Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War - after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain... He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen... his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).
Description:
Title from text above image., Text below image begins: Noticioso Napoleon de qe sus exercitos de España ..., and Copy of a print by James Gillray; for the original, see no. 9998 in the Catalogue of prints and drawings in the British Museum, v. 8. For a more simplified Spanish copy, see no. 11058.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Gillray, James, 1756-1815
Subject (Topic):
History, Foreign public opinion, Spanish, Political satire, Spanish, Anger, Globes, Chairs, Documents, Fire, and Smoke
Print showing George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for the Bill of Pains and Penalties and his divorce from Caroline; he smashes a bottle of wine over the head of Frederick and prepares to throw another bottle at William. A woman, possibly Lady Conyngham, offers words of encouragement from behind a drape, while a man leaning through a window says, "Hollo Georgy, mind what y'our after if you offend Fred: he has got a Red Rod in Pickle for you."
Alternative Title:
Family quarrels
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 48 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Duke of York," "Prince Leopold," "George IV," and "Lady Conyngham" are identified in pencil at bottom of sheet.
Publisher:
Pubd. July 23, 1820, by King, Chancery Lane
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Family, Families, Divorce, Adultery, Anger, Brothers, Mistresses, Throwing, Bottles, Draperies, Pineapples, Military uniforms, and British
"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 7 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
John Bull stands defiantly in the center of a crowd of angry men -- military officers, gentlemen of various ages, tradesmen, and an amputee -- most of whom hold out bills ranging between £50 and £5000; the speech bubbles above their heads read: "King's taxes"; "Police rate"; "Parish rates"; "Excise duties"; "Tithes church rates pew rents & Easter doos [sic]"; "Sundres &c." John Bull's response reads, "Damme ye had better devour me., ye voratious crew. Am I never to have my hands out of my pocket again, but 't wont last long lads. I shall soon be in the Gazette & then ye lazy drones ye must work hard for you own livings." The man with a large belly on the lower right carries a little dog under his arm
Description:
Title from caption written below image., Date of creation based on Grant's known years of activity., Paper watermarked: J.R. 1828., and For further information, consult library staff.
Subject (Geographic):
Great Britain
Subject (Topic):
John Bull (Symbolic character), Taxation, Anger, Crowds, Demonstrations, Dogs, Men, Military officers, and Obesity
