"George IV, on a galloping horse, aims an arrow at the crowned head of the Queen (left), which emerges above the clouds of dust raised by his horse. He wears military uniform, with peacock's feathers (see British Museum Satires No. 13299) in his cocked hat. In the distance (right) are the domes of the Pavilion. The plate faces lines beginning: A, for an Archer, who wounded a Queen, The stoutest Apollo that ever was seen, ..."--British Museum online catalogue
Alternative Title:
A, for an archer, who wounded a queen, the stoutest Apollo that ever was seen ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Rosco., and Royal Pavilion (Brighton, England),
Subject (Topic):
Horseback riding, Feathers, Bows (Weapons), and Archery
Letter from an auctioneer in town to his friend in the country
Description:
Title from item., Plate numbered '42' in upper right corner of image., An engraved letter in the form of rebus., The following words within title are represented by a rebus: 'letter' by an envelope, 'eer' in 'auctioneer' by an ear, 'town' by a panorama of a town, 'to' by a toe, 'i' in 'in' by an eye, 'ry' in 'country' by a sheaf of rye., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: Seven Years War: reference to Fort Mahon., and Mounted to 27 x 30 cm., with Bowditch's ms. annotations.
Publisher:
Publish'd according to act Nov. 13, 1756, by Darly and Edwards at [the] Acorn facing Hungerford, Strand
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book x, page 127 in unidentified edition., Sheet trimmed to plate mark., No. 61 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds a club against his right shoulder. Behind him (right) is a signpost: 'The Bridle Way to Horse-Lydown' (a pun on Horselydown, Southwark). In the background are trees and (left) the Thames with ships."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Temporary local subject terms: Broken kneed horse -- Branded horse -- Signpost: The Bridie Way to Horse-ly Down -- Ships on the Thames.
Publisher:
Publish'd Augst. 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Traffic signs & signals, and Ships
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds a club against his right shoulder. Behind him (right) is a signpost: 'The Bridle Way to Horse-Lydown' (a pun on Horselydown, Southwark). In the background are trees and (left) the Thames with ships."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Temporary local subject terms: Broken kneed horse -- Branded horse -- Signpost: The Bridie Way to Horse-ly Down -- Ships on the Thames., Mounted on page 66 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with etching on laid paper ; sheet 23.0 x 18.9 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Augst. 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Traffic signs & signals, and Ships
A collection of prints and one drawing (tentatively attributed to Samuel Collings), mostly portraits of Samuel Johnson and James Boswell, mounted in Walpole's copy of James Boswell's The journal of a tour to the Hebrides, with Samuel Johnson (London : Henry Baldwin, for Charles Dilly, 1785).
Description:
Title devised by cataloger. and Also bound in are three prints described in the Catalogue of prints and drawings in the British Museum; these are cataloged separately.
Subject (Name):
Johnson, Samuel, 1709-1784,, Boswell, James, 1740-1795,, Boufflers, Marie Charlotte Hippolyte, countess of, 1725-1800,, Macpherson, James, 1736-1796,, and Boswell, James, 1740-1795.
Cover-title. and Plates printed on a continuous strip of paper, folded in Japanese fashion ; linen backed ; portrait of the publisher Tilt on back cover. cf. A. M. Cohn, George Cruikshank, no. 189.
