Title from caption below image., Date of publication from unverified data from local card catalog record., Four lines of verse below title: "With sighs and vows persists the wounded swain, ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples -- Courtship., and Watermark [trimmed partially]: J Whatman 1824.
Publisher:
Pubd. by Hunt & Pyall, 18 Tavistock Street, Covent Garden
A hunter tracking a game bird trips in the woods and as he falls accidently shoots his dog
Description:
Title from caption below image., Plate numbered in lower left corner: No. 1., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published, by H. Fores, No. 16 Panton Street, Haymarket
Title from caption below image., Date of publication from unverified data from local card catalog record., Two lines of verse below title: "No more a social walk the morn employs" ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Reading -- Ink stands -- Rugs -- Women.
Title from heading above image., Date of publication from unverified data form local card catalog record., Six lines of dialogue below image: Please Sir Mrs. vishes to know should you loike to 'ave your bed h'aired ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Companion print to: High life below stairs., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Black people -- Blindman's bluff -- Kissing -- Couples.
A view of the Stock Exchange, filled with members; the wall-clock points to 1:30. A few sticks and fists are raised above the crowd, and a hat flies up. In the foreground a horse, led in by two members, is incited by others to kick, a practical joke on its owner. Members in the foreground are after, or vaguely resemble, City portraits by Dighton. ... On the right, Wright stands with raised hand, amused at the horse. Montefiore in profile to the right, faces Hibers(?). Others are mentioned, including Bish. Among the crowd a bearded Jew is consipicuous. On a raised platform at each side stands a beadle
Alternative Title:
Billy White's poney made a member of the stock exchange and Billy White's pony made a member of the stock exchange
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Title from caption below image., Two lines of verse below title: Wine cures the gout, the colic and the phythisic. Wine it is to all men the very best of physic., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Hunt, 18, Tavistock Stt. Covt. Garden
Title etched below image., Theodore Lane collaborated with George and Charles Hunt on prints with non-political jokey subjects from 1825 to 1827; see British Museum online catalogue., Sheet trimmed within plate mark., Two lines of verse etched below title: Wine cures the gout, the colic and the phthisic. Wine it is to all men the very best of physic., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Cholic -- Wright, Charles.
Title and artist's attribution from ms. inscription in the printmaker's hand. Unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title, artist's attribution, and date in ms. added to print in the hand of the printmaker: Thomas Howell Jones.
