"A symbolical bust of Napoleon, dressed as a Roman emperor, is on a rectangular base on which are title and inscription : 'Symbolical of the Effects produced by that Cause which the enlightened [image of a fox] in [the] Eighteenth Century sagaciously predicted would ultimately prove a Stupendous Monument of Human Wisdom!!!' The head is turned in profile to the left; the features are conventional but express ferocity, with glaring eye and fierce frown. It wears a fantastic helmet wreathed with laurel from which blood drips. The wreath is entwined by serpents, whose (three) heads are clustered at the back with words in large letters issuing from their jaws: 'Rapine', 'Lust', 'Murder'. The word 'Invasion' issues in the same manner from the mouth. Above the wreath the helmet is encircled by a band on which are quasi-zodiacal signs: a scorpion, a sickle, a crescent, an arrow, a caduceus, a goat-like monster. On the helmet sits a grinning Devil, playing a fiddle and spreading his webbed wings over the idol's head, while from under one wing Death, a skeleton, peers out; he holds a javelin poised to strike and a cup of poison inscribed 'Jaffa' [see British Museum Satires No. 10063]. The shoulders are covered by drapery, drawn aside to reveal (rotten) ribs and a torn and bleeding heart which is transfixed by a dagger and a barbed spear. A scroll floats from the dagger inscribed 'Wilsons Narrative'; the spear has a scroll inscribed 'British Press' and is surmounted by a cap of Liberty. Fragments torn from the heart are inscribed 'Acre' [see British Museum Satires No. 9412], 'Egypt' [see British Museum Satires No. 9250, &c], and 'Irel[and]', while in the middle of the heart is a triangular patch: 'England'. The heart is surmounted by a crown made of blood-stained daggers with a central fleur-de-lis."--British Museum online catalogue
Description:
Title from text in image., With an accompanying sheet of letterpress text describing: The crest, The helmet, and The heart., and Sheet trimmed to plate mark on top edge.
Publisher:
Published by R. Cribb and Printed by Cox and Baylie, Great Queen Street
Subject (Geographic):
France, Great Britain., Great Britain, and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, and Wilson, Robert, Sir, 1777-1849.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Foreign relations, Devil, and Skeletons
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[13 January 1803]
Call Number:
803.01.13.01++
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Medicine: Velno's Vegetable Syrup -- Vegetable cordial -- Restorative pills -- Animals: Dog -- Female costume: Muff -- Advertisements., and Watermark: E & P 1794.
Publisher:
Pubd. Jany. 13, 1803, by W. Holland, No. 11 Cockspur Street, removed from Oxford Street
"Addington and Hawkesbury, in the gateway of the Treasury (inscribed 'Granary'), snare three bats with the heads of Grey, Sheridan, and Tierney. Addington kneels on one knee holding out a dark lantern and a hat with a tricolour cockade filled with papers inscribed 'Sinecure', 'Place', 'Annuity', 'Pension', 'Post'. Hawkesbury, standing behind him, holds out a net supported on two sticks in which to catch the creatures which fly, like harpies, straight towards Addington, dazzled by the lantern's rays. Grey's eyes are fixed on the lantern, those of Tierney and Sheridan, the last with an expression of eager greed, on the papers in the hat. Beside Addington is a sack of 'Sterling British Corn', overflowing with guineas. After the title: '"Bat-catching, (says Buffon,) does not require much art, for, flying always in the Night, they are easily attracted by a Dark-Lanthorn & being always hungry, may be easily caught, by a few Cheese-Parings, or Candle Ends; - they are so rapacious, that if they once get into the Granary, they never cease devouring, while there is any thing left." - Vide. Buffon's Nat: His. Article Birds of Night.'"--British Museum online catalogue
Description:
Title etched below image. and Mounted to 32 x 40 cm.
Publisher:
Pubd. Jany. 19, 1803, by J. Gillray, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, and Grey, Charles Grey, Earl, 1764-1845
Title etched below image., Possibly issued in 1798 as a triptych; here the middle portion has been omitted., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Title from letterpress text below image., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Sheet trimmed within plate mark with loss of all letterpress text. Title and broadside verses from the Beinecke Library impression., and Mounted to 33 x 34 cm.
Publisher:
Published by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg Lily.
"George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. He says: "My little friend Grildrig, you have made a most admirable \ "panegyric upon Yourself and Country, but from what I can \ "gather from your own relation & the answers I have with \ "much pains wringed & extorted from you, I cannot but con- \ "-clude you to be one of the most pernicious, little - odious \ "-reptiles, that nature ever suffer'd to crawl upon the surface of the Earth." He wears military uniform with a bag-wig. The only background is a dark cloud-like shadow across the lower part of the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Vide Swift's Gulliver: Voyage to Brobdingnag., Sheet trimmed within plate mark on lower edge., and Watermark: J. Ruse 1802.
Publisher:
Pubd. June 26th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Adaptations, parodies, etc, Telescopes, Military uniforms, British, and French
A satire on Napoleon. "The 'dwarf' (Lord Kirkcudbright) stands beside Glumdalclitch's empty chair at the dinner-table. A marrow-bone stands erect on the plate; from this emerges Napoleon, three-quarter length., wearing his bicorne and clenching both fists. The 'dwarf' says: "There you little insignificant Pigmy, I've Bone'd you." Kirkcudbright, in profile to the right., is based on Gillray's caricature, see BMSat 9905, head, figure, dress and sword being closely copied; but he stands chapeau-bras, and the arms and hands are differently posed: r. hand on the edge of the table, left hand held up derisively above Napoleon. The legs are cut off below the knee by the lower margin. On the back of the chair is a crown; on plate, knife, and fork are the Royal Arms."--British Musuen online catalogue
Description:
Title etched below image., Text following title: Vide Swift's Gulliver, Voyage to Brobingnag., and Sheet trimmed with loss of imprint statement. Imprint supplied from impression in the British Museum. See Registration number 1868,0808.7205.
Publisher:
Pubd October 18th 1803 by S.W. Fores 50 Piccadilly
Subject (Name):
Kirkcudbright, John Maclellan, Lord, 1729-1801, Napoleon I, Emperor of the French, 1769-1821, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Caricatures and cartoons and Adaptations, parodies, etc
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., 1 print : aquatint and etching on wove paper ; plate mark 37.8 x 30.4 cm, on sheet 39.5 x 31.5 cm., and Mounted on leaf 82 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., and Mounted on page 102.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
