"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., and Leaf 24 in an album with the spine title: Characatures by Dighton.
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., 1 print : etching ; plate mark 27.3 x 19.7 cm, on sheet 32.1 x 23.3 cm., and Printed on wove paper; hand-colored.
Kean as Richard III, directed to the left, stands on a large volume with the word 'Shakespear' written on the top edge. Resting on his head and humped shoulders is a model of Drury Lane Theatre, a massive block, inscribed 'Whitbreads Intire.' On the roof is poised an ugly figure of Fame, blowing through a trumpet 'Puff Puff Puff', and holding behind her a second trumpet, from which issue the words 'Puff Puff P'. At the entrance to the theatre straddles a tiny Whitbread, his legs and arms projecting from a cask which forms his body; he says: "Now by St Paul the work goes bravely on" (altering Richard's words from 'this news is bad indeed'). Kean stoops, leaning on a cross-hilted sword, inscribed 'A Keen supporter'; he has misshapen bandy legs. He says: "Well, as you guess." He wears an ermine-trimmed cap encircled by a crown, slashed doublet and trunk hose, a sleeveless coat bordered with ermine and embroidered with a (Yorkist) rose, with flapped and spurred boots. (The figure, with the position of the arms altered, is a travesty of J.J. Hall's portrait of Kean interrogating Stanley on the approach of Richmond. The costume is correct.) The stage is indicated by curtains flanking the design. In the background are clouds of smoke.--Adapted from British Museum
Description:
Title from text etched below image., Complete imprint statement and dimensions supplied from British Museum impression., and Sheet trimmed within plate mark with loss of characters in the publisher's name.
Publisher:
Pubd. May 7th, 1814 by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kean, Edmund, 1787-1833, Kean, Edmund, 1787-1833,, Shakespeare, William, 1564-1616,, and Theatre Royal, Drury Lane (London, England)
