"An elderly lady sits very upright in a glass-fronted coupé, the side window forming a frame. She has simply-dressed powdered hair on which is a turban-like drapery; a fichu covers her neck. Her dress, in front of which is a large bouquet of flowers, is shaped to the waist in a way very different from the fashion of the day. On the carriage door ls a baron's coronet above the initial 'D'. On the left is seen part of the coachman's back, and an elaborate hammer-cloth trimmed with gold fringe. Below the design: '-'t'was thus, heretofore, honest Dames shew'd their Faces, When Ball Nights & Birth Nights, call'd forth all their Graces! - But now, (-las-a-day!) what with Wigs and with Vails, Our Fair Ones, hide Faces, and all, - but their Tails! - '."--British Museum online catalogue
Description:
Title etched at top of image. and Mounted on leaf 67 of volume 10 of 12.
Publisher:
Publish'd Feby. 1st, 1802, by H. Humphrey, St. James's Street
"Satire: frightened doctor surrounded by ghoulish figures with medical implements, saws and medicines, one bleeding him, another offering a pill; with verse below."--British Museum online catalogue, description of a reversed version of the same design
Description:
Title etched below image., A reversed version of this G.M. Woodward design, etched by Richard Newton and aquatinted by John Hassell, was published by William Holland on 11 November 1792. Cf. British Museum online catalogue, registration no.: 2001,0520.23., Six lines of verse beneath title: Those spectres seam'd with scars that threaten there, the victims of my late ill conduct are; ... Garth's Dispensary, Canto VI., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Garth's Dispensary.
Publisher:
Published Jany. 30, 1802, by Willm. Holland, No. 50 Oxford Street
Subject (Topic):
Physicians, Phlebotomy, Medical equipment & supplies, and Saws
Title etched below image., Text below title: Graciously dedicated to the Honble. Mrs. R-n, custodi morum &c &c., Six lines of verse below image, three on either side of title: Farewell ye girls! and still alas! As mama bids sad Red Coats shun! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Jamaica: Governor's house in Spanish Town -- Dancing: Jamaican ball -- Farewell for 67th Regt., Nov. 1801 -- Jamaican blacks -- Negro musicians -- Military musicians -- Ball costume, 1802 -- Military uniforms -- Officers uniforms -- Dances: Creoleon Hop -- Ballrooms -- Social customs: Jamaica, 1802., Matted to 56 x 72 cm., and Date in imprint altered in ms. from "1802" to "1803."
Publisher:
Published by William Holland, No. 50, Oxford Street
"A bust portrait of the Duke of Clarence in profile to the left. He wears powdered hair with small tail, a cylindrical hat, high stock with a shirt-frill. He is caricatured, with heavy jowl, protruding lips, and small slanting eye: the manner, that of realistic, even suave, portraiture, makes the caricature more cruel."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 80 of volume 10 of 12.
Publisher:
Publish'd Novr. 1st, 1802, by H. Humphrey, 27 St. James's Street, London
"Sheridan leads the forces of the professionals against the amateurs of the Pic Nic Society, who are performing on a small, elegant stage, rising (without orchestra) from the boards in the foreground where these enemies advance. He is dressed as Harlequin; the tight chequered dress (slightly torn) accentuates his obesity; an empty purse hangs from his belt; in his left hand is a hat with a tricolour cockade (emblem of Jacobinism). In his right hand he flourishes a large pen whose feather makes wide swirling curves, terminating in firework-stars, and inscribed with the names of newspapers: 'Courier', 'Morning Post', 'Morning Herald', 'Morning Chronicle'. He is masked, to indicate that he has been writing anonymous squibs against the Pic Nics. The swirls of his pen partly obscure a figure of Comedy, meretricious, and half-naked, holding up a mask which decorates the left pilaster of the proscenium. The actors follow in characteristic attitudes. Kemble (as Hamlet) wearing a ribbon, ranting in tragedy, directly behind Sheridan, staggers back with legs astride, both arms raised. On the left is Mrs. Billington, singing as in BMSat 9765, left hand on her breast. Mrs. Siddons (? as Lady Macbeth) clutches a dagger. Behind is the head of Lewis (see BMSat 9915), with a comedian's smile, wearing a cocked hat. Crowds of actors pressing on from behind (left) and in deep shadow, are indicated by arms holding up banners; the chief one with the head of 'Shakespeare', badly torn. Others are 'Otway Rowe'; 'Kotzbue', and 'Schiller', both tricolour (indicating the supposedly revolutionary tendencies of modern German drama, cf. 'The Rovers' in the 'Anti-Jacobin', and BMSat 7054); 'Jonson', 'Congreve', 'Addison'. In the foreground, through splintering boards, the ghost of Garrick rises, a mask in his hand. ..."--British Museum online catalogue
Alternative Title:
Harlequin Quixotte attacking the puppets
Description:
Title etched below image., Text following title: Vide Tottenham Street pantomime., Watermark: E & P., and Mounted on leaf 72 of volume 10 of 12.
Publisher:
Publish'd April 2d, 1802, by H. Humphrey, St. James's Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Kemble, John Philip, 1757-1823, Billington, Elizabeth, 1765-1818, Siddons, Sarah, 1755-1831, Lewis, William Thomas, 1746?-1812, Garrick, David, 1717-1779, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Mount Edgcumbe, Richard Edgcumbe, Earl of, 1764-1839
"Breakfast at Breteuil; study for a satirical print showing an interior scene with, from left to right, a postilion in enormous boots facing a bald-headed man, a rotund man being shaved by a thin man, a woman with a coffee-pot and plate with bread in front of a table, with a man eating and drinking opposite her, to the right in the middle ground a figure with his ear caught in tongs as the man curling his hair is distracted by a dog, a figure in the background holding up a shirt to cover his nudity, and in the foreground on the far r, a man pulling on a boot, with a print of the Fall of the Bastille above the fireplace."--British Museum online catalogue
Description:
Title from caption below image., Artist's signature from impression in the British Museum., Sheet trimmed within plate mark and artist's signature erased from lower left corner of sheet., and Watermark: J. Whatman Turkey Mill.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street (removed from Oxford Street)
Title from text below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from text below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint ; sheet 46 x 67 cm., Printed on wove paper, hand-colored, and matted to 57 x 74 cm., With the ownership stamp on mount (removed): From the collection of Maxine and Joel Spitz "Trail-Tree" Glencoe. Item no. 257. With a pencilled note: A rare print seldom met with. Obtained in London thru John Taylor -- ER NY. The original watercolor of this print is included in my collection -- obtained thru Amer. Art at auction, originally in the collection of David Insull., and Attached beneath are collector Joel Spitz's comments on provenance from old mount in pencil.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
"Robson speaks in the House of Commons, with outstretched arms: "We're all ruinated, Sir! - all diddled, Sir!! - abus'd by Placemen, Sir!!! - Bankrupts all, Sir! - not worth Sixteen Pounds, Ten Shillings, Sir! - ". From his coat pocket project bundles of papers: 'Ignorance of ye Old Administration'; 'Stupidity of ye New Administration'; 'Charges against the Ministry'. In his hat, on the seat behind him, are other bundles: 'Ministerial Tricks', 'Plunders', 'Blunders', 'Collusion'; 'Impeach[ment]'; 'Punishm[ent]'. Behind him, and next his vacant seat, sits Tyrwhitt Jones, listening with a fierce scowl, a pen in his mouth, his hat beside him; he holds a bulky sheaf of 'Notes'. Behind these two are Horne Tooke and Burdett (right), listening intently, Burdett turning towards his mentor. The other Opposition benches within the design, which shows a corner of the table on the extreme left, are empty."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Hope.", Temporary local subject terms: House of Commons -- Bankruptcy -- Robson's Speech, March 4, 1802., Note from local card catalog record: Bowditch version has slightly faded aquatint indicating it was pulled later in the life of the plate., and Mounted to 37 x 32 cm.
Publisher:
Pubd. April 8th, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Tooke, John Horne, 1736-1812
"Robson speaks in the House of Commons, with outstretched arms: "We're all ruinated, Sir! - all diddled, Sir!! - abus'd by Placemen, Sir!!! - Bankrupts all, Sir! - not worth Sixteen Pounds, Ten Shillings, Sir! - ". From his coat pocket project bundles of papers: 'Ignorance of ye Old Administration'; 'Stupidity of ye New Administration'; 'Charges against the Ministry'. In his hat, on the seat behind him, are other bundles: 'Ministerial Tricks', 'Plunders', 'Blunders', 'Collusion'; 'Impeach[ment]'; 'Punishm[ent]'. Behind him, and next his vacant seat, sits Tyrwhitt Jones, listening with a fierce scowl, a pen in his mouth, his hat beside him; he holds a bulky sheaf of 'Notes'. Behind these two are Horne Tooke and Burdett (right), listening intently, Burdett turning towards his mentor. The other Opposition benches within the design, which shows a corner of the table on the extreme left, are empty."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Hope.", Temporary local subject terms: House of Commons -- Bankruptcy -- Robson's Speech, March 4, 1802., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 25.6 x 20.6 cm, on sheet 28.8 x 23.0 cm., and Mounted on leaf 45 of volume 5 of 12.
Publisher:
Pubd. April 8th, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Tooke, John Horne, 1736-1812
