"View of the interior of a hall in which a lottery is taking place; at centre on a raised stage, five men seated at a table, in front of and beneath which are seated more men; to either side, in front of tall, open receptacles each topped with a crown, is a man reading a piece of paper, a woman holding up an empty hand, and a seated man watching proceedings; at the front, many spectators watching from rows of counters on which are laid broad sheets of paper."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 53., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 193., 1 print : aquatint and etching on wove paper, hand-colored ; plate mark 22.4 x 26.9 cm, on sheet 26.8 x 34.1 cm., and Watermark: J. Whatman 1808.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the chapel, attached to Magdalen House, London; an ocatagonal building, the congregation sat at pews in centre, facing each other, the priest delivers a sermon from the pulpit on the left."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 54., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 196.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Magdalen Hospital (London, England). Chapel.
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
"Interior view of the premises of Harding Howell & Co, drapers; fabric displayed from stands around shop, and in large rolls above cabinets against walls; gentlemen behind counters help the customers, predominantly women; illustration to Ackermann's 'Repository of Arts', part 3, vol. 1."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate numbered in upper right corner: Plate 12., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
For No. 3 of Ackermann's Repository of Arts &c., pub. March 1809, 101 Strand, London
Title from caption below image., 'No. 4' in upper left corner and 'Plate 17' in upper right corner., Sheet trimmed within plate mark with some slight loss of imprint statement., and Watermark: J W[hatman?].
Publisher:
For. No. 4 of Ackermann's Repository of Arts &c., pub. 1st April 1800, 101 Strand, London
"View of interior of premises of Pellatt & Green, glass tradesmen in London; tables down centre of large room, displaying coloured glass of many designs; chandeliers hang from ceilings; elegantly dressed customers browse the impressive display; illustration to Ackermann's 'Repository of Arts', part 5, vol 1."--British Museum online catalogue
Alternative Title:
Messrs. Pellatt and Green
Description:
Title etched below image., Sheet trimmed within plate mark., and 'Plate 22' in upper right corner.
Publisher:
For No. 5 Ackermann's Repository of Arts &c., pub. May 1809 at 101 Strand, London
Subject (Name):
Pellatt & Green.
Subject (Topic):
Glassware, Chandeliers, Stores & shops, and Interiors
"View of the Horse Guards in St James's Park; soldiers marching in formation on the right, spectators gathered in foreground to left."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 56., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 206.
Publisher:
Pub. 1st Feby. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Saint James's Park (London, England), London (England), England, and London.
"Interior view of the new Stock Exchange in Capel Court, London."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 75., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 101.
Publisher:
Pub. July 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the chapel, in the prison; condemned prisoners kneel and pray in the Dock, around a coffin."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 57., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 209.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Newgate (Prison : London, England)
Subject (Topic):
Chapels, Interiors, Prisoners, Prayer, Coffins, and Pulpits
"Interior view of the Old Bailey, on Newgate Street, London; court in session."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 58., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 212., and Watermark: J. Whatman 1801.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the auditorium of the Opera House in Haymarket, London; a performance taking place; actors dancing on stage, the audience watching from six tiered galleries on either side, and from the pit."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 59., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 213.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
King's Theatre (London, England)
Subject (Topic):
Opera houses, Interiors, Auditoriums, and Audiences
