"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
"Two men in back view walk arm-in-arm, one (left) is short and fat, the other tall and thin. The former wears a short coat or spencer over his tail-coat, with wrinkled top-boots and a round hat, and carries a riding-switch. His hair is in a short queue with projecting side-pieces. The other wears a cylindrical hat with brim curled up at the sides, a coat reaching almost to his ankles with five capes forming a point in the centre of the back, with shoes tied with strings. He carries a bludgeon. The shoulders of both men are frosted with powder, see BMSat 8190. There is a landscape background. The spencer was a short double-breasted overcoat without tails called after George John Spencer, 2nd Earl Spencer (1758-1834), who is probably here caricatured. Gillray anticipates the earliest use of the word (1796) in the 'O.E.D.' The name derives from Earl Spencer's bet in 1792 that he would invent a coat which should become the fashion. 'Social England', ed. Traill, 1904, v. 676. This garment was associated by Byron in 'English Bards and Scotch Reviewers' with Sir Lumley Skeffington (1771-1850) ..."--British Museum online catalogue
Alternative Title:
Spencer and a thread-paper and Spencer & a threadpaper
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: spencers -- Neologisms: spencer (coat).
Publisher:
Pubd. May 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
A man wearing in a nightcap leans out a window from the upper story of his cottage and aims a blunderbuss at a ghostly sprite who dances in the yard outside his front door. The man's face is contorted with anger and concentration as he points his gun
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Octr. 1, 1792, by W. Holland, No. 50 Oxford Street
"The patient sits in profile to the left with chattering teeth, holding his hands to a blazing fire on the extreme left Ague, a snaky monster, coils itself round him, its coils ending in claws like the legs of a monstrous spider. Behind the patient's back, in the middle of the room, Fever, a furry monster with burning eyes, resembling an ape, stands full-face with outstretched arms. On the right the doctor sits in profile to the right at a small table, writing a prescription, holding up a medicine-bottle in his left hand. The room is well furnished and suggests wealth: a carved four-post bed is elaborately draped. On the high chimney-piece are 'chinoiseries' and medicine-bottles. Above it is an elaborately framed landscape."--British Museum online catalogue, description of an earlier state
Alternative Title:
Ague and fever
Description:
Title etched below image., Reissue, with new imprint statement, of print published in 1788 by T. Rowlandson. Cf. No. 7448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark., Companion print to: The hypochondriac., One line of quoted text below image, etched on either side of title: "And feel by turns the bitter change of fierce extremes, "extremes by change more fierce. Milton., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 226-7., Temporary local Medical Library subject terms: Ague -- Demons & devils -- Prescription of drugs., and 1 print : etching and aquatint, hand-colored ; plate mark 41.2 x 56.9 cm.
Publisher:
Pubd. Novr. 5, 1792, by S.W. Fores, No. 3 Piccadilly
Title below image., Temporary local subject terms: Cupids -- Vases: amphoras -- Allusion to the myth of Artemis -- Architecture: bridges., and Watermark.
Publisher:
Publish'd July 5, 1792, by I.F. Tomkins, No. 49 New Bond Street
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in British Museum Satires No. 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see British Museum Satires No. 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue, description of an earlier state
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
Title etched below image., Later state, with price changed, of no. 8141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god., Sheet trimmed within plate mark., In upper right corner of plate: Price 4 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Temporary local subject terms: Spyglasses -- Allusion to Thomas Paine's The Rights of Man -- Weapons: muskets with bayonettes -- Threat of the French invasion -- Favors: label 'God save the King' -- Favors: French tricolor cockade., and Mounted to 36 x 46 cm.
Publisher:
Pubd. Decr. 19th 1792 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fortifications, and Cannons
"Satire: parson, with two men, exorcising ghost in field."--British Museum online catalogue
Description:
Title etched below image., Text beneath title: He donna half like it, give un a little more Maister Parson and he'll vanish!, Sheet trimmed to plate mark on three sides., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. Octr. 1, 1792, by W. Holland, No. 50 Oxford St.
"Three burly French fishwives carry on their backs through the water three English visitors from a boat on the extreme right. Two other fishwives stand in the water by the boat trying to persuade a stout and angry lady to entrust herself to them; a Frenchman in the boat also addresses her. On the shore (left) a group of French people waits their arrival: foremost is a postilion standing in the huge milk-churn boots (worn only on horseback) which so much surprised English visitors. He holds out a paper inscribed 'Poste Royale'. A hotel servant holds back the postilion and proffers a card inscribed 'Hotel d'Angleterre'; he wears a nightcap with a bag-wig and ruffles and stands 'chapeau-bras'. Beside him is a rival tout, a dwarfish man or boy dressed in a slovenly manner, his feet in sabots stuffed with straw; he holds out a card inscribed 'Hotel.... Behind them' (left) are a monk and a fishwife with a basket on her back, her bare feet in sabots shaped like mules but stuffed with straw. A dog, grotesquely shaved in the French manner, completes the group. Cliffs (left) form a background. The foremost passenger is a typical John Bull wearing top-boots; he has an expression of fixed determination, his wig slips from his head and his hat is falling into the sea. Next is a lady wearing a riding-habit and a high-crowned hat. A younger man, fashionably dressed, with high hat, long breeches, and short boots, leers down at the woman who carries him. The fishwives are dressed alike with frilled muslin caps, loose jackets, and short petticoats; they wear ear-rings, and crosses hang from their necks."--British Museum online catalogue
Alternative Title:
Landing of Sir John Bull & his family at Boulogne sur Mer
Description:
Titles in French and English etched below image., Printmaker and artist from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: The Grand Tour.
Publisher:
Publishd. May 31st, 1792, by H. Humphrey, No. 18 Old Bond Street
'A picture by Hogarth, showing a performance of Dryden's play 'The Indian Emperor; or, the Conquest of Mexico' which took place in spring 1732 in the house of John Conduitt, before the Duke of Cumberland, who stands on the left with the Princesses Mary and Louisa beside him; the Duke of Richmond is shown in the left foreground, leaning over his wife's chair, while Lady Deloraine, sitting beside her, bends forward towards her daughters; the Earl of Pomfret, Duke of Montague and Tom Hill stand on the far left; the performers are Lord Sempster as Cortez, Lady Caroline Lenox as Cydaria, Lady Sophia Fermor as Almeria, and Miss Catherine Conduitt, afterwards Lady Symington, as Alibech; Dr. Desaguiliers is shown consulting a book at the back of the stage.'--British Museum online catalogue
Alternative Title:
Conquest of Mexico
Description:
Title from caption below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: Not in Nichols's book., and On page 220 in volume 3.
Publisher:
Publish'd Jany. 1, 1792, by J. & J. Boydell, Cheapside, & at the Shakspeare Gallery, Pall Mall
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Conduitt, John, 1688-1737,
