Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
"An allegorical design. Britannia, holding her shield and a cap of Liberty on a staff, rushes (right to left) with a calm expression to the edge of a cliff, urged on by Wellington and five other Ministers (scarcely characterized). On her right a man snatches the drapery from a small cloud-borne figure of Fortune with her wheel, who is directed towards an oval portrait of Queen Caroline supported by an angel. Fame holds a laurel wreath above the portrait. Below the cliff or rock from which Britannia steps so heedlessly is a patch of ground surrounded by sea. On this stands Burdett, holding out a scroll inscribed 'Magna Char[ta] Liberty of Napoleon' and holding out his left arm to prevent Britannia from falling. Justice stands behind him, holding evenly balanced scales. Four other men stand close behind him, one holding out a scroll inscribed 'Reform', and supporting the arm which holds the scales. A man in shirt-sleeves kneels at Burdett's feet, making a gesture of urgent entreaty. On a rock (right), symbolizing St. Helena but merging with Britannia's cliff, sits a spotted, sub-human Caliban-like creature, who holds a small image of Napoleon, which he is about to cover with an extinguisher. At the base of the rock, but in the background, are two tiny officers in military uniform, seated together at the edge of the sea, directed to the right. In the foreground (left) sits a woman (? France) in classical draperies, holding a sceptre, with a (? Bourbon) crown falling from her head, and with a second (? imperial) crown in her lap. She gazes towards St. Helena. Inset in the title and enclosed within a border inscribed 'Honi soit qui mal y pense': 'Wilson sçut délivrer une Noble victime Burdett, Hobhouse, Holland, sauvez Napoléon, Arrachez-le aux tourmens de l'exécrable Hudson, Vengez l'honneur Anglais flétri par un grand Crime Et sauvez Albion sur le Bord de l'Abême [sic]!!!'."--British Museum online catalogue, description of a later state
Alternative Title:
Nation and her m-n-t-r's and Nation and her ministers
Description:
Title etched below image., Early state, before border and imprint statement added. For a later state with border present and the imprint "Pubd. by Milleville, Hampstead" etched in lower left, see no. 14050 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of twenty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
John Milleville?
Subject (Geographic):
Saint Helena,
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wellington, Arthur Wellesley, Duke of, 1769-1852, Burdett, Francis, 1770-1844, Napoleon I, Emperor of the French, 1769-1821., Broughton, John Cam Hobhouse, Baron, 1786-1869., Wilson, Robert, Sir, 1777-1849., Holland, Henry Richard Vassall, Baron, 1773-1840., Lowe, Hudson, Sir, 1769-1844., and La Valette, Antoine-Marie Chamans, comte de, 1769-1830.
Subject (Topic):
Britannia (Symbolic character), Cliffs, Shields, Liberty cap, Angels, Justice, Scales, Military officers, and Crowns
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
The sudden entrance, through the window, of Napoleon Bonaparte startles tailors assembled in their shop, i.e., the European rulers at the Congress of Vienna, busy "cutting out" portions of Europe for themselves. With a blood-dripping sabre in his hand, Bonaparte declares his readiness to join them in this activity. To his left, a startled King of Holland moves toward the Austrian Emperor, shown with a pair of small scissors and an iron in his hands, who is Napoleon's father-in-law and whom the deposed French Emperor asks, "Where is my wife and son, father Francis?" Beside Francis I, the Russian Emperor stands on a large piece of cloth lined with "Polish fur," raising in his left hand a knot made out of the measuring tape. On the opposite side of the workbench, a fierce-looking Prussian general Blücher threatens Napoleon with huge shears. Behind him, the King of Prussia, sitting cross-legged, continues sewing a piece of cloth signed, "Pattern of an Emperors Robe." To his right stands Napoleon's former marshal, Bernadotte, now allied against him as the Crown Prince of Sweden. In the middle of the room, a frightened and helpless-looking King of France lies flat on the floor, consoled by John Bull, with a large club, who promises to sew up "that rascal Boney." Behind John Bull, a terrified Pope scrambles away for the safety, his tiara and cross fallen to the ground. On the other side of Louis XVIII, the French negotiator at the Congress, Talleyrand, attempts to hide under the tailors' bench
Alternative Title:
Devil among the tailors
Description:
Title from caption below image., Artist from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 44 cm.
Publisher:
Pubd April 21st, 1815 by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Louis XVIII, King of France, 1755-1824., Francis I, Emperor of Austria, 1768-1835., Alexander I, Emperor of Russia, 1777-1825., William I, King of the Netherlands, 1772-1843., Frederick William III, King of Prussia, 1770-1840., Pius VII, Pope, 1742-1823., Charles XIV John, King of Sweden and Norway, 1763-1844., Blücher, Gebhard Leberecht von, 1742-1819., and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
John Bull (Symbolic character), Congress of Vienna, Tailor shops, Clothing and dress, Scissors & shears, Hats, and Crowns
"Joseph, neatly dressed as an avocat, takes an enormous step from the rail of a desk (right) on which his right toe is poised to a wall 'Map of Spain & Portugal' on a level with his shoulders, where his left toe touches 'Madrid'. His hands are raised above his head to clutch at a mass of fringed cushions on which is the crown of 'Spain', with a sceptre. On the wall is pinned a notice: 'Notary Public Bayonne'. Four clerks sit facing each other at the desk he has left, which has double slopes, divided by the low rail from which he steps. One asks: "Why Joseph wither art thou going"; he looks down answer: "Whither - but to fill my high destiny? And like my noble Brother Sway tne Sceptre of another." The other clerks say respectively: "But proverbs tell of many Slips, Between the tankard & the lips, And really I am apt to give, The proverb credit as I live" and "He must needs go whom the Devil drives and should it cost his Neck; Ownds! what a prodigious step for a Notary's clerk"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman., and Mounted on leaf 10 of volume 9 of 14 volumes.
Publisher:
Pubd. August 18th, 1808, by R. Ackermann, N. 101 Strand
Subject (Name):
Joseph Bonaparte, King of Spain, 1768-1844, Napoleon I, Emperor of the French, 1769-1821., and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838.
"John Bull, a sturdy citizen, displays to the Tsar who is a crowned bear on its hind-legs (left), an enormous open book: 'John Bulls Journal'. This rests on the ground, and reaches to John's chest; he points to the right.-hand page: 'The Great the Magnanimous Catherine of Russia seized upon One third of the Kingdom of Poland and Kept it to herself - These Peaceful Danes Seiz'd on the City of Hamburgh.' He says: "So you say Master Bruin, that my visit to Denmark has no parallel in History- do be so good as to turn your spectacles to this page and refresh Your Memory." The bear peers gloomily through huge spectacles at the page. Round his neck is a collar: 'This Bear belongs to Napoleo[n]'."--British Museum online catalogue
Alternative Title:
John Bull refreshing the bears memory
Description:
Title etched below image. and Plate numbered "34" in upper right corner.
Publisher:
Published by T. Tegg, 111 Cheapside
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825., Catherine II, Empress of Russia, 1729-1796., and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
John Bull (Symbolic character), Books, Crowns, and Eyeglasses
"French soldiers are being cooked or drowned in a big round vat built of stone, under which a fire is burning. Blücher (left) and Wellington (right) stand over the vat, holding long-handled perforated ladles with which they skim the surface of the water, fishing out the soldiers. Blücher (left), saying "Mon cher Welington je commence a écumer j'espere que vous me Seconderez," holds on his level ladle a hussar in large busby, braided tunic, and boots. Wellington holds up on his (tilted) ladle a man hanging head downwards. Beside the vat (right) is a rocky cone from a fissure in which the flames of Hell emerge; Cerberus, a monster with three serpentine necks and webbed wings, reaches from the opening towards Wellington's captive, and devours his legs with two of his great jaws. Wellington answers: "mon ami Blucher je sais pret a vous suivre mais surtout travaille fort cette nuit." Other soldiers struggle to get out or sink back hopelessly. An eagle (standard) projects from the water, on which float many tricolour cockades. Wellington's victim, who has a moustache, is not Napoleon, who is a subordinate figure, struggling to get out, and extending his arms towards Wellington."--British Museum online catalogue
Description:
Title etched below image., Possibly a copy of a print by George Cruikshank entitled "The last tub-full"; see British Museum online catalogue, registration no.: 1868,0808.8222., After the Battle of Waterloo, so after June 1815., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Cerberus (Greek mythology), Cooking utensils, Generals, French, Military officers, Prussian, Soldiers, and Vats
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Fifteen figures arranged in two rows, each with a caption: the words of the speaker etched below the name of his country. (1) A white-robed figure, with hands spread deprecatingly: 'Egypt. His extortions are abominable, I wish he was made a Mummy of!' [cf. British Museum Satires No. 9352, &c.]. (2) A man, wearing a night-cap and a dressing-gown over Spanish dress, yawns and stretches: 'Spain. Bless me what a long time I've been taking & been dreaming about going to Peru.' (3) A man, wearing a bag-wig and old-fashioned dress, bows obsequiously: 'Italy. I bow to him with submissive respect.' (4) A Chinese in trousers stands impassively in profile: 'China Is not this Boonapar a famous robber.' (5) A man with a long pipe and gouty legs: 'Germany [Austria] I mean a great deal when I shake my head.' (6) A military officer puts a finger to his closed lips: 'Prussia. Mum.' (7) A post-boy, wearing jack-boots and heavily shackled, waves a bonnet rouge: 'France. Long live the Emperor - Vive La Liberté'!! (8) A Turk wearing a jewelled turban: 'Turkey. I quake whenever his name is mentioned.' (9) A man wearing fur cap, fur cloak, and fur-trimmed boots folds his arms: 'Russia I curse him one moment and am friends with him the next.' (10) An elderly military officer, wearing a long sword, stands hands on hips: 'Sweeden. Who's afraid!!' (11) 'A fat Dutch burgher, smoking a pipe, scowls reflectively: 'Holland For my part I dont know what to make of him.' (12) A man wearing a short jacket, trousers, and a long pigtail runs to the right.: 'Portugal I'm Off.' (13) A quaker stands full face with folded hands: 'America. Verily the Spirit doth move me to shake hands.' (14) An Oriental, wearing a turban and long trousers, stands full face: 'Assia I beg he may be kept at a distance.' (15) John Bull, a fat 'cit', stands with his hands in his waistcoat pockets, smiling dubiously: 'England I laugh at him, and defy him. but still I dont much like him'."--British Museum online catalogue
Alternative Title:
National opinions on Bonaparte and National opinions on Buonaparte
Description:
Title etched below image., Plate numbered "235" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., "THO" written in open letters in pencil near center of sheet, following the word "Holland.", and Leaf 11 in volume 4.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
"Bonaparte stands in a dispensary opening off a military hospital, conspiratorially giving orders to a slyly grinning doctor who shows him a bottle labelled 'Poison'. The general points to the hospital, separated from the dispensary by a curtain, where men, apparently moribund, lie on bedsteads. In the dispensary are jars, bottles, scales, pestle, and mortar; a small crocodile hangs from the roof (cf. British Museum Satires No. 11057). The most persistent of all 'atrocity' charges; certain plague-stricken French soldiers being given opium on the retreat from Acre in May 1799, see British Museum Satires No. 10063."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., One of thirty plates from: The life of Napoleon, a hudibrastic poem in fifteen cantos. London : Printed for T. Tegg, Wm. Allason ; Edinburgh : J. Dick, 1815., See also: W. Helfand, "The poisoning of the sick at Jaffa", Veröffentlichungen der Internat. Ges. für Geschichte der Pharmazie, neue Folge, volume 42, Wissenschaftl. Verlagsges. Stuttgart, 1975., and See further: Raymond Crawfurd, Plague and pestilence in literature and art, Oxford 1914, pages 200-211.
Publisher:
Published by Thomas Tegg, No. 111 Cheapside
Subject (Geographic):
Israel. and Jaffa (Tel Aviv, Israel)
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Plague, Soldiers, Poisoning, Poisons, Peste, Hospitals, Interiors, Military hospitals, Sick persons, Physicians, Mortars & pestles, Scales, and Crocodiles
"By the efforts of Pitt, who directs Addington, and of a jester wearing cap and bells, an earthenware jug representing George III is lowered into the sea and fatally damaged by striking a rock inscribed 'Malte'. 'Addington' is a man of straw (his body formed of a bundle of straw), a puppet attached to a pole placarded with his name; Pitt (left) pulls threads attached to the dangling arms and legs, but looks round horrified at the disaster resulting from his machinations. The jester crouches on a rock (right); under his foot is a document: 'Traité d'Amiens' [see British Musueum Satires No. 9852, &c.]; he holds in both hands the rope, lowering the royal pitcher, but the other end of the rope is round Addington's hand and thus is manipulated by Pitt. Malta is a small castellated island with a church and a sharp rock which has gashed the pitcher just where it is decorated with a dog-like lion from whose head a crown falls. The mouth of the pitcher is a profile portrait of George III crowned, and looking down with angry dismay at the fatal rock."--British Museum online catalogue
Description:
Title etched below image. and Date of publication from British Museum catalogue.
Publisher:
Chez Martinet, Rue du Coq, Saint Honoré
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821.
