Title from text above and below image., Print signed with artist's device below artist's initials: A spur., Reissue of no. 14319 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
An old woman in patched-up clothes with her harp huddles in a doorway. The satire contrasts the life of a street singer with the sweet lyrics of the popular ballad by Thomas Moore
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum online catalogue, registration no.: 1985,0119.318., Sheet trimmed within plate mark., One line of quoted text beneath title: "Sleep, gentle sleep, Nature's soft nurse., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
Moore, Thomas, 1779-1852.
Subject (Topic):
Street musicians, Harps, Older people, Poor persons, Women, and Doors & doorways
"After the title: "--Thus they, in lowliest plight, repentant bow--Mil[ton]. The Pope sits in a Gothic chair whose back is at an angle with the picture plane: Wellington, in profile to the right, kneels at his feet, supporting the Pope's right foot, and fervently kisses his toe (as in BM Satires No. 15665). He wears civilian dress, but a plumed cocked hat lies beside him. Peel (left) stands behind, eagerly waiting his turn, his hands together as if in prayer. Each holds a rosary. The Pope, who has a red and vulturine nose, wears a tall tiara."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Approximate date of publication from British Museum catalogue., Text following title: "Thus they, in lowliest plight, repentant bow-Mil[t]on., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman 1829., and Numbered in ms. at top of sheet: 192.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes
"Peel, as a dustman, stands with legs apart, smoking a pipe and looking to the left. In his right hand is his hand-bell, marked with the Royal Arms, in the left broom and shovel. He is handsome and stalwart, the dress is becoming. Above: 'I dont, vunder I looks black I has all the dirty work in the Parish to do.'"--British Museum online catalogeue
Description:
Title etched below image., Series title etched above image., and Paul Pry is the pseudonym of William Heath.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket sole publisher of P. Prys caricatures - none are original without T. McLeans name
Subject (Name):
Peel, Robert, 1788-1850
Subject (Topic):
Garbage collecting and People associated with manual labor
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Farmers -- Poverty -- Farm houses -- Scarecrows -- Rural areas., and Watermark: J. Whatman Turkey Mill 1828.
Design in an oval with the bust portraits of George III and Queen Charlotte in profile looking to the right, his taller figure concealing her right shoulder and the back of her shady hat which has a transparent brim. Both are plainly dressed as in prints depicting them as a farmer and his wife, see British Museum satire no. 6918. A reverse of the original (British Museum satire no. 6968). A small anchor is etched in the lower left corner outside the oval design
Alternative Title:
Farmer George and his wife
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., and Probably published by William Holland: the lettering is in his hand and the print is listed in his 1788 Catalogue at a shilling.
Publisher:
Wm. Holland
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Design in an oval with the bust portraits of George III and Queen Charlotte in profile looking to the right, his taller figure concealing her right shoulder and the back of her shady hat which has a transparent brim. Both are plainly dressed as in prints depicting them as a farmer and his wife, see British Museum satire no. 6918. A reverse of the original (British Museum satire no. 6968). A small anchor is etched in the lower left corner outside the oval design
Alternative Title:
Farmer George and his wife
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally. See British Museum catalogue., Probably published by William Holland: the lettering is in his hand and the print is listed in his 1788 Catalogue at a shilling., and Later state with date entirely and artist's devise (an anchor) partially burnished out.
Publisher:
Wm. Holland
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
