Byron, Frederick George, 1764-1792, attributed name
Published / Created:
July 8, 1790.
Call Number:
790.07.08.01+
Image Count:
1
Resource Type:
still image
Abstract:
In a large room French aristocrats crowd across a table from Pitt who is taking money while handing a pen to the man opposite who holds a crown in his left arm as he throws coins toward Pitt's grasping hand. Above Pitt stands George III behind podium, gavel in one hand and another crown extended toward one of the many bidders shouting comments and prices. The King calls out, "This is a lot, gentlemen, of superior brilliancy to the last. This, this raises you above your fellows in a very high degree indeed. I pity your distresses from my soul, what, what, what was that you were saying about jewels, Madames, too high. You may ride over the necks of half the nation with this upon your coach. You may get in debt as fast as you please and never pay. Mind that gentlemen, never pay." The Queen walks up a ladder behind the King to retrieve more crowns from the shelves behind the King's podium, turning her head to say, "Pay some attention to that Lady's jewels, my love."
Alternative Title:
English coronet auction by King, Pitt & Co., or, Comfort for the late French noblesse and Comfort for the late French noblesse
Description:
Title etched below image., Attributed to Frederick George Byron by Andrew Edmunds., Publisher's advertisement below imprint: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humourous prints. Admtce. 1 shillg., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Irregular sheet, trimmed at an angel in lower left. Backed with blue paper.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain., France, and France.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Subject (Topic):
Refugees, History, Avarice, Auctions, Corruption, Crowds, Crowns, and Nobility
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 37.0 x 26.5 cm., and Mounted on leaf 36 of volume 2 of 12.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"An election mob in which Townshend and his supporters, as butchers, are violently attacking the populace with cleavers and marrow-bones. They wear aprons with butchers' steels dangling from the waist. George Hanger (right), his hat decorated with three ostrich feathers and the coronet of the Prince of Wales, raises a cleaver in both hands and threatens two constables with staves who fall backwards, wounded or terrified. He is in violent action, one foot rests on the unconscious body of a sailor whose face is gashed and bleeding. In the sailor's hand is a flag with a ship and the words 'Royal Navy'; on this Townshend, who uses his marrow-bone and cleaver as a musical instrument, not as weapons, is trampling. Behind Hanger, Fox, climbing above the crowd, is violently smashing the sign of 'The King's Head' (a bust portrait of the King) which is over a door inscribed 'Martin'. In the foreground a woman half-lying on the ground tries to protect her screaming infant from a cleaver and bone brandished by Sheridan. On the extreme left Lord Derby attacks a kneeling sailor with a wooden leg. Behind Sheridan, Burke raises a cleaver in both hands, and behind him the Duke of Norfolk waves a flag inscribed 'Townsend and Liberty'. Behind is a dense crowd brandishing cleavers and bones, while others attempt to escape. On the right are houses inscribed 'James Str[eet]', the houses of Covent Garden are indicated on the left."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Text right of title: Price 1 s., and Mounted to 32 x 44 cm.
Publisher:
Pubd. July [...]th. by H. Humphrey, New Bond St.
Subject (Geographic):
England and Westminster
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, George III, King of Great Britain, 1738-1820, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Coleraine, George Hanger, Baron, 1751?-1824, and Great Britain. Parliament
Subject (Topic):
Elections, 1788, Axes, Butchers, Crowds, Political elections, Riots, Sailors, British, Signs (Notices), and Taverns (Inns)
"A sequel to British Museum satires no. 6438. George III, seated on a balloon, points downwards with his sceptre to an image of Pitt (right) as a naked child, on a column which is inscribed 'Family Presumption'. The king looks down at North, Fox, and Burke, saying, "I command you O Shadrach Mesech & Abednego!" The three stand (left) in attitudes expressing intense self-righteousness; they say: "Know O King we will not worship [the] Golden Image"; on each head rests a tongue of flame. They stand outside a dilapidated building on the extreme left inscribed 'St Stephens', shored up by a beam, whose base is at their feet, inscribed 'Resolutions Unrescinded'. From its coping-stone flies an ensign flag inscribed 'Firm S.P.Q.B.' The king's balloon is inscribed 'Prerogative'; its lower axis emits a blast inscribed 'Gracious Answer'. Behind the balloon and Pitt are clouds inscribed 'Breath of Popularity'. Pitt stands sucking his finger (cf. British Museum satires no. 6417); on his head is a sugar-loaf surmounted by a flag inscribed 'Feby 28', an emblem of the Grocers' Company which had entertained him on that day, see British Museum satires no. 6442. Kneeling figures do obeisance before the image of Pitt, those in the foreground representing the least reputable trades: a lamplighter (left), with his ladder and oil-can, kneels in profile to the right; a butcher prostrates himself; a chimney-sweep kneels with clasped hands; a ragged scavenger, his shovel and basket beside him, kneels in profile to the left, the basket stands on a paper inscribed '[Worshipfu]ll Company of Scavenger[s]'. In the foreground lie papers inscribed 'Garret Address' (an allusion to the mock elections of Garratt), 'Address', and 'The worshipfull Company of Chimney Sweepers'. A crowd of kneeling figures (left) is worshipping the idol; they hold standards, three of which are inscribed 'Bristol', 'Westminster', and 'London', representing the addresses to the king which had been compared by Fox to those made to Charles II, see British Museum Satires no. 6438, &c."--British Museum online catalogue
Description:
Title etched below image., "Annibal Scratch" is the pseudonym of Samuel Collings., Only tentative attribution to Samuel Collings in the British Museum catalogue., Eight lines of verse in two columns below image, one column on either side of title: A gilded image & before it, a mob on marrow-bones adore it ..., Sheet trimmed to plate mark on top edge., Traces of former blue mounting on verso., and British Museum duplicate (indicated by stamp on verso with initials JKR). With original 1[s] price in ink, with figures identified in ink in Hawkin's hand according to Andrew Edmunds.
Publisher:
Pub. by W. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain, England, and Surrey.
Subject (Name):
Pitt, William, 1759-1806, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, and Grocers' Company (London, England)
Subject (Topic):
Elections, Local elections, Adoration, Balloons (Aircraft), Butchers, Chimney sweeps, Crowds, Idols, Occuptations, and Scavenging
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 36.4 x 50.9 cm, on sheet 39.1 x 53.3 cm., and Mounted on leaf 70 of volume 2 of 12.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), p. 111., Temporary local subject terms: Vehicles: state carriage -- Coachmen: state coachmen -- Petitions: City of London, March 14, 1770 -- Popularity: popularity of George III -- Spectators: enthusiastic spectators., and Mounted to 19 x 31 cm.
