Title from caption below image., Print signed with artist's device below artist's initials: A spur., Two lines of text above image: "Nec te tua plurima xxxx. Labentem pietas, nec Apollinis infula texit.", Reissue of no. 14316 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour -- Mountains -- Hiking -- Hikers -- Asses.
New mode of fighting a duel with weapons of female invention
Description:
Title engraved below image., Sheet trimmed within plate mark., Text in upper left and right corners of plate burnished from this state., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Headdresses -- Duels -- Horns.
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Reissue, with new imprint statement, of a print first published as the heading to a broadside entitled "Recipe for corns". For an earlier state published 4 December 1822 by G. Humphrey, see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue
Description:
Title from caption below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Artist identified in British Museum catalogue., and Watermark.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Topic):
Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, Pets, and Single women
"A Thames wherry passes close to the wall of a riverside tavern, and is about to go under a high timber bridge. The two oarsmen have immense artificial-looking whiskers and curled hair, cf. British Museum satires no. 15962, no hats, and wear striped shirts, open at the neck, nautical in cut. They row a lady who sits erect in a grotesquely huge hat, with wide brim, high jam-pot crown, and towering ribbons. They row badly and carelessly. In waterside arbours spectators drink and smoke. On the extreme left steps lead to the water, and two more amateur oarsmen, looking like buccaneers, stand, while a boatman in waders holds the bow of a boat. Behind are urban houses."--British Museum online catalogue
Alternative Title:
Above bridge. No. 1
Description:
Title etched below image., Series title etched above image. No more published?, Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Geographic):
London (England) and England
Subject (Topic):
Social life and customs, Clothing & dress, Hats, Boats, Bridges, Pipes (Smoking), Restaurants, Smoking, Taverns (Inns), and Waiters
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publishing., Text below image: Keep outside. Oh dear it is so dirty. Keep off I say., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An elderly, spinsterish, and ugly woman, three-quarter length, holds in her left hand a spy-glass (or microscope) which touches the circumference of a large circle, representing a magnified drop of water, filled with grotesque and horrifying aquatic creatures, from the quasi-whale to mere specks. She turns aside in disgust, looking towards the picture-plane, and dropping a full tea-cup. The Paul Pry of the signature raises his hat to a tiny pump, saying, Glad to see you hope to meet you in every Parish through London."--British Museum
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published the largest collection of any house in town., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Text above image begins: Microcosm dedicated to the London Water Companies ...
