begins: Concluding address: Ladies and gentlemen, having thus concluded the hundred and thirty ninth article ..., Sheet trimmed within plate mark on top edge., Temporary local Medical Library subject terms: Lectures., and Mr. De Ville of the Strand identified by ms. note in a contemporary hand in lower left of sheet.
Publisher:
Published Sepr. 1826 for the artist at St. Peters alley Corn Hill
London coffee houss, London coffee house, Country ale houss, and Country ale house
Description:
Title from caption below images., Publisher's announcement following imprint: NB. Folios of caricatures lent out for the evening., Two designs on one plate, each depicting two figures holding an individually-titled print: A London coffee houss [sic]; A country ale houss [sic]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Window treatment -- Coffee house -- Food., and Ms. corrections in contemporary hand to titles of prints within design; final "s" in "houss" overwritten in ink with an "e."